@Plebeian42 But if at all – in the country of Godi media, WhatsApp disinformation, and know-it-all uncles – you want some more propaganda, then head to the nearest theatre for #TheKashmirFiles. thewire.in/film/as-a-film…
@Plebeian42@vivekagnihotri When it comes to Agnihotri's film, the answer lies in the title itself, and the operative word is not "Kashmir" but "Files". Because it has an investigative – a journalistic – tinge to it. thewire.in/film/as-a-film…
@Plebeian42@vivekagnihotri "Files" also imply something secretive, something suppressed. It almost feels revolutionary and transformative, a fact-finding mission: an audience member has become a collaborator. thewire.in/film/as-a-film…
@Plebeian42@vivekagnihotri Agnihotri lures you with facts – such as the horrific exodus of Kashmiri Pandits – then distorts reality, mocks it, sprinkles some facts, distorts it, and so on. thewire.in/film/as-a-film…
@Plebeian42@vivekagnihotri The film is a recruitment brochure for 'ignorant' male Hindus, who have been 'brainwashed' by intellectuals, institutions, and foreign media – people who don't know their own country, who must be rescued and 'educated' to spread the message further. thewire.in/film/as-a-film…
@Plebeian42@vivekagnihotri Given the blatant communal climate in the country for the last many years, these implications are unmistakable: that terrorists = Muslims – or, more accurately, Muslims = terrorists. thewire.in/film/as-a-film…
@Plebeian42@vivekagnihotri But why stop at adults? Muslim kids marching with guns; a Muslim kid saying, "Get out Pandits"; Muslim kids chanting in a mosque: "Raliv, Galiv, Ya Chaliv [convert, leave, or die]." thewire.in/film/as-a-film…
@Plebeian42@vivekagnihotri The author of 'Urban Naxals', Agnihotri, reserves his most memorable spleen not for the terrorists, not for the administration, not for anyone or anything else, but for the students and the professors of ANU. thewire.in/film/as-a-film…
@darab_farooqui In this regard, #TheKashmirFiles falls short. Actually, it manipulates the truth, cherry-picks the truth, and exploits the truth emotionally. As a result, the film eventually devolves into a piece of pure vitriol and hatred. thewire.in/film/the-kashm…
@darab_farooqui I believe this is propaganda rather than a genuine work of art or workmanship. Propaganda, by definition, is the spread of information – facts, arguments, speculations, half-truths, or outright lies – in order to sway public opinion. thewire.in/film/the-kashm…
@jahnavi_sen@1amnerd "The talk of rights, to some extent, for some time, may be right in a particular circumstance, but forgetting one's duties completely has played a huge role in keeping India weak." thewire.in/government/nar…
"I work at persistent and have access to many of the docs you’ve shown in your share point screenshot. What’s the secure method to send it across to you?"
@onosmosis@KaulAyushman A day after we published the first part of the story, we received an email from an individual using a Protonmail account who claimed to be a Persistent source and shared a Tor link to download files that were part of the company’s Sharepoint screenshots.
@onosmosis@KaulAyushman We created a separate Linux server to download those files – which clocked in at 20 GB – in the background and went back to finalising the second and third parts of our story.
"Pegasus and TekFog are not related except that our assumption is that the same cast of bad characters have deployed both.
But they represent very different ends of the subversion spectrum." | @svaradarajan
@svaradarajan "Pegasus represents an attempt at passive surveillance, where the govt surreptitiously hacks into smartphones and installs spyware in order to listen to their conversations, in order to record what they're saying or even activate phone cameras..."
@svaradarajan "...and this is a means of gathering information, intelligence, in advance...it's passive gaming of the public sphere. TekFog represents a more active gaming, where the person deploying it, we have no doubt the footprints lead to the ruling party..."
A close relationship with @KapilMishra_IND, a massive reach on social media and backing by several inflammatory individuals on the far right keep the hate machine going.
@KapilMishra_IND Why is it that #YatiNarsinghanand is left free to spread hatred? What explains the tolerance of the police to their open, continuous provocation of violence against a whole community? | wrote @alishan_jafri and @Apoorvanand__ in April last year.
@KapilMishra_IND@alishan_jafri@Apoorvanand__ In August last year, after the police allegedly refused to in file an FIR on complaints lodged against communal speeches made by far right leaders Yati Narsinghanand and Suraj Pal Amu, the Delhi court even asked for an action taken report. | @IsmatAraa