curses are born from overflowing emotions therefore it makes sense that love and curses are two sides of the same coin, but the most interesting aspect to me is perspective. one’s love is another’s curse or perhaps it’s both - ‘love is the most twisted curse of all.’ +
it’s a theme that runs through many characters but i think it’s highlighted the best through the mc, yūji. his original motivation was a message from his grandfather (‘love’), but it ended up serving as a ‘curse’ instead (visually through black panelling). +
It’s again emphasised through nanami. here we see the final message for yuji is in black (‘curse’), but yuji’s decision to take that on changes the panelling to white. Nanami said it with ‘love’ for yuji and despite it being a ‘curse’, yujis own perspective can change that back.+
This is how yuji eventually wins the ‘war’ of truths and eventually defeats mahito - through his rationalisation of himself as a cog and the acceptance of his own ‘purpose’. He will keep carrying both love and curses as HIS decision. +
This brings up the ‘agency’ discussion. Yuji is the protagonist of a manga, a character created to serve a role just like his role in-universe as a creation by kenjaku to fulfill his own plans. This lack of agency is emphasised throughout the entire manga - but does that MATTER?+
To answer i think we should look at Toji - the man who was ‘free’. Looking deeper we can see that toji was never truly free at all: his trauma from the zen’in informed his whole life then he was reincarnated into samsara as a puppet. None of these scream ‘freedom’ to me. +
In fact the only moments of true freedom are when he abandons his trauma to live with megumi’s mother, and when he kills himself to save his own son - literally escaping the eternal cycle of rebirth that he had been caught in (wouldn’t die till the vessel broke). +
My interpretation is that akutami is implying true ‘freedom’ comes not from birth or a mechanical function (ie lack of ce) but instead from accepting both love and curses and living with reality in its entirety. Through complete knowledge we can make our own, ‘true’, decisions. +
Megumi also plays into this for me. His perspective is clearly set out visually between love (white) and curses (black). His journey is one of battling with both sides of these (and his own conscience) as shown through tsumiki actually residing in ‘grey’. +
Again it’s maintained through so many characters:
gojo/geto
yuta/rika
riko/life
maki/mai
nobara/saori
mechamaru/miwa
kamo/his mother
yaga/panda etc
To me ‘a story of love and curses’ is perfect for jujutsu kaisen. Didn’t think i’d write this much lol but thanks if u got here
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this is going to be a collection of thoughts that build off of my previous threads so if you find an element that you’re interested in i recommend looking at the corresponding thread to get a full picture. there is no specific structure to this so just read if you enjoy. +
firstly i’ll touch on the idea of ‘god’ within the narrative because it’s something that gets stressed. ‘god’ is the governing force of the world, all knowing and all powerful, but most importantly still a slave to something.+
the humanity of satoru gojō and the importance of suguru getō
a jujutsu kaisen thread
the premise of this thread is that geto represents gojo’s humanity (the humanity within ‘god’) and their love becomes a curse which ultimately brings him down. jjk is a ‘story of love and curses’ with geto and gojo embodying this principal fully. +
gojo is characterised as the ‘strongest’, strength is inseparable from his very identity but he’s at his best when he is alone. when kenjaku says this the word is caught in a bubble showing the fragility of this concept - gojo’s humanity (geto) means he cannot be truly alone. +
people ask me why i don’t qrt to argue anymore but genuinely what on earth is the point when value systems are so completely different? i do not like attack on titan for the same reasons as 99% of people on this app and i know now that’s just how it is. +
if you value a solid, well written and explicitly laid out arc you’re gonna have gabi high whereas i find her incredibly dull and predictable. the same goes for people who have reiner super high which is whatever, again it’s just whatever you value. +
i have ymir fritz top 5 due to my values and i’ll write threads/analysis on her, but what’s the point of quoting when 90% of people on here say some utter garbage like ‘she doesn’t even have any writing’. the way ppl victim shame her is disgusting to me and i don’t care for it. +
To understand the significance behind his bankai, it’s important to first look at his shikai and how they play off of each other. Shunsui’s shikai brings children’s games into reality, showing his dislike of responsibility and easygoing ‘facade’. +
His shikai often utilises shadows which is notable because shadows tend to represent a darker/hidden truth. This truth would be his immense trauma and pain as shown through his bankai. Barro sees an illusion because this is not the ‘real’ Shunsui symbolically. +
What is the time loop theory? It’s essentially any theory based on the idea of aot’s world existing in a loop, with eren at the centre of that loop trying to break out. I will be putting forth the idea that it does exist in a loop, but ONLY in the context of eren himself. +
Is this feasible? The theory actually became so popular that isayama and his editors themselves knew of it, and the idea is discussed in an interview after the ending released. Here its said to be open to the interpretation of the reader, so i have free reign to interpret.+
1) Denial. This is the creation of paths and the last 2000 years. She maintains the same role, subservience to the king, to maintain her connection to the one she ‘loves’ along with her sense of worth as she lacks individuality. +
The last paragraph is exactly what happens as eren connects to her, and the difference to mikasa is that she needs someone outside of herself to take that first step, which continues throughout. This is also why eren is so vital in her journey. +