A recent tree survey of the churchyard at St Mary's, Hardmead reveals how this small, moated plot just northeast of Milton Keynes reflects the changing landscape of wild and cultivated Britain.
After the last ice age, the warming climate made this land a welcoming home for yew, elder, holly, elm, and hawthorn. An Irish yew has joined its close cousin at Hardmead in more recent times, along with a Scottish pine.
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📸: Kristina D.C. Hoeppner
An ‘avenue’ of Sycamore grow along the path to the church — perhaps grown from saplings or seeds of much older sycamore trees at the rectory. We may think of the sycamore as a native species, but it only arrived on our island from central/eastern Europe in the Tudor period.
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Wealthy Tudors also introduced the ornamental cypress into their formal gardens; one of these Tuscan trees grows in front of the church.
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We have three mature red horse-chestnuts, which hang heavy with plumes of pink flowers in the spring. This showy species is thought to have been cultivated in Germany in the early 1800s.
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Two trees come from the New World:
The Indian bean tree (which isn't Indian and doesn't have beans), is a native of the southeastern United States, which first arrived in the UK in 1726.
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And towering above all of the other trees in the churchyard is a Wellingtonia, or 'giant sequoia', which stands 26 metres tall.
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This immense and iconic species of redwood only grows naturally in groves on the western slopes of the Sierra Nevada mountain range of California.
Our Wellingtonia has quite a tale to tell... and we'll share its story tomorrow...
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A heavily Victorianised small church, St Anno's, Llananno in Powys is, from the outside, a humble and largely forgettable building.
However, inside visitors can feast their eyes upon one of the finest pieces of medieval carpentry in Wales.
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The rood screen and loft inside St Anno's, Llananno is a medieval gem that no visitor will forget in a hurry. Spanning the entire width of the building, this magnificent piece of medieval craftsmanship dates from the 15th century.
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The term for these pieces of church furnishings (rood screen and rood loft) relates to the fact that, in the medieval period, above these magnificent wooden structures there would have been a rood - a carving of the crucified Christ on the Cross.
St Mary's, Temple, Corsley is a stunning example of Arts and Crafts Gothic architecture.
This charming church was built in the early 20th century, when the Arts and Crafts architectural style had reached its acme.
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The chapel was constructed in memory of the husband and son of Mary Barton of Corsley House. When Mary died in 1899, she left £10,000 to establish a trust to build and then care for the chapel.
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The chapel was designed by W. H. Stanley of Trowbridge – his only known building – and built by Buyers Brothers of Westbury.
A marriage of faith, farming, landscape and language, placenames remind us of the personal, poetic origins of a location. This is true for Llangua.
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‘Llan’ is an enclosure usually associated with a church. The element which follows, most commonly a personal name, is mutated. Llangua is the church of St Cywa (English: Kew, Ciwa).
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Although there is no obvious physical evidence for a church being here before the 12th century, the survival of that placename is our first clue in understanding the development of the religious foundation on this site.
The sanctuary of St Philip’s, Caerdeon is a bejewelled Byzantine-esque treat.
In this thread, we will explore the history and details of this beautiful ensemble.
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Casting a kaleidoscope of jewel-toned light across the sanctuary, the east window was produced by the Kempe studio, one of Victorian Britain’s preeminent stained glass firms.
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Intriguingly, this stunning window takes the form of a continental church altarpiece: a crucifixion scene situated within a classical frame, adorned with sumptuous baroque details such as fluted golden Corinthians, foliate swags, and flaming urns.
With a 15th-century rood loft hovering over rows of 18th-century box pews, the interior of St David’s, Llangeview in Monmouthshire offers a glimpse into the forms of worship from two bygone ages.
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Spanning the entire width of the nave, the rood loft is a relic from the late medieval past. Before the Reformation, the rood loft would have carried the rood, a carving of Christ on the cross.
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Alongside Christ, there would have been carved depictions of the Virgin Mary and John the Apostle. Sadly, none of the medieval roods survived the Reformation.