St Giles’s, Tadlow is a medieval church that had a restoration by The Ecclesiologists’ poster-boy William Butterfield in the 1870s. And this week, in the roof void, we found a painted paper and plaster panel with Butterfield’s original scheme for the chancel ceiling.
We had no reason to doubt that the stencilled timber ceiling wasn’t part of the Victorian restoration. It’s pretty and suits the space. However, during re-roofing, our contractor (Brown & Ralph) noted that there was a failed lath and plaster ceiling over the timber ceiling.
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They were clearing out the debris, which was adding weigh to the timber, when out came this panel! It’s a pattern painted on to paper and glued to the plaster. … cheaper than stencilling, I suppose.
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We thought this was a lone survivor, until we got our noses right up into the cornice, and could see remains of identical panels along the wall-plate.
HOW COOL!
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And now, knowing this geometric scheme of blue, orange, black, white and red once filled the chancel ceiling, other details have become to have more relevance – like the half-moon shape on the cornice moulding and the coloured stones in the reredos.
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It may not seem like much but it’s so thrilling to find relics of earlier schemes, and also exciting to find things other than dust, nesting debris and feeding detritus from birds in old roof spaces.
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St Giles’s is the latest church to come under our wing. It’s undergoing mega repairs, but will look great when it emerges in the summer…
A marriage of faith, farming, landscape and language, placenames remind us of the personal, poetic origins of a location. This is true for Llangua.
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‘Llan’ is an enclosure usually associated with a church. The element which follows, most commonly a personal name, is mutated. Llangua is the church of St Cywa (English: Kew, Ciwa).
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Although there is no obvious physical evidence for a church being here before the 12th century, the survival of that placename is our first clue in understanding the development of the religious foundation on this site.
The sanctuary of St Philip’s, Caerdeon is a bejewelled Byzantine-esque treat.
In this thread, we will explore the history and details of this beautiful ensemble.
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Casting a kaleidoscope of jewel-toned light across the sanctuary, the east window was produced by the Kempe studio, one of Victorian Britain’s preeminent stained glass firms.
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Intriguingly, this stunning window takes the form of a continental church altarpiece: a crucifixion scene situated within a classical frame, adorned with sumptuous baroque details such as fluted golden Corinthians, foliate swags, and flaming urns.
With a 15th-century rood loft hovering over rows of 18th-century box pews, the interior of St David’s, Llangeview in Monmouthshire offers a glimpse into the forms of worship from two bygone ages.
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Spanning the entire width of the nave, the rood loft is a relic from the late medieval past. Before the Reformation, the rood loft would have carried the rood, a carving of Christ on the cross.
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Alongside Christ, there would have been carved depictions of the Virgin Mary and John the Apostle. Sadly, none of the medieval roods survived the Reformation.
Caught Moss-Handed: how the rare mosses on the roof of St James’s, Llangua enabled the conviction of two criminals in the 1950s.
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In the summer of 1951, a farmer spotted two men climbing on the roof of Llangua church at dusk. Unfortunately, by the time the police arrived, the men had fled the scene.
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After committing further criminals acts in the local area — namely the theft of tools and car batteries — the authorities caught the men, who turned out to be two brothers that had come to Monmouthshire from Cardiff.
Across the centuries, the saintly dedication of a parish church can change — and at Manordeifi in Pembrokeshire, it is thought that the church's dedication has shifted several times throughout its long history.
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A Christian place of worship at Manordeifi is believed to have stood on the site of the present church since the 7th century. The earliest church here was reportedly dedicated to St Llawddog.
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A son of the Prince of Usk and a renowned as a miracle-worker, Llawddog became the focus of a popular local saintly cult. As such, there are thought to be four other churches in the region that were also originally dedicated to him.