Edmund was an Anglo-Saxon Christian king who ruled East Anglia in the 9th century. He was killed in battle by Danish invaders. Legend has it Edmund was captured alive; whipped and lashed while tied to a tree, then shot with arrows and decapitated.
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His head was cast away in the forest. A grey wolf guarded it. Some of Edmund's supporters found the head of the king, which miraculously reunited with his body, and was then buried in a small chapel...
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During repairs in 2009 at St Mary’s, Mundon in Essex an island of plaster detached from the north wall of the nave, revealing the crowned king. He is in three-quarter profile; outlined in red; his hair painted red; his eyes black. Danes shoot arrows at him.
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Behind the saint are vestiges of a bow, hand and arrow: the bow outlined in black; the arrow and hand in red. Facing him are the remains of two hooded figures in profile, the nearest is shooting another arrow.
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The remains are fragmentary and faint, but the wall-paintings conservators and experts from Courtauld Institute of Art are confident this scene depicts the martyrdom of St Edmund, and that it was painting in the 1300s.
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In the 1970s, St Mary's, Mundon was to be demolished - if it didn't collapse first. If it had, we would never have known that St Edmund's martyrdom played out on the walls. There is still so much to discover and learn about our churches.
A heavily Victorianised small church, St Anno's, Llananno in Powys is, from the outside, a humble and largely forgettable building.
However, inside visitors can feast their eyes upon one of the finest pieces of medieval carpentry in Wales.
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The rood screen and loft inside St Anno's, Llananno is a medieval gem that no visitor will forget in a hurry. Spanning the entire width of the building, this magnificent piece of medieval craftsmanship dates from the 15th century.
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The term for these pieces of church furnishings (rood screen and rood loft) relates to the fact that, in the medieval period, above these magnificent wooden structures there would have been a rood - a carving of the crucified Christ on the Cross.
St Mary's, Temple, Corsley is a stunning example of Arts and Crafts Gothic architecture.
This charming church was built in the early 20th century, when the Arts and Crafts architectural style had reached its acme.
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The chapel was constructed in memory of the husband and son of Mary Barton of Corsley House. When Mary died in 1899, she left £10,000 to establish a trust to build and then care for the chapel.
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The chapel was designed by W. H. Stanley of Trowbridge – his only known building – and built by Buyers Brothers of Westbury.
A marriage of faith, farming, landscape and language, placenames remind us of the personal, poetic origins of a location. This is true for Llangua.
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‘Llan’ is an enclosure usually associated with a church. The element which follows, most commonly a personal name, is mutated. Llangua is the church of St Cywa (English: Kew, Ciwa).
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Although there is no obvious physical evidence for a church being here before the 12th century, the survival of that placename is our first clue in understanding the development of the religious foundation on this site.
The sanctuary of St Philip’s, Caerdeon is a bejewelled Byzantine-esque treat.
In this thread, we will explore the history and details of this beautiful ensemble.
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Casting a kaleidoscope of jewel-toned light across the sanctuary, the east window was produced by the Kempe studio, one of Victorian Britain’s preeminent stained glass firms.
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Intriguingly, this stunning window takes the form of a continental church altarpiece: a crucifixion scene situated within a classical frame, adorned with sumptuous baroque details such as fluted golden Corinthians, foliate swags, and flaming urns.
With a 15th-century rood loft hovering over rows of 18th-century box pews, the interior of St David’s, Llangeview in Monmouthshire offers a glimpse into the forms of worship from two bygone ages.
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Spanning the entire width of the nave, the rood loft is a relic from the late medieval past. Before the Reformation, the rood loft would have carried the rood, a carving of Christ on the cross.
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Alongside Christ, there would have been carved depictions of the Virgin Mary and John the Apostle. Sadly, none of the medieval roods survived the Reformation.