Today in pulp I look back at the early days of pulp Spanish sci-fi.
Let me introduce you to the Luchadores del Espacio!!
Luchadores del Espacio - Space Fighters - is a Spanish-language science fiction saga published by Editorial Valenciana from 1953-63. It's one of the early milestones of Spanish space pulp.
Spanish language science-fantasy had taken off in Argentina during the 1950s with Más Allá (Beyond), a local rival to Galaxy magazine. So the time seemed right for Editorial Valenciana to launch some original Spanish sci-fi stories.
Pascual Enguídanos was one of the writers who took up the challenge. Working under the pen names George H. White and Van S. Smith he put together La saga de los Aznar, one of the first Spanish space operas.
La saga de los Aznar Is influenced by both Greek myth and by Flash Gordon: Earth is invaded by aliens and Aznar leads the human survivors to a distant star system to rebuild their lost homeland.
Unlike other pulp sci-fi titles Luchadores del Espacio didn't rely on stand alone stories. Instead it took an episodic approach, with stories continuing over many issues.
Most Luchadores del Espacio stories were written by Spanish writers using English pen names. Sci-fi was still strongly associated with the United States, so publishers used house aliases to give the impression you were getting solid American pulp.
Luchadores del Espacio ran for over 200 issues, and a number of stories were reprinted in the 1970s. Over two dozen writers cut their teeth working for the publication.
Luchadores del Espacio may have been old fashioned space opera, but it helped pave the way for a boom in Spanish-language sci-fi as well as new magazines such as Anticipation and Nueva Dimensión in the 1960s and '70s.
So here's to the Luchadores del Espacio: sometimes all you need to write sci-fi is a bug eyed monster and a ray gun.
More stories another time...
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It was the biggest manhunt in Britain: police, the press, aeroplanes, psychics all tried to solve the disappearance. In the end nobody really knew what happened. It was a mystery without a solution.
This is the story of Agatha Christie's 11 lost days...
By 1926 Agatha Christie's reputation as a writer was setting to grow. Her sixth novel - The Murder of Roger Ackroyd - had been well-received and she and her husband Archie had recently concluded a world tour. But all was not well with the marriage.
In April 1926 Agatha Christie’s mother died. Christie was very close to her: she had been home-schooled and believed her mother was clairvoyant. The shock of her sudden death hit the author hard.
Starman the Libertarian is a South American superhero from the '80s, who will be familiar to Colombians of a certain age. You could usually find him on most news stands.
Created by Rafael Curtberto Navarro - who also created Kalimán: El Hombre Incredible - Starman was first published in 1980 by Editora Cinco and ran for over 100 issues.
Today in pulp I'm looking back at one of #Japan's greatest science fiction magazines: Hayakawa S-F!
Esu-Efu Magajin (S-F Magazine) was first published in February 1960 by Hayakawa Shobō publishing, and has gone on to shape both Japanese SF and champion Japanese authors for many decades.
Science fiction had been reasonably popular in Japan before the war, but it was in the mid-1950s that specialist story magazines, such as Takumi Shibano's subscription fanzine Uchūjin (Cosmic Dust) began to appear.
Today in pulp... a question. Is it better to be maximalist when it comes to interior design? For this I'll need to revisit the ideal homes of the 1970s. Come this way.
Yes, we do take our shoes off in this house...
We've grown so used to Swedish-style modernism that we've sort of forgotten that maximalism, rather than minimalism, was once the sign of a cultured abode.
The 1970s in many ways reached back to the rich ideas of Victorian decor: heavy, autumnal and cluttered. Home was meant to be a baroque and sensual experience, rather than a 'machine for living in.'