Margaret's uncle — Sir Guy de Bryenne, Lord Marcher of Laugharne — was wealthy but also devout. He founded St Martin's in Laugharne (pictured), now the burial place of Dylan Thomas.
And at Llandawke, Sir Guy built a small chapel for his niece, where she founded a beguinage ...
That's a community of women who wanted to live a religious life but not to withdraw from the world.
The beguines lived, worked, worshipped and prayed together in the seclusion of this peaceful and leafy dell, but they weren't nuns, and they had freedom of movement.
As the head of this unusual sacred community, Margaret Marloes was revered for her holiness, and after her death she was locally acclaimed as a saint.
Her uncle built another church four miles from Llandawke, which he dedicated to her: St Margaret Marloes', Eglwyscummin.
Margaret Marloes' chapel at Llandawke — the centre of her religious community — became St Oudoceus's, and is now in our care.
A worn and broken effigy of Margaret in flowing robes lies in the church. In her hands she clasps her own heart.
In 'The Sacred Life of St Margaret Marloes', our trustee Dr John Morgan-Guy tells Margaret's story and explores the symbolism and legends connected with her battered effigy.
A marriage of faith, farming, landscape and language, placenames remind us of the personal, poetic origins of a location. This is true for Llangua.
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‘Llan’ is an enclosure usually associated with a church. The element which follows, most commonly a personal name, is mutated. Llangua is the church of St Cywa (English: Kew, Ciwa).
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Although there is no obvious physical evidence for a church being here before the 12th century, the survival of that placename is our first clue in understanding the development of the religious foundation on this site.
The sanctuary of St Philip’s, Caerdeon is a bejewelled Byzantine-esque treat.
In this thread, we will explore the history and details of this beautiful ensemble.
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Casting a kaleidoscope of jewel-toned light across the sanctuary, the east window was produced by the Kempe studio, one of Victorian Britain’s preeminent stained glass firms.
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Intriguingly, this stunning window takes the form of a continental church altarpiece: a crucifixion scene situated within a classical frame, adorned with sumptuous baroque details such as fluted golden Corinthians, foliate swags, and flaming urns.
With a 15th-century rood loft hovering over rows of 18th-century box pews, the interior of St David’s, Llangeview in Monmouthshire offers a glimpse into the forms of worship from two bygone ages.
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Spanning the entire width of the nave, the rood loft is a relic from the late medieval past. Before the Reformation, the rood loft would have carried the rood, a carving of Christ on the cross.
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Alongside Christ, there would have been carved depictions of the Virgin Mary and John the Apostle. Sadly, none of the medieval roods survived the Reformation.
Caught Moss-Handed: how the rare mosses on the roof of St James’s, Llangua enabled the conviction of two criminals in the 1950s.
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In the summer of 1951, a farmer spotted two men climbing on the roof of Llangua church at dusk. Unfortunately, by the time the police arrived, the men had fled the scene.
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After committing further criminals acts in the local area — namely the theft of tools and car batteries — the authorities caught the men, who turned out to be two brothers that had come to Monmouthshire from Cardiff.
Across the centuries, the saintly dedication of a parish church can change — and at Manordeifi in Pembrokeshire, it is thought that the church's dedication has shifted several times throughout its long history.
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A Christian place of worship at Manordeifi is believed to have stood on the site of the present church since the 7th century. The earliest church here was reportedly dedicated to St Llawddog.
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A son of the Prince of Usk and a renowned as a miracle-worker, Llawddog became the focus of a popular local saintly cult. As such, there are thought to be four other churches in the region that were also originally dedicated to him.