So if you have a very large TBR on your eReader, today is a good day to think about organizing for a new reading year. I manage my kindle collections pretty ruthlessly.
Here are some of the things on my new year's kindle maintenance plan.
Delete every sample. If you haven't read them yet & haven't downloaded the full book, you aren't going to. Bye.
Related: from here on out, don't ever download samples. Anytime you are tempted by a book , use the "look inside" feature. You are going to know instantaneously if you are interested. Don't clog up your eReader with samples.
You know what's [not] great, that the 2019 @nytimes obituary for Johanna Lindsey makes sure to say this: "Stories built around romantic and sexual surrender — between arrogant, willful men and heroines with little power from centuries past — descended at times into rape."
While the 1977 obituary for Nabokov says this, "Intended as a metaphor for the eternal quest for innocence that is resolved in satiric terms, the book sold in the thousands as an erotic story of Dolores Haze, a 12-year-old nymphet... and Humbert Humbert, her middle-aged pursuer.
To which I offer this hearty fuck you to everyone a the New York Times obituary section.
[gif: wonder woman smashing a window labeled patriarchy]
I wish we could talk about writing quality more in romance. Maybe it's a knee-jerk response to outsiders who think **all** romance writing is terrible. Are we afraid if we start a conversation about writing quality, outsiders will jump in and say I KNEW IT?
And mea culpa: I didn't talk too much about writing quality in the RITA books I DNF'd, and maybe I should have. In some ways, it's an easy dodge, because the books with poor writing seem to travel with a sidecar of terrible content. It's easier to talk about problematic content.
The heroine is Melissa Greyson. She's 28 and works for her grandfather's company. Since Pop is a controlling old geezer, he tells her that he's going to take her job from her if she doesn't produce a husband STAT.
In order to fulfill the letter of the law, Melissa asks one of Pop's business enemies, a young guy named Trevor Bentley to marry her for a year. That way she can keep her job and get Pop off her back.