Sardinian pastoral songs, UNESCO intangibile heritage since 2006.
📸 Tenores of Bitti
Sardinia has a long poetic and chants tradition, linked to each other. Singing was considered a male talent, so that a typical saying told "women are born crying, men are born singing", even if we also had occurrences of women leading choirs, and women used-
-to sing in their everyday activities.
The cantu a tenore is a traditional singing linked to pastoral life and requires a group of people. The group is called tenore, from which the chants take the name. The group is usually made up by four people, with one soloist ("sa boghe")-
-and three more people to make the choir. They are called su bassu, sa contra and sa mesu boghe, because they sing in three different tones. The soloist sings in Sardinian language, with usually romantic themes or text that refer to the traditional Sardinian poetry, while-
-the choir sings unintelligible guttural sounds, which remind of the sounds made by shepherds to control their flocks. It is in fact thought this could be the origin of this type of singing.
It's not possible to pinpoint a date or origin of this singing because it goes far back-
-in time. The first written sources are of the beginning of the 19th century, and it was already considered very old.
The tenores could be accompanied by musical instruments, like piano accordions (since the second half of 19th century) or the traditional launeddas of the-
-Campidano.
The cantu a tenore could also be used to accompany the traditional dances, like in this performance of the folk group of Monti (Gallura):
This is an example of a cantu a tenore, from Alà dei Sardi:
A variation of the cantu a tenore is the cantu a cuncordu, which lacks the typical guttural sounds, substituted with softer sounds. Su Cuncordu usually has religious themes, like in this performance of the Miserere from the Cuncordu of Cuglieri:
Sardinia also has a tradition of large choirs, close to opera singing. Some of the most famous groups are from Nuoro, all gathered in this performance of A Diosa:
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📜Extemporary thread about the art of poetry in Sardinia, especially the poetic contests 🎶
Oral tradition in Sardinia has always been a strong component of the conservation of memory. Most people were illiterate, but they could still create poetry. This is a particular characteristic of shepherds, which also relates to the traditional singing technique.
A tradition that remained for long in Sardinia is that of poetic contests. People (usually men, but also women could make poetry) would challenge each other in improvised rhymes centering a topic. They could be 2 people, or 4, or more. Poetic contests were typical of village -
Thread about, you guessed it, the festival of Saint Antiochus, patron of Sardinia.
Antiochus was born in North Africa and was likely a doctor. He was raised in the Christian faith, in a period in which Romans still persecuted Christians. The hagiography says he was pretty vocal about his faith and for this reason the Roman governors tried to kill him, -
-eventually forcing him at sea on a boat. This boat is said to have reached the Sardinian island of Sulci (today, Sant'Antioco), where Antiochus carried on his preaching. He was found by the Romans again, who sentenced him to death, but Antiochus miraculously and peacefully died-
🌊 Thread about the archaeological remains of an important centre of Punic and Roman Sardinia. 🌊
Nora is located in the South Sardinia, today in the municipality of Pula, at close distance from Cagliari. It is famous for being the site of the martyrdom of Sant'Efisio and back in the day, it was probably even more important than Karales (Cagliari).
The archaeological site was known already in the 16th century but it was mostly covered by the sand. In the 19th century, a strong sea-storm uncovered part of the mosaics, arising interest and leading to a series of excavations that revealed what was underground.
✨Today is the launch day of SONG AMONG THE RUINS!✨
My little YA historical gothic book set in Sardinia officially releases today (Amazon link below ⬇️). So, I wanted to say a couple of words.
As you might know by now, the main setting is Cuglieri, a village in the Montiferru. Today is the 1st anniversary of the fire that burned down large part of the forest and destroyed the millennial oleaster. Exactly one year ago, I was preparing to begin-
-drafting when this all happened. I am now working on the Italian translation of the book, for which I have different plans regarding publication, but in one way or another it will be out eventually.
Thread about the still surviving and recognisable castles of the Middle Age.
Sardinia had a different medieval history than the rest of Europe. By the 1000s, we had 4 different kingdoms, likely born from the division of an original single entity. The subdivision meant also a different kind of local administration. Differently than the rest of Europe, -
-castles in Sardinia developed along the confines of the kingdoms (as watchtowers towards the neighbours) and not in the countryside as a creation of a local feudal power. This means castles are relatively few (~120 in the whole Island for ~350 towns/villages).