Some churches were deserted hundreds of years ago. Villages lost for generations. In others, people left less than 30 years ago. In these ancient places, over centuries, people come and go, use ebbs and flows. Sometimes they flourish, sometimes they’re fallow.
There are about 3,000 deserted medieval villages in England alone. One example is the diminutive St Mary Magdalene in Caldecote, Hertfordshire. The most common reason for desertion of medieval villages is death, depopulation and harvest failure as a result of the Black Death.
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The population of Caldecote declined heavily during the 14th century - by the end there were less than ten householders. The village limped on until the end of the 16th century when it was all but abandoned... Luckily, it now has a small group of steadfast friends.
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The 19th century brought railways and industry. The move to industrial centres leading to new churches, but the abandonment of older, rural ones. In 1801, 20% of the population lived in cities. By 1901, that was up to 75%.
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In 1850, St Peter’s, Wickham Bishops, Essex found itself on the wrong side of the tracks. Literally. With the arrival of the railway, the village migrated to the east. Out of sight, the church spiralled into decay. The threat of demolition loomed – until we saved it.
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St Decuman’s, Rhoscrowther near Milford Haven has its origins in the 1200s. In 1964, it gained a new neighbour – a sprawling oil refinery.
In 1993 an explosion at the refinery caused material damage locally, including the church.
The village was eventually evacuated.
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We are so grateful that some of the villagers – now relocated to other homes m - still look after and care for this complicated, hulking old church.
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We take on more churches every year. Some have a thriving community presence. Others don’t. Both are equally important. People always come and go. But the importance of these places doesn’t diminish. We’re here for the fallow periods. We’re a safety net.
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(And if you would like to help us care for these places, you can do so by becoming a member. It costs £30 and we make every penny stretch:
Nestled in the centre of a small village in the Welsh countryside, St Mary's, Derwen is renowned for its wondrous collection of medieval woodwork.
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The church is entered through a charming late medieval wooden door, with iron studs and fleur-de-lys decorated hinges, set in a surround of gorgeous South Cheshire sandstone.
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Naturally, the medieval wooden treasures of this Denbighshire church continue inside. Foremost is the the fine late 15th-century rood screen and loft that dominate this interior.
A heavily Victorianised small church, St Anno's, Llananno in Powys is, from the outside, a humble and largely forgettable building.
However, inside visitors can feast their eyes upon one of the finest pieces of medieval carpentry in Wales.
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The rood screen and loft inside St Anno's, Llananno is a medieval gem that no visitor will forget in a hurry. Spanning the entire width of the building, this magnificent piece of medieval craftsmanship dates from the 15th century.
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The term for these pieces of church furnishings (rood screen and rood loft) relates to the fact that, in the medieval period, above these magnificent wooden structures there would have been a rood - a carving of the crucified Christ on the Cross.
St Mary's, Temple, Corsley is a stunning example of Arts and Crafts Gothic architecture.
This charming church was built in the early 20th century, when the Arts and Crafts architectural style had reached its acme.
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The chapel was constructed in memory of the husband and son of Mary Barton of Corsley House. When Mary died in 1899, she left £10,000 to establish a trust to build and then care for the chapel.
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The chapel was designed by W. H. Stanley of Trowbridge – his only known building – and built by Buyers Brothers of Westbury.
A marriage of faith, farming, landscape and language, placenames remind us of the personal, poetic origins of a location. This is true for Llangua.
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‘Llan’ is an enclosure usually associated with a church. The element which follows, most commonly a personal name, is mutated. Llangua is the church of St Cywa (English: Kew, Ciwa).
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Although there is no obvious physical evidence for a church being here before the 12th century, the survival of that placename is our first clue in understanding the development of the religious foundation on this site.
The sanctuary of St Philip’s, Caerdeon is a bejewelled Byzantine-esque treat.
In this thread, we will explore the history and details of this beautiful ensemble.
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Casting a kaleidoscope of jewel-toned light across the sanctuary, the east window was produced by the Kempe studio, one of Victorian Britain’s preeminent stained glass firms.
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Intriguingly, this stunning window takes the form of a continental church altarpiece: a crucifixion scene situated within a classical frame, adorned with sumptuous baroque details such as fluted golden Corinthians, foliate swags, and flaming urns.