1/ Last year, TV became essential, our Culture team writes. When the stages we used to go to—concert halls, movie theaters, sports arenas—closed amid the pandemic, the small screen became the only outlet for safe viewing entertainment. bit.ly/3sMvFtN
2/ In their list of the top TV shows of 2021, @shirklesxp, @sophieGG, and @megangarber reflect on how TV kept us enthralled during the pandemic. Below, we look back at what they thought about some of the year’s best shows.
4/ The best crime shows rely on their setting for dramatic impact. But HBO’s “Mare of Easttown” uses its Delco location to tell a truly specific story, @sophieGG writes. bit.ly/3sGwRyR
6/ “Only Murders in the Building” could have been a simple true-crime spoof. Smart casting turned the Hulu TV series into an insightful exploration of the generational divide, @shirklesxp writes: bit.ly/3mIUhjs
7/ “Hacks” is a comedy full of twists. The biggest of them, @megangarber writes, might be this: The show takes the marriage plot and applies it to work. bit.ly/34biKYl
8/8 Reply with what TV show got you through the year below. 👇
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2/ “We seek shows anywhere we can find them—sometimes hearing about them directly from producers, other times from a friend of a friend’s mother’s uncle, or sometimes through our own secret methods of rooting out gems. Then we dig in,” @LJStandley and @McQuadeEric write.
3/ Below, we look back at a few of their favorites from the year.
1/ Maybe your New Year’s resolution is to read a great book. Find one on our Culture team’s roundup of the 20 best from this year. theatlantic.com/culture/archiv…
2/ “The Right to Sex,” by Amia Srinivasan. “Srinivasan excels at closely analyzing, then questioning, the facts of our sexual lives that we might take for granted.” — Kate Cray
3/ “Intimacies,” by Katie Kitamura. “Kitamura’s fourth novel spins a taut web of dread from the start.” — Stephanie Hayes
1/ How can we work toward satisfaction and enjoyment even in uncertain times? That’s a question @arthurbrooks has tackled in each installment of his weekly series, “How to Build a Life.”
2/ “Falling in love is the start-up cost for happiness—an exhilarating but stressful stage we have to endure to get to the relationships that actually fulfill us,” @arthurbrooks wrote in February. theatlantic.com/family/archive…
3 /Job satisfaction has little to do with the “what” of your work, and much more to do with the “who” and the “why.” @arthurbrooks on the kind of professional development that will actually make you happier. theatlantic.com/family/archive…
1/ It was an odd year in film, our critic @davidlsims writes. “At the end of last year, I pondered whether the pandemic was irrevocably changing cinema.” theatlantic.com/culture/archiv…
2/ In his list of the top films of 2021, Sims considers the movies that affirm the vitality of the medium, no matter the size of the screen. Below, we revisit that list and look back at what he wrote about some of the films when they were first released.
3/ The new film adaptation of “Dune” is epic in scale and ambition. But its true power lies in its quieter, human underpinnings. theatlantic.com/culture/archiv…
1/ As we near the end of the year, The Atlantic’s audience team is reflecting on some of the most memorable stories from 2021. Here’s a look at the pieces that have stayed with us and why. Tell us about some of your favorite Atlantic articles in the comments ⬇️:
2/ This feature recounts two scientists’ efforts to help their daughter, who suffered a traumatic brain injury. @danengber tackles the idea that science might not have all the answers, and gives a voice to a girl who can no longer speak. — @IAmKateGuarino theatlantic.com/magazine/archi…
3/ I had been a pandemic mom for a year when @sophieGG’s piece on COVID parenting came out. I’ve read it a handful of times since then, and every time it gives me the permission and language I need to really sit with my own feelings. — @JaBogenon.theatln.tc/CaBJjxW