Some folks were wondering about the "Apologies to Darcy" on the cover to Human Target 2. That's a reference to Ernest "Darcy" Chiriacka, a mid century illustrator I swiped from for the cover.
The man peeking out from behind the woman is a motif I've seen before in 50/60s illustration (this one is Coby Whitmore) but Darcy's was just too perfect not to steal from.
I also get questions about the models for Ice and Chance. There's no one specific model other than the 3D sculpts I made myself using Sculptris. I try to steer clear from obvious actor likenesses as I ultimately found that to be distracting for readers.
That said - the swagger, abrasiveness, and disinterest I draw in Chance is hugely influenced by Ralph Meeker's Mike Hammer in Kiss Me Deadly. I think of his performance a lot when I'm drawing Chance.
Back to the cover for issue 2. How about some process? The Bewitched vibe is intentional. In addition to Darcy, I was also inspired by the work of Al Parker, especially his covers for Ladies' Home Journal.
Here are my 3D models superimposed on my original concept for the cover. When tracing over reference, I stay zoomed out in order to prevent getting bogged down in details. The reference is a guide to save time, not something to be chained to.
Once I have the basic framework, I get rid of the reference, finesse the line art, and start rendering/shading on another layer. After that's done, I add some flat color.
Here's my basic approach to coloring and the brushes I use for rendering. God bless @kyletwebster and his brushes!
Next step is to do some color holds on the line art and render the colors a bit more where needed. Final step is to add the trade dress back in and clean things up.
Thanks for sticking to the end. Later today, I'll be doing a thread on ALL of my influences for The Human Target. Stay tuned.
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A lot of artists have inspired my interiors on Human Target. Here's a thread of the big ones - maybe they can inspire you on your next project
The most obvious influence is Darwyn Cooke. A lot from his Parker books. New Frontier, too. But the work of his I draw the most from for Human Target is issue 3 of THE SPIRIT, colored by Dave Stewart.
I explored some of this style in the final page of a Nick Fury story I wrote and drew for MARVEL. This was my first attempt at what I would later refine for HT.
Lots of questions about what inspired my work on Human Target. Here's a thread on the creative genealogy of the book. Hope it helps.
It all starts with Fantastic Four. In 2019, I attempted to draw an FF one-shot (written by Gerry Duggan) in the style of 101 Dalmatians and Darwyn Cooke. Wasn't clicking (and I ran out of time) so I abandoned the approach and redrew what I could of the issue. Still liked it, tho.
Not long after that, Alex Ross asked me to be a part of his MARVEL anthology. I pitched him a Steranko Nick Fury story and he hit me back with a ton of reference to inspire me. He encouraged me to explore bright poppy colors and day-glo coloring.