The nikaah scene from Pakeezah:
Meena kumari sets the screen on fire with her eyes that emanate conflicting emotions of unworthiness, helplessness as well as the surging desire to love and be loved.
The face off scene from Saheb, bibi or ghulam:
Her command over tears and her effortless switch from a respectable Hindu bahu to a chronic alcoholic is an ode to her brilliant acting chops.
She used to dab cologne under her nose to assume this drooping heavy look.
The meeting scene from Gomti ke kinare:
A lost child looking for his mother grabs Meena kumari's saree. She looks at the child unknown to her with such filial and motherly love, that the child is convinced that he has found his mother.
The court scene in Phool or Patthar:
Her eyes taunt and heap ridicule on her selfish relatives while only few frames earlier those eyes were exuding all the stirrings of love recognized and returned.
Mere Apne: During the entire filming, Meena Kumari was strucjen with 100-101 degrees fever. But once the cue from the director came, she would transform into a new woman- the bewildered old woman character of the film.. looking every inch of the woman she is supposed to be. 6/6
Credits: "Meena kumari: a classic biography" by Vinod Mehta
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On Meena Kumari’s 50th death anniversary, we are dedicating a thread to her. The thread will consist of some little known facts about the woman whose smile concealed a thousand enigmas. #MeenaKumari
Connection to Rabindranath Tagore: Did you know that Meena Kumari was directly related to the family of Nobel laureate Rabindranath Tagore from her mother’s side. Her mother Prabhavati, who was a bengali christian dancer, was the daughter of Rabindranath Tagore’s younger brother.
Near death experience: Did you know that Meena kumari nearly faced death on the sets of film Baiju Bawra. She was shooting for the song “Tu ganga ki mauj mein jamuna ka dhara” in AptaNagar. An adventurous Meena started enjoying the boat ride so much that she did not pay
Kamal Amrohi's Pakeezah has a soundtrack that is a consummate treasurehouse of music. Alongwith the wonderful songs, there is a veritable collection of ghazals and thumris that are played in the background.
In this thread, we shall take a look at some of these exquisite tracks.
"Maut bhi furqat me tal kar reh gai" by Vaani Jairam.
"Najariya ki maari, mari mori guiyaan" by Rajkumari.
Have you ever wondered why bollywood films get released on friday? Here is a small thread explaining the reason.
Religion: The hindi film industry was heavily influenced by Muslim lyricists, writers and musicians. Also, most producers were wealthy Hindu businessmen. Since, Friday is considered auspicious by both religions, it was thought as a favorable day for releasing a film.
Weekend: Although the weekend culture is a recent phenomena, but even in olden days, saturday used to be a half day for the working class. Releasing a movie on friday gave a perfect opportunity to producers n distributors to cash in on the movie’s release.
This thread is dedicated to one of the loveliest woman to ever grace the Indian screen-Leela Naidu
Born in 1930, she was the daughter of Pattati Ramaiah Naidu, who was a nuclear physicist and had worked under Madam Curie for his doctoral thesis. Her mother was Dr Marte Mange, who was a journalist and an indologist of Swiss-french origin.
Leela was the only surviving child out of eight pregnancies as Marthe had seven miscarriages.
Here is a thread dedicated to superstar Nutan Behl, who with her powerful performances, has enriched bollywood with a legacy of unforgettable films.
Nutan Samarth was born on 4th June, 1936 in a highly educated and cultured family of actress Shobhna Samarth and filmmaker Kumarsen Samarth. She was the eldest of the 4 siblings.
Like her mother, Nutan was admitted to Baldwin High school in Bangalore. But she hated the food there and felt lonely, so her father took her back to Bombay and she was admitted to Hill Grange School.