Thread: One of many Bronze Age halberds found in Ireland...
You know when you were a kid, and you were told that you can't play until you finish your homework?
This must have been how Ronan O'Flaherty felt when he started work on his archaeology PhD in UCD, Ireland...
The title of his thesis was "The Early Bronze Age Halberd in Ireland - Function and Context" and in it he tried to see if he could disprove this:
"Irish halberds have traditionally been regarded as non functional, ceremonial artefacts. In particular, the mode of hafting and the slightness of the haft head have been cited as reasons why this artefact could not have been put to any practical use"...
I know that all he wanted to do was:
1. Cast replicas (Left) of the Bronze Age halberds from the National museum (Right), using the same copper with a very low arsenic level of 0.2%, and without cold-hammering or sharpening of the blades...
2. Haft the halberd replica (Left) based on rock carvings from Mt. Bego, Italy (Right), showing people using (well at least holding high above their heads) the original Bronze Age halberds...
3. Whack some sculls, of the same strength as human sculls, like sheep ones, repeatedly, with the replica halberds, to see what happens...
But before Ronan could do all this fun stuff, he had to do the homework...He collected all the available data about all the so far discovered European Bronze Age halberds...
He then investigated the Early Bronze Age mining and metalworking industry in Ireland and the type of metal and metal artefacts produced during that time, so that he could try to replicate the material and the production of the Bronze Age halberds as closely as possible...
Then he investigated the hafting of Bronze Age halberds...
And finally the use of halberds in battle (from available medieval sources)...
Once he did his homework, Ronan went out to play...
And this is his report:
The replica halberd...revealed itself to be a frighteningly effective weapon, slicing skulls open with disturbing ease and proving very comfortable to handle. A short (couple of feet) chopping blow, was sufficient to pierce the skull, often very deeply indeed...
[The weapon would have been even more efficient] "if it was used by an expert", and "if it wasn't for a certain 21st century distaste of committing such violence in the first place"...Love this 🙂
Repeated blows against twenty sheep skulls, of similar strength to a human skull, failed to inflict all but the most minor damage to the halberd and there was no indication that it could not continue in such use for a prolonged period of time.
The small rounded end of the blade ensured that the full force of the blow is administered to a tiny area of the skull first, virtually guaranteeing a puncture each time.
The fact that the end of the blade was rounded rather than brought to a sharp point added strength to this area, which otherwise might have bent or even snapped on first impact.
This suggests that the blade was designed for impact on bone rather than muscle, where a sharp pointed weapon would seem more appropriate than a blunt-nosed one.
Ronan conclusion: There is no doubt in my mind that the Irish halberd is very carefully designed as a most effective weapon. [Maybe not all] Irish halberds were used in this way, but they certainly could have been and it certainly appears to be the basis for their design.
In addition, the replica halberd survives in a condition which I would categorise as "perfect" in a museum example, suggesting that even these perfect halberds could have seen some use.
To me, most interesting bit of his work is found in boring homework section: the distribution of high concentration halberds sites indicates that they were connected by a well established maritime trading route...
Central European Unetice culture was built around navigable rivers which empty into Baltic sea...From there you can navigate around Scotland to Ireland, Wales and England and along the French coas to Brittany, and then to Iberia, Italy, Greece...
I can bet that all the other inland sites with halberds lie on navigable rivers which empty into the seas along this route...
The existence of maritime trading routes along Mediterranean and Atlantic coast has been attested since Neolithic.
And it was always linked with mining, first for material for stone tools and weapons and then metal for metal tools and weapons...
I think this is very very interesting...Particularly when we look at the Irish oral histories, first time recorded in Medieval time, which talk about the existence of such maritime routes along Mediterranean and Atlantic coast during Bronze Age...
Thread: The late 3rd millennium BC, was a time of huge upheaval in Iberia. The existing social structures collapsed...When the dust settled, around 2200BC, a new civilisation, known as El Argar culture, emerged in this area...
People of this culture built amazing hillforts, like the La Almoloya citadel...Which were at the time also built in Eastern Mediterranean (including Greece)...And nowhere in between...
They were metalworkers and warriors...Who were buried in single graves...Located under the floors of houses...Again feature of the cultures in Eastern Mediterranean (including Greece)...And nowhere in between, and nowhere else in Iberia...
Thread: These 3 strange terracotta tablets, resembling decorated loafs of bread, are examples of over 300 similar tablets made by the early bronze age people of Central Europe between 2100-1400 BC...
They appear for the first time in Northern Italy, and are also found in Switzerland, Germany, Austria, Poland, Slovakia, Czech Republic, Slovenia, Croatia, Hungary and Romania... docplayer.org/docview/70/626…
Thread: Few days ago, @M0h_5en led me into a snake pit 🙂 and suddenly there were mythological snakes slithering everywhere...
I don't know where is the best place to start writing about it, cause it's all interconnected...So I'll just start here: Who are Persephone's parents?
Both Hesiod and the Homeric Hymn to Demeter, describe Persephone as the daughter of Zeus and his older sister, Demeter, though no myths exist describing her conception or birth....
Well, that's kind of true...According to the Orphic theogony, "when Rhea (Earth goddess), gave birth to Zeus (storm god), she became Demeter (Grain goddess)"...
Thread: What connects pomegranates and poppies? Well obviously shape...But also the fact that these two plants are associated with Demeter (poppies) and her daughter Persephone (pomegranates)...The goddesses of grain...
Persephone, deified grain and grain planting season, gets taken by Hades to the underworld (planted) in Oct/Nov...
Persephone gets reunited with her mother, Demeter, deified grain and grain harvest season, during the grain harvest in (Apr/May)...
Pomegranates are ready for harvest when opium poppies and grain are planted (Oct/Nov)...
Which is why Persephone's sacred plant, apart from grain, is pomegranate...
Thread: In which I would like to again point at things hidden in plain sight...Around 435 BC, Greek sculptor Phidias made a giant seated statue of the sky and thunder god Zeus for the Temple of Zeus in Olympia...
Unfortunately the statue was destroyed during the 5th century AD; but we know what the statue looked like from Greek and Roman coins...
And from written records, like the one left by the 2nd c. AD geographer and traveler Pausanias (bartleby.com/library/prose/…)