There are remains of roodscreens in ~300 churches in Wales. They were constructed in a short period: two generations either side of 1500, and take three forms: veranda, coved and vaulted.
This survival at Llanelieu is the most complete example of a veranda loft in Wales. #thread
Towards the of last year the @RCAHMWales published, Painted Temples: Wallpaintings and Rood-screens in Welsh Churches, 1200–1800 by Richard Suggett. For information and images, this book is a treasure trove.
One chapter deals exclusively with rood screen, which in Wales are distinctive not only for their “lavish enrichment, fluent decoration and curious carvings”, but also for the literary dimension – as several screens had poems written about them.
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These poems are a great resource for their descriptions of the screens. They had a devotional aspect to them, and were also used to attract pilgrims to the church. (e.g. the late 14th-century poem Cwydd i'r grog o gaer by Dafydd ap Gwilym dedicated to the rood at Carmarthen.)
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But the Welsh roodscreen’s popularity was short lived. In the 1550s, the figures were removed. By 1561 there was a royal order to reduce lofts to the top of the screen. More destruction occurred in 1600s. Then again in the re-orderings and restorations of the 1700 and 1800s.
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In Suggett’s book, he describes an incident in Welshpool in the 1730s, when parishioners petitioned for the removal of their screen, as people were congregating there “under pretence of psalm singing”… but were “spitting upon people’s heads below”.
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What survives are just "crumbs from a once rich table".
We have 8 Welsh rood screens in our care. You can read more about them in this post we wrote a while ago:
Here’s a late 19th-century painting of Llanelieu church, Powys by FWAT Armstrong 1849-1920 (via Art UK). I love that white-haired old man in a pew to the left.
It was a few looks before I spotted him, almost started, like he knew I was looking but I didn’t see him.
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With a 15th-century rood loft hovering over rows of 18th-century box pews, the interior of St David’s, Llangeview in Monmouthshire offers a glimpse into the forms of worship from two bygone ages.
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Spanning the entire width of the nave, the rood loft is a relic from the late medieval past. Before the Reformation, the rood loft would have carried the rood, a carving of Christ on the cross.
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Alongside Christ, there would have been carved depictions of the Virgin Mary and John the Apostle. Sadly, none of the medieval roods survived the Reformation.
Caught Moss-Handed: how the rare mosses on the roof of St James’s, Llangua enabled the conviction of two criminals in the 1950s.
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In the summer of 1951, a farmer spotted two men climbing on the roof of Llangua church at dusk. Unfortunately, by the time the police arrived, the men had fled the scene.
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After committing further criminals acts in the local area — namely the theft of tools and car batteries — the authorities caught the men, who turned out to be two brothers that had come to Monmouthshire from Cardiff.
Across the centuries, the saintly dedication of a parish church can change — and at Manordeifi in Pembrokeshire, it is thought that the church's dedication has shifted several times throughout its long history.
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A Christian place of worship at Manordeifi is believed to have stood on the site of the present church since the 7th century. The earliest church here was reportedly dedicated to St Llawddog.
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A son of the Prince of Usk and a renowned as a miracle-worker, Llawddog became the focus of a popular local saintly cult. As such, there are thought to be four other churches in the region that were also originally dedicated to him.
Why is the English name for the festival of Christ’s resurrection so different from its name in almost every other language?
1/9 📷 East window of St Cadoc's, Llangattock-Vibon-Avel by Lavers & Barraud (1875).
In English, this most important Christian festival is known as Easter, whereas in most other languages, its name is markedly different: Pâques in French, Pasg in Welsh, and Páscoa in Portuguese.
2/9 📷 East window of St Beuno's, Penmorfa, Gwynedd by an unknown maker (c.1851)
This divergence between English and most other European languages is a hotly debated historical topic, relating to the transition from paganism to Christianity in England during the 6th and 7th centuries.
3/9 📷 East window of All Saints', Ballidon by C.E. Kempe
Caring for over 60 places of worship in England and Wales means that from a few of our churchyards you can see some varied sights.
From 20th century infrastructure to cultural landmarks, the fabric and fate of our churches has been shaped by their localities.
1/6 📷 Sutterby
On the Welsh border, in the remote fields of Herefordshire stands St Peter's, Llancillo. Adjacent to the church is an 8 meter high earthen Motte, which is all the remains of Llancillo Castle. This fortification was originally constructed in the 1090s by Richard Esketot.
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Releasing plumes of steam into the sky, the cooling towers of the Drax Power Station are visible, across the flat Yorkshire’s Ouse Valley, from St Helen's, Barmby on the Marsh. While St Helen’s tower was built in the 1770s, the cooling towers were constructed in the 1970s.
Red and yellow and pink and green ... most children can tell you that rainbows contain seven colours, and many of us use 'ROYGBIV' to remember them. But people haven't always seen rainbows this way.
Rubens' 'The Rainbow Landscape' of 1636 was painted just three decades before major new scientific theories about colour and light emerged. The rainbow lights up surrounding clouds with highlights of lemony yellow and blue.
In 1664, Robert Boyle conducted experiments with prisms, and in the 'artificial rain-bow' he produced, he observed five colours: Red, Yellow, Green, Blew and Purple. ...