While we don’t mean keep visitors away from Llancillo church, getting there is a bit of battle, involving sharp turns, potholes, rattling cattle grids, boorish cattle, watchful sheep and a busy train-track. But this area is no stranger to battles...
It’s here, along the spellbinding Welsh Marches, that you’ll find the densest concentration of motte-and-bailey castles in England and Wales. These castles were the result of William the Conqueror’s plan to subdue the Welsh by installing Marcher Lords along the border.
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But defence wasn’t new to the Marches: along their length, the Romans built forts to defend themselves from the Welsh. The Anglo-Saxons dug an 80-mile ditch. So, it's no wonder really that our little church at Llancillo is in the shadow of an ancient castle.
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The castle at Llancillo was built in the 1090s by Richard Esketot, a tenant of the formidable de Lacys. The church itself dates to a similar time, with remodelling in the 14th, 17th and 19th centuries. Of particular interest here is the woodwork – much of it recycled:
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...the carved wall-plates in the porch are believed to be from an old roodscreen; the choir stalls incorporate 17th and 18th-century panelling; one pulpit is richly carved and dated 1632; another is inscribed ‘I.G.1745’ and seems to have been made from pieces of box-pews.
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Inside and out, there are monuments to the Scudamore family… The same Scudamores that bought Dore Abbey in the Dissolution of the 1530s and sold off the masonry… and then, in the 1630s had a pang of guilt and restored the building as parish church.
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It’s worth a visit to Llancillo… if you’re brave enough...
A marriage of faith, farming, landscape and language, placenames remind us of the personal, poetic origins of a location. This is true for Llangua.
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‘Llan’ is an enclosure usually associated with a church. The element which follows, most commonly a personal name, is mutated. Llangua is the church of St Cywa (English: Kew, Ciwa).
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Although there is no obvious physical evidence for a church being here before the 12th century, the survival of that placename is our first clue in understanding the development of the religious foundation on this site.
The sanctuary of St Philip’s, Caerdeon is a bejewelled Byzantine-esque treat.
In this thread, we will explore the history and details of this beautiful ensemble.
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Casting a kaleidoscope of jewel-toned light across the sanctuary, the east window was produced by the Kempe studio, one of Victorian Britain’s preeminent stained glass firms.
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Intriguingly, this stunning window takes the form of a continental church altarpiece: a crucifixion scene situated within a classical frame, adorned with sumptuous baroque details such as fluted golden Corinthians, foliate swags, and flaming urns.
With a 15th-century rood loft hovering over rows of 18th-century box pews, the interior of St David’s, Llangeview in Monmouthshire offers a glimpse into the forms of worship from two bygone ages.
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Spanning the entire width of the nave, the rood loft is a relic from the late medieval past. Before the Reformation, the rood loft would have carried the rood, a carving of Christ on the cross.
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Alongside Christ, there would have been carved depictions of the Virgin Mary and John the Apostle. Sadly, none of the medieval roods survived the Reformation.
Caught Moss-Handed: how the rare mosses on the roof of St James’s, Llangua enabled the conviction of two criminals in the 1950s.
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In the summer of 1951, a farmer spotted two men climbing on the roof of Llangua church at dusk. Unfortunately, by the time the police arrived, the men had fled the scene.
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After committing further criminals acts in the local area — namely the theft of tools and car batteries — the authorities caught the men, who turned out to be two brothers that had come to Monmouthshire from Cardiff.
Across the centuries, the saintly dedication of a parish church can change — and at Manordeifi in Pembrokeshire, it is thought that the church's dedication has shifted several times throughout its long history.
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A Christian place of worship at Manordeifi is believed to have stood on the site of the present church since the 7th century. The earliest church here was reportedly dedicated to St Llawddog.
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A son of the Prince of Usk and a renowned as a miracle-worker, Llawddog became the focus of a popular local saintly cult. As such, there are thought to be four other churches in the region that were also originally dedicated to him.