Actors, here's a hot tip for your Tuesday: if you see a prototype in a breakdown description, that is for your REPS, not for you.

1/
We use prototypes all the time when we're discussing the concept of a character. Writers often write with a voice or specific person/type in mind. Occasionally, we'll include those names in the breakdown to help your reps have clarity as to the type and tone we're going for.

2/
If you see a "so-and-so type" or "prototype is so-and-so", try to erase that name/voice from your brain.

For reps submitting, "A Joan Allen type" is more succinct than "Female, 50s, tough."

But for the actor, it can easily lead to an impression, even if you don't mean to.

3/
The breakdown is full of useful information as you start doing your character work. But if you see a prototype in the character description, do your best to ignore it.

If you can't, (you've seen it, now you can't unsee it)...

4/
... think about some major traits of that person/beloved character. What stands out about their essence & how can you connect that to YOUR unique voice?

If we invite you to tape for a role, we want to see YOUR take on it.

Avoid impersonation. Be YOU.
#CastingLovesYOU

/End

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More from @ericasbreamcast

5 Dec 21
Story time:

We read an actor for the series lead of a pilot. He was perfect for the role but the network wasn’t convinced. We read/taped him 2x, but they still weren’t seeing it. In an act of passion, the prods wrote a brand new scene for him, one they felt would seal the deal.
His agent didn’t want him to read again. They felt like the writing was on the wall and didn’t want to put him through it. We pleaded, the producers wrote a love letter for the agent to pass on to the actor… the actor said yes to reading again. One caveat…
we were in a time crunch. He had to learn the new scene immediately and come in tomorrow, on a Sunday morning, to tape it.
Read 8 tweets
17 Jun 21
Hi, I'm hearing from a lot of actors who are feeling left behind as they see more of their friends back on set.

So I'm here to remind you that...
1. You can't compare your journey to anyone else's - you are apples and oranges.

2. People only share the good stuff on social media - you have no idea what their bad days are really like (or how frequent.)
3. Only one person can get the job at the end of the day - what is for you will not go by you. (Thank you, Brian Cox, for that perfect quote.)

4. We are *still* in the middle of a pandemic and things are still getting up and running - it's hard, but practice patience.
Read 5 tweets
3 Jan 20
Actors, you should ALWAYS read *all* of the instructions for your self-tapes, as they (and we) are all a little different.

But in case Casting hasn't specified certain things, here are some simple basics you can follow, (to protect your/your reps sanity): #minithread
Again, these are to guide you ONLY if Casting hasn't otherwise specified. (Read all of the instructions, every time, I beg of you!)

1. Slates: if Casting doesn't say where to put your slate, (beginning, end, separate) put it at the end. We should see your performance FIRST.
2. Slates (again): if Casting hasn't asked for a slate, it's still good to include a basic one, saying your name and height, (great if you can make it full body, but ok if you can't.) It's good for us to hear how you pronounce your name and get the perspective on your height.
Read 32 tweets

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