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Apr 4 10 tweets 2 min read
*Long, deep, frustrated sigh*

This is from the intro to Dark Nights: Metal that Scott Snyder wrote and I'm... I'm REALLY trying hard to stop myself. I've already started going off on a rant in the script about this and I need to stop myself. Because I'm just being way, WAY... Image
...more cynical than I should be in this. Because Metal does not deserve to have me being super-cynical and mad about it. It's not like the other three events I've covered. It is not bad.

And yet I keep wanting to be mad at it for some reason and this intro is not helping.
Because this last month has just had me be wallowing in the worst aspects of comics - greed, shortsightedness, editorial mandates, ruining characters for people, the sheer amount of bullshit that the industry foists on people year after year... and yet here's Snyder excitedly...
...talking about how he and his friends loved event comics and would get together and be happy and love them and how he's so thrilled to be working on one and I just...

"Even the grimmest events are celebratory." No. No they're not.
Identity Crisis is not a celebration.

Heroes in Crisis is not a celebration.

Flashpoint is not a celebration.

They are dreadful things, disgusting things. Things that do nothing but cause more harm, both for the readers and for the characters they're supposed to love.
Events fuck over the readership time and again. They stopped being special long ago when they started making them annual. Sometimes multiple times a year for Marvel.

But then there's little Scott Snyder, who as a kid loved them and got to be a fan with his friends over them.
So the fuck am I to say that he should not be happy about them? Not be excited to do them?

Maybe there's some other creator out there who's reading this shit and being happy about it and who am I to go off on a rant saying they're wrong about this?
I guess what I'm saying is I still haven't even written anything about Dark Nights: Metal itself yet, but hey, progress is being made.
Maybe I'm just still unhealthily bitter about Scott Snyder's stupid No Justice thing and how it ruined Titans and how I stopped regularly reading comics for like three years during that time.

And it's not even really his fault - I was falling behind on so many books because...
...I just wasn't enjoying them and it was harder for me to get back into reading because I was living farther away from my local comic store and then the pandemic hit and it's just been everything. Ugh, I need to get this thing written already so I can finally take a break.

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More from @Linkara19

Apr 4
Loooot of people keep asking if the Mandela Catalogue was an influence on Winter of '83, which is... both confusing and yet not surprising? Mandela Catalogue is good stuff - not surprising people make the connection to that because of how popular it is... but at the same time...
...people do realize there are other Analog Horror series, right? Because in terms of direct influences, Local 58 and Gemini Home Entertainment have a MUCH bigger impact and I can even point to specific videos that were on my mind.
I mean, MAYBE the fact that it's an Analog Horror series that actually has voiceover, which is VERY uncommon. Most Analog Horror goes for text and music instead of fully voiced stuff.

But that was more necessity of storytelling than anything else for Winter of '83.
Read 4 tweets
Apr 3
So why did I make Winter of '83 and what influenced it?

Well, the big obvious answer is: for April Fools Day I always try to emulate the style of another content producer, it's just in this case I chose a subgenre in general with Analog Horror.

youtube.com/playlist?list=…
As you probably could tell the last couple years from some tweet threads, I'm fascinated by Analog Horror - both as a subgenre of found footage (which I already am fond of) but also just as an extension of homegrown indy horror projects - so much fear that can be derived...
...from something as simple as "this educational video's music suddenly stopped playing and it's showing us something it's not supposed to."

And Analog Horror in particular, since it tends to focus on bygone forms of media, in particular old VHS recordings of the 80s and 90s...
Read 14 tweets
Feb 28
Who gives a fuck about graphics in a Pokémon game?

I still replay Red/Blue/Gold/Silver and there isn't even animation for the Pokémon when they appear on screen.

Give me worse graphics.

Give me a retro-style Pokémon game in that old style but with new mons and a new story.
Legends Arceus, which is an AMAZING game that I love and am really enjoying, has a lot of white outline on my character whenever I go in a cave. It has pop-ins. It has stuttering Pokémon in the distance and shadows popping out of existence when the object casting them is off...
...camera and I could not give a crap about any of that because I'm having so much fun PLAYING.

I am baffled by people who get angry about things looking neat because they don't look photorealistic.

As long as I'm not falling through the floor, I'm happy.
Read 4 tweets
Feb 5
See, this is what I was asking about last year and everyone was just like "He's a voice actor!" and I'm like "He's 40 years older."

Honestly, I don't mind using this tech the way they did it here - for a brief cameo from a living actor that obviously has a raspier, older...
...voice currently and thus can't replicate how he used to sound. It'd be something entirely different if they were to try to COMPLETELY recreate him after he died (especially since he still got residuals for it). At that point, just recast with a voice actor.
The more terrifying use of this technology is illustrated here. It's fascinating and amusing that it can do this... but you can tell it's off because it's not a PERFORMANCE.

Read 4 tweets
Jan 18
So I'm going through the HOPR script for Time Force, making the modifications and whatnot for the redo of it, but ummm... maybe I'm just having a tough time remembering, but... is there ever an explanation where the Time Holes from End of Time... came from? Or what caused them?
Because I'm skipping through the episodes and whatnot and all I'm seeing is "there's a big battle and time holes are opening up," but not an answer of "this is why time holes are happening."
Okay, yeah, finally found the explanation - that the special crystals powering Frax's zord and the Q-Rex first seen in the clip show beforehand were causing them.

...Here's the problem, though: the time holes started appearing BEFORE the crystals were being used here.
Read 5 tweets
Jan 17
Ugh, just watched the movie "The Lodge" while editing.

I like slow burn, but the thing about slow burn is that you need a good payoff for the wait. This took way too damn long to get to the point, the performances and writing are shallow and way too restrained, and the...
...lack of music for most of it (while probably intended to evoke isolation and silent horror) just ends up making the slow burn take that much longer.

The payoff is frustrating and lame and a bit nonsensical, since I don't know what the endgame of the plan was. I thought...
...maybe there would have been a bit to reveal the perpetrators were not the masterminds but pawns, but noooope. I love winter horror and was hoping to enjoy this, but instead I felt empty and annoyed by the ending.
Read 4 tweets

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