I'm really tired of seeing this take.

A once-in-generation 2-week protest movement whose premise fortuitously motivated universal support, is completely different to building a political structure that ensures you have party agents in Abonema and Tundun-Wada on election day.
They have absolutely nothing in common. It's like comparing a 20-ft rope with a 20-ft snake. The form is vaguely similar, but the operational realities are worlds apart.

In terms of numbers, @SavvyRinu's total social media audience is only like 40% of Alimosho LGA alone.
N500m is a drop in the bucket. Except you're using it to campaign for HoA seats, and even then there are no guarantees.

I know a diasporan from Rivers State who came back to contest for a senatorial seat in 2019, and spent her own N100m.

She didn't get past the primaries.
I think the reason people constantly draw this false inference is because of how #OccupyNigeria was coopted in what later became APC.

What they fail to understand is that Occupy Nigeria itself was sponsored and catalysed by politicians who already had an agenda that became APC.
EndSARS was not bankrolled or helped along by any politician. It was an organic protest movement - possibly the first of its kind in post colonial Nigerian history, which is why Buhari was so terrified of it.

It was nothing like Occupy Nigeria both in conception and outcome.

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More from @DavidHundeyin

Jan 22
Some cultures understand that all knowledge belongs to all humanity and that you can only profit from controlling a share of the knowledge.

Some other cultures try to control 100% of their cultural knowledge and end up with 100% of a worthless nothing.

Guess who is what
Some cultures created patents so that they could profit from a share of invention, which is infinite and belongs to all humanity.

Other cultures created a writing script, then hoarded it for only their elites so that knowledge could not be compounded or traded among commoners.
Some cultures discovered how to harness the power of combustion and used it to create industrial economies that raised the entire level of the human species.

Other cultures hid their scientific discoveries behind mysticism and turned them into religions for exploiting each other
Read 5 tweets
Jan 22
I have a dream that one day Africans will understand that Border Closure is a false god that only bestows poverty and alienation.

Whether it is Border Closure economics or Border Closure cultural gatekeeping or Border Closure IP practises.

Globalisation doesn't respect you.
Border Closure vs openness to trade trade exchange is the reason why some people were circumnavigating in 1700 while our ancestors were completely unaware of civilisations that were 600KM away from them on the same continent.

Border Closure only births insularity and poverty.
Border Closure is the reason that the world's poorest continent also has by far the world's lowest rate of internal trade.

Instead of leveraging trade and exchange to compound results, every man is busy building fences around his 70 x 55 okra farm.

Border Closure makes you poor
Read 6 tweets
Jan 16
It's clear what she should do, so I want to do a thread to speak to the guy's mindset and why it is a trap, using myself 11 years ago as a case in point.

This is a story I've never publicly told before, but I'm creating a space to help men process their feelings.

Thread👇🏿
11 years ago in 2011, I got a woman pregnant.

We met at Hull Uni during my final year, and it was what you might call a whirlwind romance. She was from a town in Zimbabwe called Kwekwe, and she was 2 years older than me.

We were the definition of "opposites attract."
We fell in love so hard that in just 6 months from when we met in March, we took it for granted that we would get married, have 2 kids and a dog, a nice little house in Market Weighton, her dream Mini Cooper etc.

Bear in mind I was a 21 Y.O on a visa, without a job or a plan.
Read 20 tweets
Jan 13
Twitter has given NO concession to the Nigerian government and I can't believe people are falling for the narrative that it has.

The "access to Twitter's backend" thing is based entirely on this section from the press release sent out to media last night (Photo 1)

THREAD:
That statement "The Partner Support Portal provides a direct channel for government officials and Twitter staff to manage prohibited
content" is false.

ONLY Twitter staff can manage content under the PSP. It didn't take me 5 minutes to find this out.
assets.publishing.service.gov.uk/government/upl…
Furthermore, Twitter's Law Enforcement Portal does NOT give any government anywhere in the world tye power to directly manage content on Twitter.

Again, you can confirm this for yourself here
help.twitter.com/en/rules-and-p…
Read 8 tweets
Jan 2
They can buy all the 4K UHD cameras and expensive lighting in the world. They can attend New York Film Academy and learn the swivels and flourishes of movie making.

But as long as they refuse to pay for quality script writing, their movies will continue to be trash.
The only reason King Of Boys is a unicorn is Kemi Adetiba's individual writing genius.

If she did not take personal responsibility to think up a genuinely interesting storyline and spend years fleshing it out, it would have been just another bit of shiny neo-Nollywood nonsense.
In Hollywood, it is common to see screenwriters get paid 6-7 figure USD sums per movie. That's why Hollywood storylines are good - they pay for quality.

Nollywood INSISTS on treating writing as a cheap afterthought, so here we are. "Shebi it's just to write, what's there?" abi?
Read 4 tweets
Dec 31, 2021
I'm not sure where this narrative that "Nigeria does not promote other African music" is suddenly coming from, because I know FOR A FACT that this is NOT true.

A little thread with some facts and some anecdotes that I hope will provide some insight to cut through this myth.
I used to work for BHM, which was Viacom Africa's PR agency, so I had an inside view of much of Africa's contemporary industry.

This guy - the person who pitched MTV Base Africa to his bosses at Viacom USA, and built it from the ground up was Alex Okosi - a Nigerian. Image
If you're not aware about who Alex is and the central, foundational role he played in the post-2000 growth and development of contemporary African music, I recommend reading this:
edition.cnn.com/2012/09/28/sho…
Read 11 tweets

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