For my generation, of course, this is a second-tier overplay -- "Stairway" is the most overplayed song of all time -- but if you can manage to hear it the first time. If you can just come to it fresh. This is stunning.
Do you know what I should like to know? I should like to know what Armstrong would have made of it. I should like to know whether he'd've put it on one of his tapes with his commentary.
You might think he'd be bothered by its strangeness to his scene.
That would be to underestimate the most influential musician of 20th c America.
The man *inhaled* music, including new music. If you hear his tapes, at @ArmstrongHouse, you will know. He might readily have adored that take, as he did many others from far outside the tradition at which he was the center.
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Either 1) the horse is sick, or 2) the water is sick, or 3) they're both fine and the horse just isn't thirsty.
Two pro-tips:
a) It's not usually #3.
b) #1 and #2 often co-present, cuz drinking sick water will make a horse sick.
Give that #1 & #2 -- co- or singly-presenting, are so vastly much more common, I'm always startled when people seem so confident that they're in a #3 situation.
It's always, how do I get these horses to drink this water. It's never, what might be making my horse sick, or what is it about this water that a healthy horse won't drink it?
Mulling over a little Oxygen Not Included for tonight and tomorrow. Not sure, but I'mo start it and see how I feel. Seed: V-SNDST-C-66913931-0 Classic, Survival.
Some concepts for this one: I'm gonna repeat the deluxe-hab-unit thing, but will start with a very small crummy hab-unit, and only upgrade when I'm really ready. I'm gonna go oxygenate-everything instead of atmos-everywhere. I decided to try *not* using a dedicated researcher.
Finally, most importantly, I'm gonna try to stall on identifying a final "central spine" location until I'm ready to really commit to its final location, i.e. by getting near space above and oil below. I'm gonna make the tentative spine *very* wide.
On the cover of Hofstadter's famous _Godel, Escher, and Bach_, there's a photo of an artifact he made, called a "trip-let". The trip-let, when lit from three different angles, produces shadows that spell out "G", "E", and "B".
Let's talk about software design.
Before we dig in: I love to think & talk about geekery, but it's comfort food, not my most important story. Take a break, enjoy this thread, but please stay in the larger game with me, which isn't changing code, it's changing the world.
Black Lives Matter.
I was recently asked to prepare some content around the topic of software design. There are a lot of ideas out there about "good" software design and "bad", and about rules or the lack thereof. It's a rich topic, a lifetime game.
VBS: Gil Scott-Heron, "The Revolution Will Not Be Televised".
As a general rule, I don't share the songs everyone associates with a given artist.
Ain't nobody ever heard of Gil Scott-Heron who doesn't know this song.
But. But.
It's like "Stairway To Heaven", ya know? Yes, it's world-famous. Yes, it's emblematic of an art few have actually taken seriously. Yes, it narrows and restricts its artist, making of them a caricature.
Another VBS, this time not quite random, but triggered by another convo here.
George Benson, "Masquerade".
Benson's covering Leon Russell here. If you've never heard Russell's original, you should, as it's very different but very the same and very brilliant.
Benson released this album, Breezin', in '76. And the whole album is lovely, super accessible, with several "pop-suitable" takes on it. And the critics, holy shit, they just hated it. A quote of me from the other thread . . .
I guess my question is this: if the Republican minority can prevent anything even remotely good or coherent from happening, why is it so important that I ensure that there's a Democratic majority?
I mean, look, you're gonna come at me with "this is the most important vote of your life", which, be honest, may not be the tops but is still right up there with "Free Bird" in the all-time overplay list.
And I gotta be straight, here.
I don't believe you.
I think you want to be elected more than you want to care for your constituency. I think you want to be elected more than you want to tell the truth.