Of these 2.3 thousand replies it would be generous to say that even ten are actual humans. The rest are bots.
I haven't felt the need to reply to much of anything because the crypto ecosystem's reality speaks for itself.
I have found it fascinating watching a substantial number of web3/crypto pushers come to the dawning realization that they're not misunderstood, they're loathed. Realize that they had no idea the degree of ad spam, bots, and over-hyped shilling that everyone else is dealing with.
There's also been the frankly embarrassing "I deserve to talk to Dan Olson directly! RT/like if you agree!" responses, and the only slightly less embarrassing "I'm going to pretend that this ad pitch for my product is actually a substantive reply to Dan's criticisms."
That's not to say that there haven't been fair criticisms, most of which are criticisms I have of the video myself. There's a ton of stuff I cut, a ton of stuff I had to breeze past, a ton of stuff I wish I could pull a Robert Caro on and spend the next eight years polishing.
The most pointed of these criticisms is the absence of positives. Why not draw attention to the things that *are* to some degree working and not complete trash fires?
In an earlier, much more fractured draft that was a lot of what became Chapter 11, and it ultimately got cut down into just talking briefly about Hic Et Nunc.
Big reason for that is just boring realities of writing: the flow just wasn't working, I couldn't find the structure.
Then in taking a critical look at this part of the script that already wasn't working I admitted to myself that it was just a faux-centrist diplomatic gesture to make a hypothetical pro-crypto viewer less mad, and in doing so distracted from the forest by staring at trees.
In talking about this now, of course, I have the benefit of an additional almost two months to think about it, to construct the ideas and words, so again if I had infinite time I would have eventually been able to figure out how to walk this tightrope. But I'm human.
I'm sure many of the people who got swept up in Bernie Madoff's Ponzi scheme over the three decades that he ran it used whatever money they got to do legitimate things, maybe even good things. But Madoff was still running a scam.
We, rightly, do not talk about those hypotheticals because Madoff's scam is, at this point, beyond question. It was a scam, full stop. "But some of the people who got money out of that system did good" paints a skewed proportionality.
So "the good parts of crypto" were paired back to two points: 1) they are milked relentlessly for the legitimacy that they lend to the deflationary, wealth-hoarding, destructive system that they hang from (a point I probably would have made even more explicit, if infinite time)
2) they exist in a precarious limbo where the system is poised to devour them at any second, because the needs of users (stability, predictability) are incompatible with the wants of the validators and hodlers (to the moon!)
A response that I'm empathetic to has been pro-crypto people expressing frustration over the fact that many of my granular criticisms are already reasonably trafficked within crypto circles. They know the UX is godawful, the security is terrible, and the scams are pervasive.
"Why are you paying attention to these *now* and not when I was saying it!?"
And the reason is: because your version doesn't link it to the machine itself.
"Scams are pervasive" and "the machine is built to facilitate scams" seem similar, but are very different.
Internal criticism accepts the core conceit "crypto is a good idea and useful" which makes it toothless. People will gesture to your internal criticisms for Brownie points, "see, look, we're talking about these issues", but they don't need to take them seriously.
I do wish I'd found the words for all this back in November, December, hell January 17th, because I absolutely agree: I could have, probably *should* have, talked more about the idea of legitimacy, and how well-meaning projects fit into the ecosystem.
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If "over one trillion dollars of value" disappears from your ecosystem over a weekend and Monday's news isn't a bloodbath of businesses going under then you're not a real economy.
The number of large brain big boys smugly replying with “now do the stock market” is pretty revealing ‘cus, like, mate: that’s the first panel
I find it very funny that such a high % of NFTs are just appeals to the navel gazing myth of NFTs.
Because, surprising no one familiar with how online works, it's a marketplace, and a particularly insular one, so to be competitive you need to appeal to the interests and sensibilities of the patron class
And what are the patron class of NFTs interested in? NFTs and crypto.
So what do you make your NFTs about? NFTs and crypto, of course.
Imagine being so butthurt that people don't care about your collection of CryptoPunks, and mock you by making your CryptoPunks into their PFP, that you convince Twitter to add a verification badge saying all your CryptoPunks are authentic.
"If you see anyone else with my CryptoPunk as their PFP they're an imposter, they do not own the authenticated, verified version of my CryptoPunk. Unless they minted and verified their own bootleg I guess. But the most important thing: I am not the loser here, they are."
Up next: verification badges for completed Innistrad card lists, Homies series 3, and authentic Wuzzles.
I was looking this up because I was looking up Ethereum benchmarks and got a banner ad for a cryptocasino, which I decided to poke around, and found their live Megaball game, where the biggest payout was 702.35 mETH, which from what I can work out is about 3¢?
I'm not confident in that because it's either a fractional value of Ethereum, or it's a completely separate crypto "backed by interest-generating real-world assets which initially include car equity loans." (kill me)
I have spent days trying to give the NFT artist community the benefit of the doubt, reading their twitter feeds and blogs and the way they speak to one another and come to the simple conclusion that they absolutely have no idea what an NFT is beyond "magic pay-me box"
"NFT" also gets used liberally as an aesthetic shorthand to describe short, abstract animations. Many of the artists are simply excited that literally anyone is paying attention to these types of artworks in the first place.
And to a degree the willingness to ignore the details is understandable. The details of NFTs, how they function, what they really are, is boring AF and deeply stupid. Short, abstract animation is basically impossible to monetize outside of direct patronage.