Due to the pandemic and whatnot you may not have visited your local public library in a while.
So come with me on a virtual library tour, courtesy of stock photography, to see what we do for a living... #librarytwitter
Libraries are of course information resource centres, but in many ways they are so much more. To get the best out of them you need to really know your way around the stacks.
The enquiries desk is normally your first stop in a library, and this is where you will meet The Angry Librarian! Why is she angry? Because you keep asking her stupid questions!
"Are you open?"
"Do you have a toilet?"
"That chair's wobbly!"
"Why isn't it available in audiobook?"
"Someone else is on the computer and that's not fair!"
On and on it goes...
And that's why in the library we insist on silence. It's the only way to stop us swearing at all the idiotic things you ask us. And we've looked up a lot of old swear words: beardsplitter, bescumber, rantallion, smellfungus etc.
Honestly , we’re such muckspouts!
Next up is the library assistant, sorting through the returns. Library assistants are the serfs of the lending world, which is why they all read Dostoyevsky and wear peasant cardigans. Most of their income comes from selling weed and they have intense views about graphic novels.
Then we have the 'wacky' librarian. There's always one, and we normally keep her in the reference section to annoy the students. She's also our first aider, so try not to injure yourself.
Speaking of injuries, the health and safety rules we have to follow are ridiculous! OK we trapped one pensioner in the moving shelves down in the stacks but that was four months ago FFS! No pensioners have been decapitated since then. Not one. Nada.
126 safe days and counting...
But now we all have to go on a half day course about how to use library steps safely: wear safety glasses, ensure your upper limbs are covered, carry one book at a time etc.
(BTW we tend to dress informally in the library nowadays, though we always have a lanyard. Somewhere.)
And we've also finally decided to renovate the local history reading rooms. 'Local', 'History' and 'Reading' are three things people don't seem to enjoy, so we’ve rebranded it as The Magical Harry Potter Room and put a Nespresso machine in there.
Fortunately we don't get many visits from the District Librarian. He's very old fashioned in his views about information science and community outreach and frankly his last stint in Kids Story Time Corner did not go down that well.
So come back to what you know and visit your local public library today. After all, who knows what you’ll find?
It was the biggest manhunt in Britain: police, the press, aeroplanes, psychics all tried to solve the disappearance. In the end nobody really knew what happened. It was a mystery without a solution.
This is the story of Agatha Christie's 11 lost days...
By 1926 Agatha Christie's reputation as a writer was starting to grow. Her sixth novel - The Murder of Roger Ackroyd - had been well-received and she and her husband Archie had recently concluded a world tour. But all was not well with the marriage.
In April 1926 Agatha Christie’s mother died. Christie was very close to her: she had been home-schooled and believed her mother was clairvoyant. The shock of her sudden death hit the author hard.
Many readers have asked me over the years what my definition of pulp is. I've thought about it a lot, and the definition I keep coming back to... well it may surprise you.
Let me try and set it out.
There are lots of definitions of pulp out there: in books, in academic papers and on the web. And most circle back to the same three points: the medium, the story type and the method of writing.
Pulp is of course a type of cheap, coarse paper stock. Its use in magazine production from the 1890s onwards led to it becoming a shorthand term for the kind of fiction found in low cost story magazines.
let's take a look at the extraordinary work of Victorian illustrator and cat lover Louis Wain!
Louis Wain was born in London in 1860. Although he is best known for his drawings of cats he started out as a Victorian press illustrator. His work is highly collectable.
Wain had a very difficult life; born with a cleft lip he was not allowed to attend school. His freelance drawing work supported his mother and sisters after his father died. Aged 23 he married his sisters' governess, Emily Richardson, 10 years his senior.
Over the years a number of people have asked me if I have a favourite pulp film. Well I do. It's this one.
This is the story of Alphaville...
Alphaville: une étrange aventure de Lemmy Caution (1965) was Jean-Luc Godard’s ninth feature film. A heady mix of spy noir, science fiction and the Nouvelle Vague at its heart is a poetic conflict between a hard-boiled secret agent and a supercomputer’s brave new world.
British writer Peter Cheyney had created the fictitious American investigator Lemmy Caution in 1936. As well as appearing in 10 novels Caution featured in over a dozen post-war French films, mostly played by singer Eddie Constantine whom Godard was keen to work with.
Al Hartley may have been famous for his work on Archie Comics, but in the 1970s he was drawn to a very different scene: God.
Today in pulp I look back at Hartley's work for Spire Christian Comics - a publisher that set out to spread the groovy gospel...
Spire Christian Comics was an offshoot of Spire Books, a mass-market religious paperback line launched in 1963 by the Fleming H. Revell company. The point of Spire Books was to get religious novels into secular stores, so a move into comic books in 1972 seemed a logical choice.
The idea was to create comic book versions of popular Spire Books like The Cross and the Switchblade; David Wilkinson's autobiographical tale of being a pastor in 1960s New York. It had already been turned into a film, but who could make it into a comic?