Muthuswami Dikshitar, one of the Carnatic Trinity, and a Devi Upasaka composed hundreds of songs.
Pic: A stamp issued in honor of Dikshitar in 1976 on his 200th birth anniversary.
Well-versed in Sanskrit, Dikshitar composed groups of songs, with the first word beginning with noun declension in each of the 8 cases (vibhaktis) of Sanskrit.
The most popular of these is the Kamalaamba Navavaranas, 9 songs dedicated to the Goddess Kamalambika of the Tyagaraja Swami temple in Tiruvaroor.
Slightly less well known are the Neelotpalaamba Navavaranas that Dikshitar dedicated to the Goddess Neelotpalaamba of the same temple.
Neelotpalaamba - Ambika who is as graceful as the blue lily
The Neelotpalaamba Navavaranas are also known by another name.
What is that?
Dikshitar composed all the kritis in ragams whose names end with the phrase "Gaula"
These are
NarayanaGaula
NareereetiGaula (2 kritis in this)
KannadaGaula
KedaraGaula
Gaula
MayamalavaGaula(known to all learners of Carnatic music)
PurvaGaula&
ChayaGaula
So, these Neelotpalaamba Navavaranas are also called Gaulaanta Raga Kritis.
Perhaps, we should explore these kritis dedicated to the Goddess of the Blue Lily, in detail this Navaratri.
Thank you for reading.
P.S - Here's a wonderful rendition of Sri Neelotpala Nayike by Dr. Balamurali Krishna
• • •
Missing some Tweet in this thread? You can try to
force a refresh
On the occasion of #ValmikiJayanti , a short thread on the three beautiful metaphors that the Adi Kavi Valmiki uses to describe how Ahalya rises from the curse.
Here's Ahalya by Raja Ravi Varma.
A quick summary of the background.
In the absence of Rishi Gautama, Indra visits the Asrama where Ahalya is.
Gautama learns what has happened and curses Indra and Ahalya.
The curse on Indra is not important to us.
Let's look at Gautama's curse upon Ahalya.
He says that Ahalya will live in the Asrama for 1000s of years, without food and consuming only air.
But that's a form of Tapasya that many Rishis have undertaken.