Happy #DoctorWhoDay everybody! The show is 58 years old today, and as this is a pulp account there really is only one way I can mark the occasion...
Let's look back at the New Adventures!
In 1989 the BBC killed off #DoctorWho. The corporation said the series was being 'rested'; the fans suspected it was as dead as Adric.
But an unlikely saviour emerged to carry Who through the wilderness years: Richard Branson.
Both Michael Grade and Jonathan Powell, BBC Directors in the 1980s, disliked Doctor Who. They felt it was outdated, violent and cheap-looking. Ratings were awful, exacerbated by terrible scheduling. Relations with producer John Nathan-Turner had also hit rock bottom.
Grade had already paused the series in 1985, and insisted Colin Baker leave the show in 1987. By 1989 Jonathan Powell had pulled the plug on the whole thing.
Farewell Doctor...
Doctor Who has one of the oldest and most passionate fandoms in television, and many had felt that the series was finally going in the right direction again, with a darker and more mysterious Doctor and a companion who had been given a more mature role.
Fans had also produced a lot of fan-fic and critical analysis of Doctor Who, and many were themselves budding or actual writers - often due to their love of the series. Even with the show cancelled there was still a core audience for it out there.
Which was lucky for Richard Branson, given Virgin Publishing had purchased Target Books in 1989. As the main publisher of Doctor Who novels it was clear thar the flow of new books was going to dry up pretty quickly with the show cancelled.
So Virgin's fiction editor Peter Darvill-Evans asked the BBC for permission to commission and publish new original Doctor Who stories. With only Marvel UK still showing any interest in the show the BBC agreed. What did it have to lose?
Virgin believed the audience was there and had lined up a number of writers familiar with novelising Doctor Who stories. However the material would have to appeal to the hard-core of Who fandom - a tough and opinionated audience!
Running from 1991 to 1997 the New Adventures would eventually consist of 61 novels focused (almost) exclusively on the Seventh Doctor. Target stalwarts such as John Peel and Terrance Dicks were brought in to kickstart the series.
But the New Adventures also brought in passionate fans looking to launch their own writing careers. Both Paul Cornell and Mark Gatiss wrote for the series...
...and the New Adventures helped launch the careers of Kate Orman and Justin Richards.
With no BBC executives policing the stories the New Adventures could go where they liked. New companions such as Bernice Summerfield were created, story arcs became more complex. New aspects of the Doctor began to emerge.
All of this was guided by the 'Cartmel Masterplan'; a backstory by Doctor Who script editor Andrew Cartmel designed to restore some mystery to the Doctor's background. The Doctor would become linked to the mysterious Other, one of the triumvirate who once ruled Gallifrey.
Cover art for the New Adventures could be variable. The ever-excellent Peter Elson did a few, but other titles fared less well with their cover artwork.
There were of course critics of the New Adventures: the plots could be ridiculously complicated and everyone seemed to have a gun. The reinvention of Ace as a cynical, grittier character was a sign that fandom - with all its passions and foibles - was now in charge of the story.
There were many excellent stories in the New Adventures, not least Paul Cornell's Human Nature - later to be adapted as a Doctor Who double episode when the series returned.
In 1994 Virgin began publishing The Missing Adventures series, adult-oriented Doctor Who stories featuring earlier Doctors. The New Adventures character Bernice Summerfield also got a spin-off series of books.
But it couldn't last. In 1996, following the Doctor Who movie, the BBC did not renew Virgin's licence and instead decided to publish its own line of original Doctor Who novels. After 61 New Adventures and 33 Missing Adventures the Virgin series ended.
The New Adventures did an important job keeping Doctor Who alive and fresh in the 1990s. They moved the stories towards complex, dark, harder sci-fi and showed that there was an audience for this kind of Doctor. They undoubtedly influenced the rebooted TV series.
But for me the New Adventures were genuine pulp sci-fi. New writers were given old themes and asked to turn them quickly into amazing stories. If the quality varied, well that's pulp. But the legacy of the New Adventures should not be overlooked.
More stories another time...
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Today I'm looking at a few books from New York publishing house Grosset & Dunlap...
London After Midnight, by Marie Coolidge-Rask. Grosset & Dunlap, 1928.
This is a movie tie-in version, although the last known copy of the film was destroyed in 1965 at a fire at MGM's vaults. It's one of the most sought-after lost silent films now.
A Thousand Years A Minute, by Carl H Claudy. Grosset and Dunlap, 1939. Cover by A C Valentine.
Part of the Adventures in the Unknown series, this is a time travel novel sending its heroes back to the prehistoric world.
One of the best #Christmas presents you could ever get was a View-Master! It sold over one billion reels across the world, but it's based on Victorian technology. How did one simple gadget get to be so popular?
Let's take a look at the toy that took over the planet...
Stereographs are cards with two nearly identical photographs mounted side by side. Viewed through a binocular device they give an illusion of depth. By 1858 the London Stereoscopic and Photographic Company had published over 100,000 of them.
Sawyer's Photo Finishing Service began in 1919 in Portland, Oregon. By 1936 they had teamed up with William Gruber, who had been experimenting with stereoscope photography using the new Kodachrome colour film.
Today in pulp I look back at a few forgotten '80s sci-fi movies and ask: is it time to reappraise them?
Spoilers: not all of these are available on Betamax...
There were a huge number of mid and low budget sci-fi movies released throughout the '80s, many of which went straight to video. Today they lurk in the far corners of your streaming service.
Should you watch them? Well let me take you through a few you might be tempted by.
Battle Beyond The Stars (1980) was Roger Corman's retelling of Kurosawa's Seven Samurai in space. James Cameron did an impressive job on the SFX with a small budget and the film certainly has a distinctive look.
"A dream to some. A nightmare to others!" As it's Christmas let's look back at a film that I think helped redefine an old genre, captivated the imagination and launched many successful acting careers.
Let's look at John Boorman's Excalibur!
For a long time the film industry found the King Arthur story amusing. Camelot (1967) was a musical comedy; Monty Python and the Holy Grail (1975) was pure comedy.
But director John Boorman had been thinking seriously about the Arthurian legend since 1969, particularly Sir Thomas Malory's 1469 telling of the story 'Le Morte d’Arthur'. The mythic theme greatly appealed to him.
Today in pulp I'm looking back at some Michael Moorcock books, and having a think about the New Wave of science fiction that started in the 1960s...
In Britain the New Wave is often associated with New Worlds magazine, which Moorcock edited from 1964 to 1970. Financial troubles caused the magazine to close in 1970, but it made sporadic comebacks over the subsequent years.
However he started as editor of Tarzan Adventures in 1957, where he introduced Sojan the Swordsman - perhaps his first stab at creating an 'eternal champion' character
Today in pulp I'm looking back at one of the greatest albums of all time.
What are the chances...
By 1976 Jeff Wayne was already a successful composer and musician, as well as a producer for David Essex. His next plan was to compose a concept album.
War Of The Worlds was already a well known story, notorious due to the Orson Wells radio play production. For Wayne it seemed like a great choice for a rock opera.