An epitome of Indian culture, spirituality, and architecture, Akshardham Temple is a famous Hindu temple and a spiritual-cultural complex. Also known as Swaminarayan Akshardham, it is dedicated to Lord Swaminarayan.
Akshardham has made its way to the Guinness Book of World Records as the World's Largest Comprehensive Hindu Temple.
The Akshardham Temple is known for its stunning architecture. It has eight ostentatiously carved mandapams while timeless Hindu teachings and...
...flamboyant devotional traditions find their place on the temple's walls. The centrepiece, i.e. Lord Swaminarayan's Murti along with that of 20,000 deities, significant personalities in Indian history and sages showcase the essence of Indian architecture, traditions...
...and timeless spiritual thoughts
Akshardham complex is home to India's largest step well which is a host to the mesmerising water show; an open garden, Narayan Sarovar, various expeditions, and rituals. The complex is not less than a paradise for spiritual seekers.
The temple opened on 6th November 2005 is constructed by BAPS (Bochasanwasi Shri Akshar Purushottam Swaminarayan Sanstha). The main attraction of the complex, i.e. the Akshardham Mandir stands as high as 141 foot, stretches as wide as 316 foot and extends as long as 356 foot.
The walls and roofs carved with the images of different deities, musicians, dances, flora, and fauna are a work of great architecture. Every detailing here speaks highly of Indian cultural aspects.
A blend of several ancient styles of Indian architecture has been used to build the Swaminarayan Akshardham Mandir. The principles of Maharishi Vastu Architecture are followed carefully in its construction.
The builders of this beautiful temple have abided by the norms Shilpa Shastras and hence have made no use of steel and concrete to maximise the lifespan of this great architectural piece. Akshardham is entirely a temple built of Rajasthani pink sandstone & Italian Carrara marble.
It has nine domes with 20,000 murtis of different deities, acharyas, and sadhus
Garbhagruh
Under the temple's central dome is the 11-foot high statue of Swaminarayan seated in Abhayamudra. Surrounding him are the figures of the divine succession of Gurus.
As manifestations of Aksharbrahma, the gurus are God's eternal servants, symbolising devotion and saintliness. Garbhagruh behind itself offers the items sanctified by Lord Swaminarayan during his premises on Earth for direct darshan.
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🌺💞🚩हिंदूधर्म में तुलसी पूजन की परंपरा पौराणिक काल से चली आ रही है। लेकिन पिछले कुछ वर्षों से भारत में 25 दिसंबर को तुलसी पूजन दिवस मनाया जाता है। इसकी शुरुआत साल 2014 से हुई और इस दौरान देश के कई केंद्रीय मंत्रियों और...
-भूत,प्रेत, पिशाच, ब्रह्मराक्षस,दैत्य आदि सब तुलसी के पौधे से दूर भागते हैं।
-पद्मपुराण के अनुसार तुलसी पत्ते से टपकता हुआ जल यदि मनुष्य अपने सिर पर लगाता है तो इतना करने भर से उस मनुष्य को गंगास्नान और 10 गोदान का फल मिल जाता है।
From 17th century temples in Andhra Pradesh to stretched canvases in modern homes, Kalamkari is a time-honored and widely beloved form of traditional Indian art.
Deriving its name from the word ‘kalam,’ which means pen, ‘Kalamkari’ refers to a particular, intricate style of hand-painting onto cloth and is noted for its beautiful earthy tones.There are are two types of Kalamkari paintings, Srikalahasti and Machilipatnam.
Having a strong connection to Persian motifs,this art has been in practice for more than 3000 yrs.Kalamkari derives its name from kalam or pen and it means ‘drawings with a pen’. This organic art of hand and block printing has survived generations in Andhra Pradesh.
Tara-Tarini Mandir is a famous religious place in South Odisha where the twin sister Goddess i.e. Tara & Tarini adorn the sanctum situated on top of a hill girdled by the waddling holy river Rushikulya. Taratarani attracts thousands of devotes & visitors throughout the year.
An interesting aspect of this revered shrine is the fact that unlike other temples, it wasn’t built under the patronage of a King or a Noble, the temple was set up by a Brahmin named Basu Praharaj as per popular legend. Basu Praharaj was a great devotee of Shakti, one night
the goddess appeared in his dreams and blessed him to be the father of twin daughters. He reared his daughters with utmost care and devotion. However, when he became old the daughters vanished all of a sudden.
Here are two very interesting sculptures from two subsidiary shrines of the Mukteswar Temple Campus, Bhubaneswar that portrays Nagas holding a pot.
It seems from its appearance that the pot is very precious.
Either it can be the Amrit Kumbh(Pot containing Nectar) or it can be the Ratna Kumbh(pot containing the precious jewels).
If this portrayal is related to the story of Nagas guarding the Amrit Kumbh before Garuda obtained it,then it is a sculpture of Naagraj with the Amrit Kumbh.
And if this portrayal is related to the story of the Nagas guarding the precious jewels in Paataal Lok (Nether World) then it is a sculpture of Naagraj with the Ratna Kumbh.
Either way, these sculptures are very unique as far as the architecture and iconography is concerned.
VISHPALA: A WOMAN WARRIOR OF RIGVEDA ERA AND THE EARLIEST INSTANCE OF PROSTHESIS RECORDED IN HISTORY
Vishpala was a woman warrior of Vedic times mentioned in the Rigveda (RV 1.112.10, 116.15, 117.11, 118.8 and RV 10.39).
Vishpala was married to a Vedic King named “Khela”. Khela’s kingdom was on the banks of Shatadru River. After the marriage, King Khela faced lot of problems. His kingdom faced a severe drought. King Khela also lost a battle with a neighbouring king.
People started blaming Vishpala b'coz all these things happened after her entry into the life of Khela.
Vishpala became very upset. Rishi Agastya counselled her& was surprised to know her in-depth knowledge of Yuddha Shastra.Vishpala decided to lead the army of her husband Khela
अर्थात् तीन बार आचमन करने से तीनों वेद यानी-ऋग्वेद,यजुर्वेद,सामवेद प्रसन्न होकर सभी मनोकामनाएं पूर्ण करते हैं।
मनु महाराज के मतानुसार
त्रिराचामेदपः पूर्वम्।
-मनुस्मृति2/60
अर्थात् सबसे पहले तीन बार आचमन करना चाहिए। इससे कंठशोषण दूर होकर, कफ़ निवृत्ति के कारण श्वसन क्रिया में व मंत्रोच्चारण में शुद्धता आती है। इसीलिए प्रत्येक धार्मिक कृत्य के शुरू में और संध्योपासन के मध्य बीच-बीच में अनेक बार तीन की संख्या में आचमन का विधान बनाया गया है।