Hundreds of cars catch a glimpse of the white-washed chapel at Waddesdon every day as they whizz past.
Few stop.
If they did, they’d find an iron arc, a survivor from a time when the dead didn’t rest in peace. When fresh bodies had to be secured with mortsafes.
Mortsafes – complex metal cages of rods, plates and locks - began to appear around 1816, when grave-robbing was rife. This was a time of great advances in medicine and understanding of anatomy, but there was a limited supply of corpses to dissect and learn from.
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Until this point, medical study was limited to the cadavers of executed criminals. The demand for bodies created an underground market. Under cover, resurrectionists (or resurrection men) dragged carcasses from their coffins and sold them to science.
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To protect the dead, mortsafes were locked over a coffin. They stayed in place for about 6wks – til the body had sufficiently decomposed and was no longer of interest to grave-robbers. Then, the mortsafe could be unlocked and re-used. But some were intended to be permanent.
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In ‘Bodysnatchers: Digging Up the Untold Stories of Britain’s Resurrection Men’, @DiggingUp1800 writes how parishes "would often purchase one or two mortsafes and subsequently hire them out as required”.
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📸: Mortsafes in Cluny kirkyard taken by Martyn Gorman
A non-conformist place of worship, the chapel at Waddesdon Hill is on the outskirts of town. It’s alone in a patchwork of fields. The burial ground hidden behind the chapel. Out of sight. An easy place to disturb the dead. It’s easy to see why a mortsafe would be needed.
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A heavily Victorianised small church, St Anno's, Llananno in Powys is, from the outside, a humble and largely forgettable building.
However, inside visitors can feast their eyes upon one of the finest pieces of medieval carpentry in Wales.
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The rood screen and loft inside St Anno's, Llananno is a medieval gem that no visitor will forget in a hurry. Spanning the entire width of the building, this magnificent piece of medieval craftsmanship dates from the 15th century.
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The term for these pieces of church furnishings (rood screen and rood loft) relates to the fact that, in the medieval period, above these magnificent wooden structures there would have been a rood - a carving of the crucified Christ on the Cross.
St Mary's, Temple, Corsley is a stunning example of Arts and Crafts Gothic architecture.
This charming church was built in the early 20th century, when the Arts and Crafts architectural style had reached its acme.
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The chapel was constructed in memory of the husband and son of Mary Barton of Corsley House. When Mary died in 1899, she left £10,000 to establish a trust to build and then care for the chapel.
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The chapel was designed by W. H. Stanley of Trowbridge – his only known building – and built by Buyers Brothers of Westbury.
A marriage of faith, farming, landscape and language, placenames remind us of the personal, poetic origins of a location. This is true for Llangua.
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‘Llan’ is an enclosure usually associated with a church. The element which follows, most commonly a personal name, is mutated. Llangua is the church of St Cywa (English: Kew, Ciwa).
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Although there is no obvious physical evidence for a church being here before the 12th century, the survival of that placename is our first clue in understanding the development of the religious foundation on this site.
The sanctuary of St Philip’s, Caerdeon is a bejewelled Byzantine-esque treat.
In this thread, we will explore the history and details of this beautiful ensemble.
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Casting a kaleidoscope of jewel-toned light across the sanctuary, the east window was produced by the Kempe studio, one of Victorian Britain’s preeminent stained glass firms.
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Intriguingly, this stunning window takes the form of a continental church altarpiece: a crucifixion scene situated within a classical frame, adorned with sumptuous baroque details such as fluted golden Corinthians, foliate swags, and flaming urns.
With a 15th-century rood loft hovering over rows of 18th-century box pews, the interior of St David’s, Llangeview in Monmouthshire offers a glimpse into the forms of worship from two bygone ages.
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Spanning the entire width of the nave, the rood loft is a relic from the late medieval past. Before the Reformation, the rood loft would have carried the rood, a carving of Christ on the cross.
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Alongside Christ, there would have been carved depictions of the Virgin Mary and John the Apostle. Sadly, none of the medieval roods survived the Reformation.