Legend has it that the church at Rhoscrowther is built over the grave of its 6th-century founder, St Decuman.
But that’s not the only legend about this place. In Welsh Rhoscrowdder means the crwth player’s moor. Who could this ancient musician have been? #thread#FolkloreThursday
The crwth is one of the oldest traditional instruments in Wales. It’s a type of bowed lyre, and was hugely important throughout Welsh history. It’s mentioned in the 10th-century laws of Hywel Dda, and in 1176, at the first ever Eisteddfod, there was a crwth playing contest.
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Cerdd dafod (literally dance of the tongue) was a form of singing with crwth accompaniment, which flourished in Wales from the beginning of the 14th century to the end of the 16th century. The arrival of the fiddle called time on the crwth.
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Crythor Du or The Black Crythor (crwth player) was a medieval Welsh musician. He’s shrouded in rich folklore. One starry night the crythor was making his way home, his crwth slung over his shoulder. Out of the darkness came a pack of wolves. They encircled him, teeth bared.
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In fear, he began to play his crwth – he drew the bow over the bows with great intensity and speed – hoping to scare them away. This stopped them temporarily, but soon they broke from the music’s grip and lunged at him again.
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He clutched at his crwth and began to play again, this time a more soothing, melodious tune… This lulled the wolves but if he stopped, they advanced upon him once again. To save his life, he had to play all through the night to keep the wolves.
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As day broke, a group of men came by and the wolves fled. The crwth player was free.
How tempting it is to think that our Rhoscrowther, Pembrokeshire might take its name from this legendary crythor!
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St Mary's, Temple, Corsley is a stunning example of Arts and Crafts Gothic architecture.
This charming church was built in the early 20th century, when the Arts and Crafts architectural style had reached its acme.
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The chapel was constructed in memory of the husband and son of Mary Barton of Corsley House. When Mary died in 1899, she left £10,000 to establish a trust to build and then care for the chapel.
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The chapel was designed by W. H. Stanley of Trowbridge – his only known building – and built by Buyers Brothers of Westbury.
A marriage of faith, farming, landscape and language, placenames remind us of the personal, poetic origins of a location. This is true for Llangua.
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‘Llan’ is an enclosure usually associated with a church. The element which follows, most commonly a personal name, is mutated. Llangua is the church of St Cywa (English: Kew, Ciwa).
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Although there is no obvious physical evidence for a church being here before the 12th century, the survival of that placename is our first clue in understanding the development of the religious foundation on this site.
The sanctuary of St Philip’s, Caerdeon is a bejewelled Byzantine-esque treat.
In this thread, we will explore the history and details of this beautiful ensemble.
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Casting a kaleidoscope of jewel-toned light across the sanctuary, the east window was produced by the Kempe studio, one of Victorian Britain’s preeminent stained glass firms.
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Intriguingly, this stunning window takes the form of a continental church altarpiece: a crucifixion scene situated within a classical frame, adorned with sumptuous baroque details such as fluted golden Corinthians, foliate swags, and flaming urns.
With a 15th-century rood loft hovering over rows of 18th-century box pews, the interior of St David’s, Llangeview in Monmouthshire offers a glimpse into the forms of worship from two bygone ages.
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Spanning the entire width of the nave, the rood loft is a relic from the late medieval past. Before the Reformation, the rood loft would have carried the rood, a carving of Christ on the cross.
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Alongside Christ, there would have been carved depictions of the Virgin Mary and John the Apostle. Sadly, none of the medieval roods survived the Reformation.
Caught Moss-Handed: how the rare mosses on the roof of St James’s, Llangua enabled the conviction of two criminals in the 1950s.
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In the summer of 1951, a farmer spotted two men climbing on the roof of Llangua church at dusk. Unfortunately, by the time the police arrived, the men had fled the scene.
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After committing further criminals acts in the local area — namely the theft of tools and car batteries — the authorities caught the men, who turned out to be two brothers that had come to Monmouthshire from Cardiff.