Eddie Cochran is rightly regarded as one of the absolute pioneers of Rock and Roll. His influence on music is immense, as is his influence on fashion – see attached photo for a blueprint of the 80s PopStar. Less widely celebrated are the equally huge talents of Sharon Sheeley
Sharon Sheeley, typical of attitudes facing female musicians in the male dominated Rock world then was most commonly referred to as 'Eddie Cochran's Girlfriend', or worse, simply 'girl'. Who she really was is one of the greatest and most successful songwriters of the 50s and 60s.
Sharon wasn't given some vanity songwriting credit given due to being a rock star's partner either, she'd already written a US number one single before she met Eddie. At 15 – one, five - she wrote Poor Little Fool for Ricky Nelson
It was inevitable that she'd also write for Eddie and in my opinion she wrote his greatest song, Something Else which was later annihilated by Sid Vicious.
In the early 60s she teamed up with another of my favourite songwriters, Jackie DeShannon and together they wrote a string of songs for artists such as Brenda Lee and Irma Thomas, including Breakaway, that would become a hit in the 80s via Tracey Ullman.
Jackie DeShannon is perhaps more widely known, and has equally knocked up some of the all time classics such as Far Away Eyes and Put a Little Love in Your Heart, as well as songs for Marianne Faithfull and The Byrds and writing with Jimmy Page!
Tragically, Sharon left music in the mid 60s. The huge shadow of the crash all but broke poor Gene Vincent and she herself reported that Eddie was killed because he threw himself over her to protect her during the accident, which must have been an unbearable weight to bear.
So if you ever see an article that simply refers to her as being Eddie Cochran's girlfriend you need to let them know that Sharon Sheeley was one of the great songwriters.
A PS, for anyone unaware of one of musics strangest stories here is the legend of Eddie guitar and it's strange journey.On the tour that Cochran died on, he allowed a 13 year old Mark Feld to carry his car from the Hackney Theatre to his car. Marc Feld would become Marc Bolan...
...After the crash, the guitar was impounded at a local police station. The officer on charge, David Harman used it to teach himself guitar and later became Dave Dee from Dave Dee, Dozy, Beaky, Mick & Tich.
While not directly connected to the crash, perhaps Eddie's most lastingf musical connection is that his song, 20 Flight Rock was played by Paul McCartney at his audition with John Lennon to join The Quarrymen
RIP Eddie and Sharon.
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Thanks for all the interest about my 'Lord Rockingham' tweet.I dug up a little more that led to all sorts of strange musical twists thanks to 'Google'. I've always been fascinated by those in music who were perhaps not The Beatles but contributed more than they are credited for-
-He's certainly one of the interesting shadowplayers but leads to many others – naughty and nice.I thought I'd highlight some of those related connections who helped (or hindered) music from the background.
Long before Creation there were attempts by British independent labels to take on the majors – Immediate being one of the most rebellious – but a couple of years earlier there was Island.
Rock music and eccentricity often go hand in hand. Mostly, offbeat behaviour is carefully affected PR to help sell records but just sometimes there are the rare few who end up pursuing a music career to further their own quirky ideas. Kimberley Frost was one of the latter...
...Nearing 40 in 1968, while driving somewhere between his central heating business in Glasgow and his home in Sheffield he came to believe he was possessed by the Egyptian God, Ramases and that his life goal was to now spread this message through music...
..In order to help him in this goal he and his wife (now named Selket) persuaded 10cc to act as backing band on their seriously trippy late-period psych album, under the name Ramases (obviously); with Roger Dean painting a Stockport church turning into a spaceship for the cover
Despite being one of the most repeated rock myths, The Velvet Underground were actually quite popular in the 60s. Obviously we're not talking Beatles or Stones levels but they certainly had a level of success that brought them into the mainstream. I thought I'd take a look...
Brian Eno famously said that everyone who bought a Velvet's album went out and formed a band. Or did he? Nobody actually seems to be able to find the source of his legendary quote - quoteinvestigator.com/2016/03/01/vel…
It's certainly a great line, and probably true -to an extent - regarding it inspirational qualities anyway. I'm not convinced about it only selling 10-30,000 copies though. Discogs mentions at least 23 presses of the first album in 1967 alone.
Top 15 Greatest US 60's Psychedelic albums
A far more complicated affair than picking the best from the UK – wildly varying definitions and far more to choose from. Anyway, here are mine (for today anyway)...
15 – The Monkees – Head. Not just a great psychedelic film but also a great album. Neil Young, Stephen Stills and Leon Russell all play. Top of their game originals and for once, fully cohesive brought in songs. Who could fail to love Porpoise Song!
14 – Silver Apples – Almost chose The United States of America who similarly experimented with electronics, rock and psychedelia, but rather than sounding like Jefferson Airplane with added beeps though, this sounds genuinely like an album from the (then) future.
Well, that film was from a series called 'Rip it Up' and both films have some shared history
I too felt RIU had the same sort of feeling and when I raised my concern regarding the BBC series I was told by the person responsible “none of them feel like Teenage Superstars to me.”
If we rewind back a few years, I was approached by the National Museum of Scotland to be on the Steering Committee for an exhibition that would be entitled 'Rip it Up'...They had seen one of my music documentaries and were keen to base an exhibition around them....