“Since the goal is to erase the concept of masculine virtues, the new bargain the introduction of women into combat represents isn’t to have women join equally or even seriously in the fighting and dying.”
“The new bargain is that men will continue to be the ones who fight and die, but they must not feel a sense of masculine pride in either doing this or having this obligation.”
“We may see selective service changed to include women. We may even see a situation where women are drafted alongside men. What we won’t see, ever, is a situation where women have pressure applied to motivate them to pass physical requirements if they don’t want to be there.”
“What this is about, and what this always has been about, is envy of men. It is about eradicating the idea of masculine virtues, and more importantly, erasing all sentiment of gratitude for what the men in the military do. To a feminist feeling gratitude to men is unbearable.”
This is why every unit, especially elite forces and combat infantry, must include women. When Seal Team Six took out Bin Ladin feminists were forced to bear the unbearable; public officials expressed gratitude for the “men who risked their lives to accomplish the mission”,…
…feminists couldn’t chime in with “and women too!”
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I read responses to this saying it was staged and he’s still alive because the women are trying to win an argument and texting after he shoots the guy. They don’t lose their composure.
No, it’s real. The guy is dead. That’s the casual disregard they had for both these men.
"Ms Andersson was elected as prime minister earlier on Wednesday because under Swedish law, she only needed a majority of MPs not to vote against her."
"Of the 349 members of the Riksdag, 174 voted against her. But on top of the 117 MPs who backed Ms Andersson, a further 57 abstained, giving her victory by a single vote."
When you place women in creative control of a franchise you get an obsessive focus on "character development." Plot is just a vehicle for explaining characters.
Men are interested in things. Women are interested in people. When women do the storytelling the characters are the reason for the story. Events, environments, circumstance, story arch, are ancillary to understanding the characters.
Look at any series written, directed or produced by women and you'll see the obsessive need to explain a character's past by going back in time to understand why they're doing what they do in the now.