okay, I was not aware of the Hanukkah-Judith connection, but a few minutes of googling have brought me to the realization that it is very much A Thing and I have images to share (this August Riedel painting is only here so the first tweet has an image):
Okay, so first we have this image I already retweeted of a 19th century Italian hanukkiah, from the Jewish Museum, with a gloriously tits-out Judith brandishing Holofernes's head and standing atop two lions 11/10 need a replica
Here's an 18th century one from the Eldridge Street Museum.
4/10--not really comfortable with the halo, not enough knives, but the cherubim are fun
Then there's this one--unfortunately blurry, doesn't appear to have knives, but the lions are solid, 3/10
This one was apparently for sale on Etsy at one point, according to Pinterest. Points off for lack of lions, but I'm upping the score in appreciation of both the GIANT KNIFE and the general bling-i-ness of making it mirrored.
8/10
This next entry is subtle. No lions, no flashy head-brandishing, just Judith lighting a lamp and--oh, WHAT'S THIS? her maidservant just nonchalantly putting away a head and a sword?
Sometimes subtle is COMPLETELY METAL, Y'ALL.
9/10
Then there's this one, which has a small image of Judith and her maidservant slipping the head into a bag on its back panel.
2/10, focuses too much on some dude
Bonus! Art deco "Judith, Queen of the Menorah" card:
9/10 glorious Art Nouveau dress, GIANT sword, very sad Holoferness, could use a lion or two but all in all a worthy endeavor
And this gloriousness, that I don't even know how to rate:
Also I would like to recommend this article, which points out the important role of cheese in the Judith story--our girl gets Holofernes drunk by serving him cheese so he gets thirsty (buy with bread, sell with cheese, friends).
Okay, and talk about traditions that need to be more widely adopted:
"We’re told that in some North African Jewish communities the seventh night of Chanukah became known as Chag Habanot, the Festival of the Daughters, celebrated by women with a cheese-centered feast."
anyway, CLEARLY the 7th night of Hanukkah is for fried cheese curds, or paneer pakora, or mozarella sticks
The end.
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Hey, fellow elder millennials, if you're wondering why your salary seems high on paper but you have no money, it could be because you're still thinking in 2000 dollars, and 2023 dollars are very different.
I have a theory that our expectations for how much money is worth get stuck around how much it was worth when we first started having to pay for our own living expenses.
Obviously that varies--kids who grow up poor probably have to think about it a lot earlier--but for a lot of people my age, I suspect the first time we really had to think about, like, a food budget was when we went to college.
Yeah, the thing about diversity is it doesn’t mean any particular way of being is superior full stop. Different ways may do better in *some circumstances.*
Being different from the norm can feel superior because your way of being is *underutilized.*
The thing you learn if your brain doesn’t work like the standard, when you dig into how the world isn’t designed for you, and then apply what you’ve learned about yourself to observing other people?
There are no normies.
Everyone is a mosaic, and I don’t think there’s any one of us for whom every last piece fits the standard.
And if the ways in which you’re different are ones that are denigrated, it’s very tempting to view your difference as making you complex and deep where others are shallow.
So, don’t take it from me: take it from someone with a PhD: the way we conceptualize “religion” means that the only religion that exists is Christianity (and *maybe* Islam). (Thanks, @maklelan !) (1/x)
This is why I generally use the term “tradition” or “culture” or “practice” when talking about Jewish stuff.
As I keep saying, the religious/secular distinction is a Christian framework, and it is—sometimes explicitly, sometimes unacknowledged—a tool of colonialism.
The idea that you can just pull out the “religion” module of a culture and replace it with a different one (if you’re doing Christian evangelism) or none at all (if you’re doing antitheist evangelism) is… not how cultures work.
IIRC correctly, there's a correlation between higher IQ and higher rates of depression and other unhappiness--as one of my therapists said, "it's harder for smart people to figure out to be happy."
Like, we have a habit, in our fiction, of characterizing happiness as foolishness or oblivious. Simple people are happy because they don't know better.
But identifying what *actually makes us happy* is an emotional intelligence challenge most of us fail.
And almost everything in life that we pursue is a proxy for happiness: we think love will make us happy, we think fame or recognition will make us happy, we think money will make us happy.
We sacrifice a lot of things that might make us happy to pursue happiness proxies.
I’m hardly the first person to say this, but Luke’s gloss on the lost sheep parable that there’s more rejoicing over the repentant sinner than the 99 who didn’t stray has probably done more harm to the world than anything in the NT other than the Great Commission. So toxic.
Like imagine being a child abused by your youth pastor and hearing in essence that having abused you is PART of why he’s more spiritually valuable than you are.
After all, one needs to sin in order to repent. Combine that with the Christian idea that suffering is ennobling and not only is your abuser using your pain as a necessary component in his spiritual elevation, but he’s doing you a favor by giving you a chance to suffer nobly.
So—and this is not about Jamie Foxx, I’m not touching that one other than to point out that you should prioritize listening to Black Jews over anyone else on it—let’s talk about why the figure/story of Judas is antisemitic by itself, and why that’s so invisible to most Christians
The reason some Jewish scholars have suggested that the story of Judas is a later, ahistorical, and intentionally antisemitic addition is that it *doesn’t actually make sense* in the story.
It certainly is dramatic and emotionally evocative—conspiracy! betrayal! tragic end for a guilty villain!—but if you actually *read the story,* it’s superfluous.