inoue is a mangaka truly special to me, a style of writing/execution i feel so connected to that it’s as if his stories were made purely for me. REAL is incredible, 3 young man battling their way through trauma to find a path in life.
i love this manga+
the artistic depiction of takashi’s journey, the loss of his functions and separation from who he was before. how the bottling up of ones trauma is something you can carry with you for the rest of your life and that it’s ok to share that burden with other.
nomiya with his survivor’s guilt and constant self sabotage coming to accept that he was happy he survived, that he is able to continue searching for a path and to enjoy the present moment. ‘if everything were perfect, what would be the point in the rest of our lives’.
kiyo’s need to be the best fuelled by his trauma and the fear of that repeating, pushing away the bonds that he finally comes to accept and value is such a beautiful journey. i could write so much about each of these 3 and the interplay between them, i love them.
not to mention the side cast: yama being the culmination of ‘why me’ but finding a light in the darkness and most ‘unfair’ situation imaginable. there is meaning in life through what we choose to give meaning to and through the bonds we share with others. no one is alone.
the 3 musketeers and the camaraderie found in the most unlikely places, how the smallest things are something that can be meaningful if they are shared. shiratori’s wrestling match and the meaning he can give to others despite his self loathing and history. +
and of course to finish this little write-up the art is absolutely stunning from start to finish. how things are depicted, the emotions inoue mangages to translate through his mastery of the medium is just unparalleled to me and i don’t think i’ll ever feel the same about another
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this is going to be a collection of thoughts that build off of my previous threads so if you find an element that you’re interested in i recommend looking at the corresponding thread to get a full picture. there is no specific structure to this so just read if you enjoy. +
firstly i’ll touch on the idea of ‘god’ within the narrative because it’s something that gets stressed. ‘god’ is the governing force of the world, all knowing and all powerful, but most importantly still a slave to something.+
the humanity of satoru gojō and the importance of suguru getō
a jujutsu kaisen thread
the premise of this thread is that geto represents gojo’s humanity (the humanity within ‘god’) and their love becomes a curse which ultimately brings him down. jjk is a ‘story of love and curses’ with geto and gojo embodying this principal fully. +
gojo is characterised as the ‘strongest’, strength is inseparable from his very identity but he’s at his best when he is alone. when kenjaku says this the word is caught in a bubble showing the fragility of this concept - gojo’s humanity (geto) means he cannot be truly alone. +
people ask me why i don’t qrt to argue anymore but genuinely what on earth is the point when value systems are so completely different? i do not like attack on titan for the same reasons as 99% of people on this app and i know now that’s just how it is. +
if you value a solid, well written and explicitly laid out arc you’re gonna have gabi high whereas i find her incredibly dull and predictable. the same goes for people who have reiner super high which is whatever, again it’s just whatever you value. +
i have ymir fritz top 5 due to my values and i’ll write threads/analysis on her, but what’s the point of quoting when 90% of people on here say some utter garbage like ‘she doesn’t even have any writing’. the way ppl victim shame her is disgusting to me and i don’t care for it. +
curses are born from overflowing emotions therefore it makes sense that love and curses are two sides of the same coin, but the most interesting aspect to me is perspective. one’s love is another’s curse or perhaps it’s both - ‘love is the most twisted curse of all.’ +
it’s a theme that runs through many characters but i think it’s highlighted the best through the mc, yūji. his original motivation was a message from his grandfather (‘love’), but it ended up serving as a ‘curse’ instead (visually through black panelling). +
To understand the significance behind his bankai, it’s important to first look at his shikai and how they play off of each other. Shunsui’s shikai brings children’s games into reality, showing his dislike of responsibility and easygoing ‘facade’. +
His shikai often utilises shadows which is notable because shadows tend to represent a darker/hidden truth. This truth would be his immense trauma and pain as shown through his bankai. Barro sees an illusion because this is not the ‘real’ Shunsui symbolically. +
What is the time loop theory? It’s essentially any theory based on the idea of aot’s world existing in a loop, with eren at the centre of that loop trying to break out. I will be putting forth the idea that it does exist in a loop, but ONLY in the context of eren himself. +
Is this feasible? The theory actually became so popular that isayama and his editors themselves knew of it, and the idea is discussed in an interview after the ending released. Here its said to be open to the interpretation of the reader, so i have free reign to interpret.+