Not by jumping into sacrificial pit but via power of her Yoga and meditation!!
Once Daksa organised a great sacrifice, he invited everyone except Lord Śiva. When Sati came to know about the sacrifice
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she requested Lord Śiva to come along with her to her father's abode and attend the sacrifice. Lord Śiva told Sati that he cannot go as he has not been invited. On repeated insistance of Sati, Lord Śiva agreed for Sati attending the function and along with her sent his gāna
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Sati reached her father's house but was not treated with respect, her sisters and mother too out of fear of Daksa did not attend to her. When Sati confronted her father, Daksa criticised Śiva. This criticism was unacceptable to Sati and she decided to leave her mortal body.
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Steady in her yogic posture, she controlled prāna and apāna equally at the navel. Forcing up the vital air called udāna from the mystic plexus at the navel (Manipūra cakra), she gradually brought it up and steadied it along with intellect at the mystical plexus in heart.
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The pure, sinless lady brought it through her throat to (ājñā cakra), the mystical plexus in the midregion of the eyebrows.
Thus, out of her anger against Daksa, she desired to cast off her body. The strong-willed lady instituted the yogic contemplation (dhāranā)
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of fire and wind in her limbs (body)
Then meditating on the bliss of the lotus-like feet of her lord, the preceptor of the world (Lord Śiva), Sati (was so absorbed that she) perceived nothing else. She destroyed all impurities. And her body was soon ablaze
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with fire produced by her samādhi (yogic concentration).
There was a huge uproar in Heaven and Earth, Śiva's gana were up in arms but were defeated by Rsi Bhrgu's mantra's.
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"Daksa's scrifice is destroyed and curse of Daksa revoked"
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King Amitrajit conquered his enemies and ruled righteously. From his wife Malayagandini he begot a son Vīra. The boy was born under inauspicious star and hence the minister of king advised queen Malayagandini
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that she should immediately abandon her son else the king will meet his death.
On hearing this, the queen called her servant and asked her to take the new born child to Vikatā Devi and submit the child in front of Devi. The queen's servant did as she was instructed.
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The goddesss Vikatā on seeing the child gracefully shining like a moon summoned Yoginïs and asked them to take the child to Mother-deities (Mātrgana) and request them to protect the child.
With the blessing of Siddhi, the child immediately turned 16 year old.
DO WE CONTROL MIND OR DOES MIND CONTROL US?
Read the following story twice, the 2nd time with explanation & decide for yourself.
King Purañjana had a friend called Avijñāta. King wandered earth in search of an abode. He did not approve of any of the cities as suitable.
Once he reached a beautiful city having 9 gates. In the city he saw a young girl of superb beauty, she was accompanied by 10 servants and a serpent with five hoods.
The King Purañjana requested the girl to be his wife, they got married and entered the city.
The King Purañjana was deeply attached to his queen and did whatever the queen wanted him to do. The queen however gradually stopped following the way of Dharma and love stuck king was deceived by the queen and lost his original nature.
Birth of Soma, Datta and Durvāsas : When the sage Atri was urged by god Brahmā to undertake the work of creation, he along with his wife went to one of the principal mountain ranges, and was engaged in the performance of austere penance.
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On that mountain, the sage controlled his mind by means of Prānāyāma and stood for one hundred years on one leg, defying heat and cold and subsisted on air.
Seeing that the three worlds were being distressed by the fire produced by the fuel of the sage’s Prānāyāma,
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The three Lords of the world, Brahmā, Viśnu and Śiva went to the hermitage of the sage.
Sage Atri paid them homage by prostrating himself fully before them on the ground, like a stick.
1st Stage: Brahmacarya Āśrama ,
2nd Stage: Grhastha Āśrama,
3rd Stage: Vanaprastha Āśarama,
4th Stage: The Samnyāsa Āśrama.
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There are 4 different types of each of these stages
Contd..
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1st STAGE: Brahmacarya āśrama - Celibate stage. It is of 4 types :
- Sāvitra: observance of celibacy and study of Sāvitri for three nights from the upanayana (thread bearing ceremony),
- Prajapatya: observance of celibacy for one year,
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- Brahmā: observance of celibacy till the completion of the study of Vedas,
PRĀNĀYĀMA : Prāṇa is the vital breath in the body. That which causes the movement is called Prāna, Āyāma is checking. Hence Prāṇāyāma means checking or restraining the breath.
Apart from Prana other vital breaths are
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Apana, Sāmana, Udana, Vyana, Nāga, Kurma, Krkara, Devadatta and Dhananjaya.
The vital breaths of the body can be conquered through the mastery over Prana
- Apana is the vital air that takes the food lower down.
- Vyana is diffused through the limbs and it develops them.
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- Udana is the vital air that affects the vulnerable points in the body among the limbs.
- Sāmana is the vital air that spreads equally.
- Nāga is the vital air for the activity of belching,
- Kurma is the vital air for the activity of closing the eyes,