**NURAGIC SARDINIA – part 4: sacred Nuragic wells**
Sixth and last part of the series of threads on Prenuragic and Nuragic Sardinia. Today is all about cult of water and sacred wells/fountains.
📸 Romanzesu, Bitti
The cult of water was very important in Sardinia, as the 100+ sacred wells and fountains show. We don't know with certainty which rites were practiced, but we know we found many votive statuettes representing people or ships in these sites. Some cults may have lived on through-
-new rituals, still living today.
There are three main types of wells (or fountains), depending on their position and orography.
▪️Hypogean wells. These are the most famous and important ones, represented by Santa Cristina of Paulilatino and Santa Vittoria of Serri.
They have a peculiar "keyhole" shape, seen from above. They are composed of a long stairway which leads underground, usually with an inverted-stairway ceiling; the actual pit, with the walls which gradually close on top; enclosing walls -
📸 Santa Cristina, Santa Vittoria
-around the well. The water collects at the bottom directly from the source intercepted by the well.
Hypogean wells are the best example of the constructing skills of Ancient Sardinians. Some of these structures are of great precision-
📸 Santa Cristina x2, Santa Vittoria x2
-for their time.
Some people hypothesised the external part of the well could be closed with a bigger structure, similar to that of a nuraghe single tower, so that to collimate the sun ray through a smaller slit.
📸 Santa Vittoria, Santa Cristina x2
Particular events happen in determined days of the year in Santa Cristina. The alignments of the stairway and the pit allow for lighting effects during the equinoxes.
For more on the archaeoastronomical alignments of the well of Santa Cristina:
▪️ Fountains. Architecturally, they're similar to the hypogean wells but these are built on the ground, intercepting the source of water at ground level. These are generally found at the side of mountains or hills, while the previous ones were built directly-
📸 Su Tempiesu
-on plain. The best and most representative one is su Tempiesu of Orune.
▪️ Round wells. The last kind is the circular or round wells, built at ground level, not necessarily near a source.
Romanzesu of Bitti is a mix between a round and a hypogean well. It's built at ground level but with a series of stairs and a canal which-
📸 Romanzesu
-links it to an amphitheatre that could well up. Romanzesu is also surrounded by huts, a village and as said, an amphitheatre.
Another example of wells is the megaron type, rectangular constructions with subsequent rooms. It is rarer than the previous kinds but it's still thought to be linked to the cult of water.
📜Extemporary thread about the art of poetry in Sardinia, especially the poetic contests 🎶
Oral tradition in Sardinia has always been a strong component of the conservation of memory. Most people were illiterate, but they could still create poetry. This is a particular characteristic of shepherds, which also relates to the traditional singing technique.
A tradition that remained for long in Sardinia is that of poetic contests. People (usually men, but also women could make poetry) would challenge each other in improvised rhymes centering a topic. They could be 2 people, or 4, or more. Poetic contests were typical of village -
Thread about, you guessed it, the festival of Saint Antiochus, patron of Sardinia.
Antiochus was born in North Africa and was likely a doctor. He was raised in the Christian faith, in a period in which Romans still persecuted Christians. The hagiography says he was pretty vocal about his faith and for this reason the Roman governors tried to kill him, -
-eventually forcing him at sea on a boat. This boat is said to have reached the Sardinian island of Sulci (today, Sant'Antioco), where Antiochus carried on his preaching. He was found by the Romans again, who sentenced him to death, but Antiochus miraculously and peacefully died-
🌊 Thread about the archaeological remains of an important centre of Punic and Roman Sardinia. 🌊
Nora is located in the South Sardinia, today in the municipality of Pula, at close distance from Cagliari. It is famous for being the site of the martyrdom of Sant'Efisio and back in the day, it was probably even more important than Karales (Cagliari).
The archaeological site was known already in the 16th century but it was mostly covered by the sand. In the 19th century, a strong sea-storm uncovered part of the mosaics, arising interest and leading to a series of excavations that revealed what was underground.
✨Today is the launch day of SONG AMONG THE RUINS!✨
My little YA historical gothic book set in Sardinia officially releases today (Amazon link below ⬇️). So, I wanted to say a couple of words.
As you might know by now, the main setting is Cuglieri, a village in the Montiferru. Today is the 1st anniversary of the fire that burned down large part of the forest and destroyed the millennial oleaster. Exactly one year ago, I was preparing to begin-
-drafting when this all happened. I am now working on the Italian translation of the book, for which I have different plans regarding publication, but in one way or another it will be out eventually.
Thread about the still surviving and recognisable castles of the Middle Age.
Sardinia had a different medieval history than the rest of Europe. By the 1000s, we had 4 different kingdoms, likely born from the division of an original single entity. The subdivision meant also a different kind of local administration. Differently than the rest of Europe, -
-castles in Sardinia developed along the confines of the kingdoms (as watchtowers towards the neighbours) and not in the countryside as a creation of a local feudal power. This means castles are relatively few (~120 in the whole Island for ~350 towns/villages).