Legend has it that the church at Rhoscrowther is built over the grave of its 6th-century founder, St Decuman.
But that’s not the only legend about this place. In Welsh Rhoscrowdder means the crwth player’s moor. Who could this ancient musician have been? #thread#FolkloreThursday
The crwth is one of the oldest traditional instruments in Wales. It’s a type of bowed lyre, and was hugely important throughout Welsh history. It’s mentioned in the 10th-century laws of Hywel Dda, and in 1176, at the first ever Eisteddfod, there was a crwth playing contest.
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Cerdd dafod (literally dance of the tongue) was a form of singing with crwth accompaniment, which flourished in Wales from the beginning of the 14th century to the end of the 16th century. The arrival of the fiddle called time on the crwth.
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Crythor Du or The Black Crythor (crwth player) was a medieval Welsh musician. He’s shrouded in rich folklore. One starry night the crythor was making his way home, his crwth slung over his shoulder. Out of the darkness came a pack of wolves. They encircled him, teeth bared.
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In fear, he began to play his crwth – he drew the bow over the bows with great intensity and speed – hoping to scare them away. This stopped them temporarily, but soon they broke from the music’s grip and lunged at him again.
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He clutched at his crwth and began to play again, this time a more soothing, melodious tune… This lulled the wolves but if he stopped, they advanced upon him once again. To save his life, he had to play all through the night to keep the wolves.
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As day broke, a group of men came by and the wolves fled. The crwth player was free.
How tempting it is to think that our Rhoscrowther, Pembrokeshire might take its name from this legendary crythor!
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With a 15th-century rood loft hovering over rows of 18th-century box pews, the interior of St David’s, Llangeview in Monmouthshire offers a glimpse into the forms of worship from two bygone ages.
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Spanning the entire width of the nave, the rood loft is a relic from the late medieval past. Before the Reformation, the rood loft would have carried the rood, a carving of Christ on the cross.
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Alongside Christ, there would have been carved depictions of the Virgin Mary and John the Apostle. Sadly, none of the medieval roods survived the Reformation.
Caught Moss-Handed: how the rare mosses on the roof of St James’s, Llangua enabled the conviction of two criminals in the 1950s.
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In the summer of 1951, a farmer spotted two men climbing on the roof of Llangua church at dusk. Unfortunately, by the time the police arrived, the men had fled the scene.
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After committing further criminals acts in the local area — namely the theft of tools and car batteries — the authorities caught the men, who turned out to be two brothers that had come to Monmouthshire from Cardiff.
Across the centuries, the saintly dedication of a parish church can change — and at Manordeifi in Pembrokeshire, it is thought that the church's dedication has shifted several times throughout its long history.
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A Christian place of worship at Manordeifi is believed to have stood on the site of the present church since the 7th century. The earliest church here was reportedly dedicated to St Llawddog.
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A son of the Prince of Usk and a renowned as a miracle-worker, Llawddog became the focus of a popular local saintly cult. As such, there are thought to be four other churches in the region that were also originally dedicated to him.
Why is the English name for the festival of Christ’s resurrection so different from its name in almost every other language?
1/9 📷 East window of St Cadoc's, Llangattock-Vibon-Avel by Lavers & Barraud (1875).
In English, this most important Christian festival is known as Easter, whereas in most other languages, its name is markedly different: Pâques in French, Pasg in Welsh, and Páscoa in Portuguese.
2/9 📷 East window of St Beuno's, Penmorfa, Gwynedd by an unknown maker (c.1851)
This divergence between English and most other European languages is a hotly debated historical topic, relating to the transition from paganism to Christianity in England during the 6th and 7th centuries.
3/9 📷 East window of All Saints', Ballidon by C.E. Kempe
Caring for over 60 places of worship in England and Wales means that from a few of our churchyards you can see some varied sights.
From 20th century infrastructure to cultural landmarks, the fabric and fate of our churches has been shaped by their localities.
1/6 📷 Sutterby
On the Welsh border, in the remote fields of Herefordshire stands St Peter's, Llancillo. Adjacent to the church is an 8 meter high earthen Motte, which is all the remains of Llancillo Castle. This fortification was originally constructed in the 1090s by Richard Esketot.
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Releasing plumes of steam into the sky, the cooling towers of the Drax Power Station are visible, across the flat Yorkshire’s Ouse Valley, from St Helen's, Barmby on the Marsh. While St Helen’s tower was built in the 1770s, the cooling towers were constructed in the 1970s.
Red and yellow and pink and green ... most children can tell you that rainbows contain seven colours, and many of us use 'ROYGBIV' to remember them. But people haven't always seen rainbows this way.
Rubens' 'The Rainbow Landscape' of 1636 was painted just three decades before major new scientific theories about colour and light emerged. The rainbow lights up surrounding clouds with highlights of lemony yellow and blue.
In 1664, Robert Boyle conducted experiments with prisms, and in the 'artificial rain-bow' he produced, he observed five colours: Red, Yellow, Green, Blew and Purple. ...