Marijn van Putten Profile picture
Feb 19, 2022 30 tweets 8 min read Read on X
Now that my monograph that I've worked on for the past years is finally out (and free for anyone to download!: brill.com/view/title/615…). I thought it would be nice to do a series of threads, writing accessible summaries on what my book is actually about. Today Chapter 1! 🧵 Image
So the main question my book sets out to answer is: "What is the language of the Quran?"
There's an easy but unhelpful answer: "the language that you find in the Quran."
But what kind of language is that? Obviously Arabic. What kind of Arabic? What were its linguistic features? Image
As I set out to answer this question, I became more and more amazed by the fact that, somehow, this question hardly ever has gotten asked in scholarship. And the answer has typically been: "It's Classical Arabic".

And then nobody went on to define "Classical Arabic".
Occasionally scholars would claim, but not defend in any way shape or form, that the language of the Quran was "identical" to the language of poetry (which was in turn sometimes identified as "Classical Arabic"). The earliest explicit reference I could find is by Schwally in 1919 Image
Note here that Schwally first rejects the mere notion that the Quran could have been composed on the local vernacular (Hijazi or Qurashi Arabic), likewise within argument, and then calls it identical to the language of poetry -- a pan-Arabian literary koinē.
I think we can glean from the quote that even by his time this view had already made it into the "Zeitgeist". He takes it for granted, and doesn't explain it further, and none of the authors after him seem to really mount a defense for their assertion.
This would be fine, if the language of the Quran being identical to the language of poetry was so self-evident that it didn't need defense. But that strikes me as wrong. It is easy to find examples where the Quran noticeably opts for different options than the poets.
A striking example is found in the deictic system. The Quran uses: ḏālika "that (masculine), and hāḏihī "this (feminine)" and hunālika "there" consistently. Poetry uses this too, but frequently opts for ḏāka, hāḏī and hunāka.
Such forms are not even used once in the Quran.
The notion of a "poetic koine" is already problematic in itself. The suggestion that the poetry is linguistically homogenous is clearly problematic and has not been sufficiently demonstrated.
But, I show that later on "poetic koine" starts to be conflated with "classical Arabic".
And "Classical Arabic" comes to be understood as the strict set of of linguistics norms that come to be associated with the standard literary language, but which, as we will see in chapter 2 were still very much being negotiated in early Islam.
As a result, I bring up a number authors who take for granted that the language of the Quran is identical to this literary standard; and make assertions about it that simply, in no way are true for the Quran. People who opine about its language, don't actually seem to check.
Thus, Hans Wehr, despite its orthography, takes for granted that Quranic Arabic (like "Classical Arabic") retained the hamzah in all places, citing biʾr, muʾmin and nāʾim -- apparently under the impression that those are not pronounced as bīr, mūmin and nāyim in the Quran. Image
Anyone who has ever opened up a Quran in the Maghreb would know that those examples are rather... let's say typical. Warš ʿan Nāfiʿ, the dominant reading traditions in that part of the world reads bīr and mūmin!

So is Warš suddenly not Quran? Have millions of Muslims been duped? ImageImage
Of course not, rather there is a pervasive myth that because the Quran is "Classical Arabic" and it has been widely accepted as fact that "Classical Arabic" is whatever modern western textbooks like Wright or Fischer say it is, the language of the Quran must have these features.
This kind of implicit unexamined assumption that the Quran agrees with the modern norms are not just a thing of the past. See this recent claim claim that final ā written with ʾalif and yāʾ are pronounced identically in tajwīd.
Not even quite true for the dominant Ḥafṣ reading! ImageImage
Zwettler calls nabīʾ (نبيء) for nabiyy 'prophet' "a peculiarly Ḥijāzī pseudo-correction and a feature neither of the ʿarabiyya [= Classical Arabic] nor of the other dialects."

This, while Zwettler, proudly claims the Quran = ʿArabiyyah. Apparently Warš once again isn't Quran. Image
The meme that the Quran was Classical Arabic, and Classical Arabic is completely identical with the modern standards, has been accepted so utterly, that it appears questions about the language of the Quran have gone essentially unexamined for well over a century.
Lots of opining about the language of the Quran without actually looking at it. The last real challenge to this view was by Karl Vollers in 1906. He argued the Quran had been composed in the local vernacular and had later been "classicized" by the Arab grammarians.
Vollers was essentially shouted down by his colleagues at the time. And there is plenty of things to criticize about his book, but the core question: what is the language of the Quran, AND HOW DO WE KNOW? Has, in the frenzy to discredit Vollers, been entirely ignored.
One of the reasons why we know so little about the Quran, is partially the discomfort of scholars to take the written text seriously. Can we trust the standard text as we have it today? Is it really from the 650s as the tradition would have it? The answer to this question is yes.
In recent years, with more access to early manuscripts, that have moreover been carbon dated, we can be confident that the standard text of the Quran was composed no more than two decades after the prophet's lifetime.
It's rasm (consonantal text) is ancient and can be studied.
In the study of the language of the Hebrew bible, it has long been understood that the consonantal skeleton is ultimately the guide to the actual original language of composition, not its reading tradition. This has simply never even been entertained for the Quran.
The Quran has never been allowed to tell its own story about what its language is; instead, convoluted arguments have been developed why we should not use the Quranic text as our guide, all the while uncritically accepted Ḥafṣ and ONLY Ḥafṣ as the "true" language of the Quran
Before we can continue with our examination of the language of the Quran, we first must address the elephant in the room: "Classical Arabic/the ʿarabiyyah/the poetic koine". What is it? And how do we know? That is what chapter 2 focuses on, which we'll discuss in the next thread!
If you enjoyed this thread, and would like to support me and get exclusive access to my work-in-progress critical edition of the Quran, consider becoming a patron on patreon.com/PhDniX/!

You can also always buy me a coffee as a token of appreciation.
ko-fi.com/phdnix
Here's the thread summarizing chapter 2:
The thread summarizing chapter 3:
The threas summarizing chapter 4:
The thread summarizing chapter 5:
The thread summarizing chapter 6:

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More from @PhDniX

Oct 10
New Article!

This article examines a famous passage in the Hadith that related the canonization of the Quran, where the Uthmanic committee has a disagreement on how to write the word for "Ark".

Insight into loan strategies elucidates the passage.

doi.org/10.1515/islam-…Image
In the Quran today the Ark of the Covenant is spelled التابوت and pronounced al-tābūt. This is a loanword from the Aramaic tēḇōṯ-ā, likely via Gəʿəz tābōt.

However, reports (which go back to Ibn Šihāb al-Zuhrī (d. 124/741-2)) tell us there was a controversy on how to spell it. Image
The Medinan Zayd b. Ṯābit wanted to spell it with a final hāʾ: التابوه, while his Quraši colleagues insisted it should be spelled التابوت.

They take it up with ʿUṯmān who says: the Quran was revealed in the Quraysh dialect, so it should be written according to it.
Read 12 tweets
Sep 27
Ibn al-Bawwāb's quran, following the Classical Arabic orthography (rather than the rasm), spells ʾalif maqṣūrah before suffixes with ʾalif rather than (the Uthmanic) yāʾ. However, sometimes it does not, e.g. in Q79 here: مرساها, تخشاها, ضحاها, BUT: ذكريها. What gives? 🧵 Image
Turns out there is a beautiful perfectly regular distribution!

The Ibn al-Bawwāb Quran is written according to the transmission of al-Dūrī from the reading of ʾAbū ʿAmr.

ʾAbū ʿAmr treats such ʾalifāt maqṣūrah is a special way. He reads them as /ā/ most of the time...
But he reads with ʾimālah, i.e. /ē/ whenever a /r/ precedes.

When the word stands in rhyme position, the /ā/ of such words is pronounced bayna lafẓay, i.e. /ǟ/.

And this distribution explains the spelling in the screenshot above, and throughout this manuscript!
Read 6 tweets
Sep 25
If you look in a printed muṣḥaf today, and you're familiar with modern Arabic orthography, you will immediately be struck that many of the word are spelled rather strangely, and not in line with the modern norms.

This is both an ancient and a very modern phenomenon. 🧵 Image
On the two page spread in the previous post alone there are 25 (if I didn't miss any) words that are not spelled the way we would "expect" them to.

The reason for this is because modern print editions today try to follow the Uthmanic rasm.
During the third caliph Uthman's reign, in the middle of the 7th century, he established an official standard of the text. This text was written in the spelling norms of the time. This spelling is called the rasm.
But since that time the orthographic norms of Arabic changed.
Read 22 tweets
Aug 5
I'm about to start watching this.

As some of you may know, I don't have a particularly high opinion of Arabic101, but now he's wading into the manuscript fray...

Will be live-tweeting facepalms as I go through it. Image
0:14 "what you see is 100% identical today to any Muṣḥaf".

Minor gripe. It's identical to the Madani Muṣḥaf, but not really to the Kufan, Basran or Damascene. But still 99.9% so this is really nitpicky.
0:43 "Re-phrased Ayat/Removed words/Added words" is of course anachronistic. It implies that the text we have today is more original than the Sanaa Palimpsest. Not much to suggest that.
Read 68 tweets
Jul 22
In his 2020 book, Shady Nasser spends a chapter on a 'survival of the fittest' model of canonization of the reading traditions, arguing that over time the "majority transmission" tended to win out.

He choses a rather unusual example to illustrate this. 🧵 Image
On page 25, Nasser tries to present an evolutionary model, with natural selection, by which some transmission paths of the seven readers become 'canonical', while others don't. One of these is that one "drops out" when diverging from the standard reading of the group... Image
As an illustration of this divergence from the standard, he cites what he considers a non-canonical reading among the seven, namely the imalah of an-nēsi, which is a variant reading transmitted for Abū Ṭāhir ʿAbd al-Wāḥid b. ʿUmar al-Bazzār (d. 349/960). Image
Read 15 tweets
Jul 10
Ibn Ḫālawayh's (d. 380) Kitāb al-Badīʿ is an interesting book on the Qirāʾāt because it's the earliest surviving work that tries to simplify the transmissions of the readings, and does it rather differently from what becomes popular, the system of Ibn Ġalbūn the father (d. 389) Image
Ibn Ḫālawayh was Ibn Muǧāhid's student, who is widely held to be the canonizer of the seven reading traditions. Ibn Muǧāhid's book is the earliest book on the 7 reading traditions. But canon or not, Ibn Ḫālawayh's book actually describes 8 (adding Yaʿqūb).
Today the simplified system (and the only surviving one) is the "two-rawi canon". Each of the 7 readers, have two standard transmitters (all of them were once transmitter by more transmitters than those two). This system was introduced by ʾAbū al-Ṭayyib Ibn Ġalbūn in his ʾiršād. Image
Read 15 tweets

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