Yuki Matsuzaki 松崎悠希📽️ Profile picture
Jan 2, 2022 5 tweets 2 min read Read on X
"This is NOT Chicken Nanban. Are you joking?"
「これはチキン南蛮ではありません。ふざけているのですか?」
"That looks like a bunch of Karaage with tartar sauce. Get off my lawn."
「これは唐揚げにタルタルソースが掛かっているだけに見えます。私の庭から今すぐ出て下さい。」
"Are you sure that's tartar sauce and not just mayo? I don't trust you."
「これがタルタルソースであることは確かですか?マヨネーズではなくて?私はあなたを信用していません。」
"You know what... this doesn't look so bad. Imma hit this tonight. But if you disappoint me..."
「ご存知ですか?これはそれほど悪くは見えません。今夜はこれを打ってみます。しかしもしも私を落胆させたら・・・」
"Heeeeeey, this ain't bad, 肉宮ホル二郎!!!! I'm surprised a grilled innards place is surving a decent Chicken Nanban! Well done!"
「やあああああ、これは悪くありませんよ、#肉宮ホル二郎 !!!ホルモン焼き専門店が良質なチキン南蛮を提供していることに私は驚きました。良くやりました!」

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More from @Yuki_Mats

May 27
【裁判記録】園子温 vs 松崎悠希 判決文 (1/6)
プライバシー保護のため、被害証言のみ黒塗りにしています。 Image
【裁判記録】園子温 vs 松崎悠希 判決文 (2/6) Image
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【裁判記録】園子温 vs 松崎悠希 判決文 (3/6) Image
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Read 6 tweets
Mar 13, 2024
ハリウッドのアジア人の「透明化」の件で僕のトラウマになってることの一つが、2009年の映画「ピンクパンサー2」で、メインキャストで僕だけがポスターから「消された」こと。ポスター用写真(2枚目)も撮影してたのに。そりゃインド人のアイシュワリヤー・ラーイさんは残ってるけどさ… Image
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当時「ピンクパンサー2」のホームページでは、こういう風にちゃんと「メインキャスト」の一人としてバーーーンと載ってた。…なのに「公式ポスター」には僕だけが、いない。「別にユウキはいなくてもいか、アジア人だし。」という判断がされてしまうのが本当に悲しかった。
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Read 4 tweets
Mar 11, 2024
20年間ハリウッドで俳優として活動してきた私がこれまで「ラストサムライのセットでの真田広之」を、ハリウッドの業界人からどう聞かされてきたか。

「Hiroyuki Sanadaという小うるさい俳優がいて、セットの雰囲気を乱していた」「Hiroyuki Sanadaは細かすぎて、和を乱す」

うるせえよ馬鹿ども。
これまで日本からハリウッドに進出してきた俳優(在日の俳優を含む)にとって、ハリウッドがどれだけ人種差別的な環境だったかについては👇こちらの記事を参照して頂ければ。夢を壊してスミマセンが、我々にとっての「ハリウッド」は2024年の今でも、クッソ人種差別的です。
globe.asahi.com/article/146416…
上記の記事内でも紹介されている「マイノリティの日本人俳優」が「フツーの役」で登場する映像作品「モザイク・ストリート」は👇で視聴可能です。こんな作品がもっと生まれてきて欲しいな、と思って頂けたら、より多くの映画人の目に触れるよう、拡散して頂ければ幸いです。
Read 5 tweets
Jul 11, 2023
とある子ども演劇グループに「この子は話を全く聞かない」「協調性が全く無い」と完全に放置されていた男の子がいた。他の子達が集まってる時も、その子だけ隣の部屋で電車の模型で遊んでいた。そしてその子の親も、その子は学習障害があると諦めていた。でも実際に話してみたら「違和感」があった→
→僕はその子に、遊んでいた電車の種類について尋ねたところ、その子は車両形式を即答した。そして、どの県の、どの路線で、いつまで使われていたかまでスラスラと話した。今度は電車のスイッチの構造について尋ねたら、その構造だけじゃなく車両によって「車幅」まで変えられる事を教えてくれた→
→この「即答」を聞いて僕は思った。もしやこの子は「頭の回転」が普通の人の10倍くらい早いく、そのせいで「相手の回答」を待つ前に自分で「答え」を導き出してしまうから「通常スピードの会話」が成立しないのではないか…と。そこでその子の親に、1時間だけ彼と話をさせて欲しいと頼み込んだ。→
Read 9 tweets
Jun 3, 2023
Inter-national (2023)
Inter-national is a proof-of-concept to showcase the diversity of Japan-based actors. Starring Zainichi-Korean actor Hyunri Lee and Tokyo-based Japanese-American actor TJ Kayama. Directed by Japanese-Canadian director Ken Hirama. Created by Yuki Matsuzaki.
Inter-national is the 2nd in the series to promote diversity in the Japanese industry following Mosaic Street (2022). If you'd like to see more diverse Japan-themed content, please RETWEET these and help me spread the idea. Thanks!
Japanese version of this thread is below.
このスレッドの日本語版は以下になります
Read 4 tweets
Apr 21, 2023
MOSAIC STREET (2022)
This is a proof-of-concept I made to show what kinds of fantastic films/series Japan and Hollywood can make if they start casting minority Japanese actors without focusing on them being minorities. If you want to watch more stuff like this, RETWEET and help me spread the idea🙏
Starring Kota Ishijima @Kotaane, Ami Ide @amiidemusic, Ema Grace @ema84761077, Yuki Matsuzaki and Hiroyuki Watanabe. Directed by Shiho Fukada @shiho_fukada, Created by Yuki Matsuzaki
"For the past 50 years, Japan has been putting out a completely fictitious version of “homogenous Japan”, and Hollywood has been telling the world what Japanese people should look like. In this echo chamber, we are tricked into believing that there are no mixed-race Japanese." A message to Hollywood, from one of your Japanese actors  I’ve survived as an Asian actor in Hollywood for 22 years, and for the past few, I’ve also helped them cast Japanese actors. And I watched up close how blatantly racist this casting process can be. Hollywood firmly believes that “Japanese” is an ethnicity, and they insist that Japanese actors must look quintessentially “oriental”. The first thing producers want is that actors can “pass” as Japanese. As some of you may know, modern Japan is quite diverse. Mixed-race Japanese are just as Japanese as I could ever be. But for Hollywood, ...
When I worked on Melissa and Joey in 2011, I was asked if my curly hair was real. I said “yes”, and they replied: “But all Japanese are straight-haired.” I explained to them that this isn’t the case, but nonetheless, they straightened my hair because they felt that I didn’t look “authentic” enough. Hollywood needs to understand that it has created extremely offensive stereotypes by yellowfacing Japanese actors for many decades. Japan is a diverse country, and Japanese is not an ethnicity. You cannot imagine how agonising it is for me when I’m asked by young mixed Japanese actors for advice ...
Hollywood would rather cast Asian American actors than mixed Japanese because they believe some of them look “more Japanese” than mixed Japanese. And the sad part is that because the Asian American community often isn’t aware of how mixed Japanese are treated, even when Asian Americans are cast for the wrong reasons, they praise Hollywood for advancing Asian American representation. I love the As-Am community, but this is not right. Of course, the Japanese industry is to blame as well. Believe it or not, Japan has literally zero minority representation, and I’m not being hyperbolic. Though ...
And here is what hurts me the most. The vast majority of mixed Japanese actors are registered with “international talent agencies” in Japan, and if you go to their websites, they’re listed as “foreign talents”. They are not foreigners. They are Japanese. For the past 50 years, Japan has been putting out a completely fictitious version of “homogenous Japan”, and Hollywood has been telling the world what Japanese people should look like. In this echo chamber, we are tricked into believing that there are no mixed-race Japanese. I cannot stay silent anymore about one of the most blatantly racis...
Japanese version of this thread is below.
このスレッドの日本語版は以下になります
Read 4 tweets

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