I am 16, writing about how my hands hurt.
I am 20; a doctor dismisses me as "too young" to have chronic pain.
I am 26: sharp stabs pierce my forearms, and I drop things. Coworkers call me clumsy.
I am 32; doc says I wear wrist braces "too often."
At 26, I had to stop keeping handwritten journals.
I grieve this loss.
I miss the feel, the texture,
the press of pen to page.
I miss selecting a unique notebook to represent "this chapter" of my life.
Digital journals allow me to write faster and with less pain. But what was once written in the slanty symbols of my emotive scrawl is now captured in common typeface.
Pages filled with standard font feel less remarkable—flat.
Pages imprinted with handwritten words feel... alive:
In my journals I would doodle shapes and sketches, illustrating dreams and scenes and salient moments. Nightmares might be penned in red, dreams in blue, with highlighters marking the meaningful bits.
I'd affix occasional photos in my journals. And while digital notebooks allow for attachments, I ache for what I've lost.
Compared to a 1-page scrapbook of a preteen crush bordered by gel-pen stars & hearts and secured by 6 layers of scotch tape,
an online attachment lacks Life.
Sigh.
Pain prevents me from writing by hand.
I miss it. I look at the analog chapters on my shelf and lament the now-stagnant growth of that series.
Sometimes I consider printing out my 20 years of digital diaries; they cover age 13 onward and overlap with handwritten works. My shelf could have addendums—pixelated products made into something more tangible.
But it wouldn't be the same—that spirit in handwritten words, absent.
And so:
No writing with pen & paper.
Keypads & pixels transcribe my thoughts, and neutral characters mask my inner atmosphere, muting emotive context.
I am here in these onscreen words,
but it feels like flattening a 3D avatar into a 2D realm:
An entire dimension of self, lost.
Decades of dreams have been quashed by my [apparently] incurable ailments.
(In case it needs to be said: Journal writing is just an example. Any activity that requires my hands—or my abdomen, thanks to endometriosis—is impacted by pain.)
Suffer or Stop, my two options.
Pain is invisible; it cannot be measured, leading to decades of dismissal by medical professionals, who are granted undue authority over one's lived experience.
If they can't see your pain, then it's in your head. Anxiety. Hysteria.
(Yellow wallpaper morphs & mutates in my mind.)
Lately it has been the motto I fall back on whenever I feel like giving up.
I want more from my society. I don't want to live in one that bases legislation on fear of the other.
1/7
I don't want a society that doesn't educate its members on how to critically think about an issue, use fact-based sources or how to coherently argue a position.
2/7
I don't want to live in a society where I constantly have to explain why basic human rights like food, shelter and clean water should not be given a backseat so that a tiny percent of individuals can rake in more profits.
3/7
Depending on your language, culture, geography, gender identity, et cetera, a name that seems unusual to you might be common elsewhere.
A familiar name that feels "intuitive" to pronounce—for you—depends on language(s) you speak & which names you hear used in your communities.
In a world where the writers most likely to be published—historically & today—have been English-speaking Whīte men,
the names we see most often in books are those which reflect the norms in *that* community: names of English or Latin origin—common for Whīte (Ānglo-Sâxon) folks.
"Writing a book there?" the café stranger asks, thumbing his novel.
"A journal," I say. I'd been assessing his shoes; dust coats his boots and cascades up Carhartt pant legs. Perhaps carpentry or construction—like my brother.
"There must be a lot happening in your life," he says,
gazing out the window. His tone is curious, friendly: "You're just writing away."
"I've always done it. Since I was 8."
"In the same book?"
"Different ones."
"Hm," he nods. "Maybe everything you've written will become a book. Your life story."
I smile. "I don't think my life's
that interesting."
He rubs his chin. "There's probably a purpose to it though, if it's something you've always done."
"I think about that. But I'm not sure what purpose there might be."
"We might not do things," he says, leaning back, "if we knew the future." He opens his novel.