A real benefit of self-taping is that you get to choose your best take(s) to send to Casting. The downside, of course, is that you can do as many takes as you want.

But here's a little secret: your performance is (usually) not going to get better after your 4th or 5th take.

1/
Remember how many takes you got during live auditions? One. Maybe two. VERY occasionally three. Almost never more than that, right?

Want to know why? Casting Directors know that after three takes, you start to get in your head.

2/
We can see you spiral and we know those internal voices are saying, "what am I missing? I'm blowing it! Why can't I get this?! I bet they think I'm terrible..." etc.

So we give you up to three takes because we know you're prepared, and that you can nail it in that time.

3/
With self-taping, there's no one there to say "that's great, let's move on." (Even if your reader/coach says that, do you believe them? Probably not.)

Instead after a take you think, "I can do that better." And then you do another and think, "hang on, I missed that beat."

4/
And on and on and on, until you hit take 20 and then realize you're now going to have to pick ONE TAKE out of those 20 to send.

I'd put dimes to dollars that when you're in that situation, you almost always choose one of the first three takes to send.

I'm right, aren't I?

5/
All of this to say, YOU DO NOT NEED TO DO 20 TAKES FOR YOUR SELF-TAPES.

If you are as prepared to tape as you would be for a live audition, you can get it done in three... OR LESS.

You simply have to fully prepare BEFORE you press record.

6/
If you get in front of the camera thinking you'll work it out there, you'll get to take 20 before you know it and your reader will mutiny. It's the equivalent of throwing shit at the wall to see what sticks. That is not pleasant for anyone.

7/
The process of self-taping might be different than live auditions, but the tools are THE SAME. And you already have them. You just have to trust that they are as effective in this forum as they are in Casting offices. (They are.)

8/
Prep your self-tapes the same you would prep a live audition. You and your readers will all be MUCH happier for it.

#CastingLovesYou

/end

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More from @ericasbreamcast

Feb 23
I've talked with a lot of actors who lately feel like they're getting good auditions, pins, callbacks, etc. but aren't sealing the deal.

This is normal. Only one person can get the job. Sometimes it's you, sometimes it's another actor. What is for you will not go by you.

1/
But more importantly, getting meaty auditions is great. Getting called in by the same offices over and over is fantastic. Being pinned or receiving callbacks is a perfect sign that you're on the right track.

2/
The down side here is the self-doubt that creeps in when you continually get close but don't book. What happens is you start trying different things to move the needle. And oftentimes, those "things" only move you away from your natural instincts and your honed technique.

3/
Read 6 tweets
Jan 4
Actors, here's a hot tip for your Tuesday: if you see a prototype in a breakdown description, that is for your REPS, not for you.

1/
We use prototypes all the time when we're discussing the concept of a character. Writers often write with a voice or specific person/type in mind. Occasionally, we'll include those names in the breakdown to help your reps have clarity as to the type and tone we're going for.

2/
If you see a "so-and-so type" or "prototype is so-and-so", try to erase that name/voice from your brain.

For reps submitting, "A Joan Allen type" is more succinct than "Female, 50s, tough."

But for the actor, it can easily lead to an impression, even if you don't mean to.

3/
Read 5 tweets
Dec 5, 2021
Story time:

We read an actor for the series lead of a pilot. He was perfect for the role but the network wasn’t convinced. We read/taped him 2x, but they still weren’t seeing it. In an act of passion, the prods wrote a brand new scene for him, one they felt would seal the deal.
His agent didn’t want him to read again. They felt like the writing was on the wall and didn’t want to put him through it. We pleaded, the producers wrote a love letter for the agent to pass on to the actor… the actor said yes to reading again. One caveat…
we were in a time crunch. He had to learn the new scene immediately and come in tomorrow, on a Sunday morning, to tape it.
Read 8 tweets
Jun 17, 2021
Hi, I'm hearing from a lot of actors who are feeling left behind as they see more of their friends back on set.

So I'm here to remind you that...
1. You can't compare your journey to anyone else's - you are apples and oranges.

2. People only share the good stuff on social media - you have no idea what their bad days are really like (or how frequent.)
3. Only one person can get the job at the end of the day - what is for you will not go by you. (Thank you, Brian Cox, for that perfect quote.)

4. We are *still* in the middle of a pandemic and things are still getting up and running - it's hard, but practice patience.
Read 5 tweets
Jan 3, 2020
Actors, you should ALWAYS read *all* of the instructions for your self-tapes, as they (and we) are all a little different.

But in case Casting hasn't specified certain things, here are some simple basics you can follow, (to protect your/your reps sanity): #minithread
Again, these are to guide you ONLY if Casting hasn't otherwise specified. (Read all of the instructions, every time, I beg of you!)

1. Slates: if Casting doesn't say where to put your slate, (beginning, end, separate) put it at the end. We should see your performance FIRST.
2. Slates (again): if Casting hasn't asked for a slate, it's still good to include a basic one, saying your name and height, (great if you can make it full body, but ok if you can't.) It's good for us to hear how you pronounce your name and get the perspective on your height.
Read 32 tweets

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