1.Sometime in July 2010, the Alaafin of Oyo Oba Lamidi Atanda Adeyemi and former Governor Adebayo Alao-Akala were locked in a mortal kombat. The unifying subject? Death.
2.Alaafin Adeyemi alleged that Akala connived with the Commanding Officer of the Special Anti-robbery Squad SCID, Oyo, to terminate his life in his palace on the pretext that they were investigating a murder case. Alao-Akala and the Police denied the claim.
3.The subtext of the kerfuffle? Ahead of the 2011 elections, Alao-Akala had fallen out with Alaafin whom he knew threw Lamidi Adedibu because, well, Alaafin chose to support then ACN candidate, Abiola Ajimobi.
4.Alao-Akala’s battle with Alaafin was just one of his many wars with power brokers across the state, including top industrialist Alhaji Abdul’azeez Arisekola.
5.He was also locked in royal rumble with Olubadan Odulana Odugade and his prominent chiefs....
(Baba Omowaye Kuye,Hajji Sulaiman Omiyale, and to some degree, Hajji Saliu Adetunji). Olubadan once locked Akalaa out of the palace, a development that frustrated Baba Dejo Raimi, an Ibadanman and prominent Akala ally.
6.Akala also had a running battle with Soun of Ogbomoso, Ogbomoso Oba Jimoh Oyewumi Ajagungbade 111, and he reportedly abused the monarch thoroughly at his thanksgiving ceremony shortly after he lost power in 2011.
7.In any case, as a means of getting back to Alaafin shortly after he lost to Ajimobi, Akala disrupted the Council of Obas and Chiefs’ status quo by stripping the Alaafin of his permanent chairmanship seat.
8.He prevailed on the Oyo State House of Assembly to amend the law governing the traditional institution and made Alaafin, who was the Chairman of the council, to share the title with the Soun of Ogbomoso and Olubadan of Ibadan. It was a booby trap for Ajimobi.
9.What’s surreal about this whole jabberwocky? All of these characters are now united by the Grim Reaper - Death!
10.Lamidi Adedibu died in June 2008; Arisekola died in June 2014; Dejo Raimi died in July 2014; Olubadan Odugade died in January 2016; Baba Kuye and Chief Omiyale both died within two weeks in 2015; Abiola Ajimobi died in June 2020; Alao-Akala died in January 2022...
Soun of Ogbomoso died in December 2021; Baami Olubadan Adetunji died in 2022;
Sunday #igboho - a conflict entrepreneur - would not abandon a 'struggle' with money-spinning potential just like that. Anyone familiar with his antecedent as political mercenary would know this. His attacks on #Ooni aside, that he has jumped from Ibarapaland to Ogun
...state, with paparazzi in tow, is a confirmation of the anyhow-ness that drives his 'activism'. Those familiar with his perennial, if laughable, interventions in Islamic jurisprudence and his 'struggle for the emancipation of the Yoruba race', would not be surprised.
But what's not contestable is that Igboho has done what many of us would NEVER be able to do with our pacifist stance and fine grammar: draw the attention of a do-nothing behemoth, both at the centre and in the state, to a problem it's pretended it didn't see all along.
I am listening to Saidi Osupa’s new album, PERMUTATION, and I am worried about the very little recognition the artiste often gets for his brilliance/artistry. In the light of the frenzy generated by that @burnaboy-K1 duet, I reckon now that the issue isn’t wholly about Osupa.
2. It’s partly about Fuji as an indigenous African art.
Frankly, poverty of ambition is perhaps Fuji’s greatest albatross and it's evident not only in the artistes but in every aspect of the (Fuji) ecosystem. I keep my thoughts on this for now, at least. Back to Osupa.
3. I once wrote that he is quite outstanding as an artiste and could “earn a grammy”. Without doubt in contemporary Fuji circle, no one can compete with this musical god for the big prize. If indeed the Grammys were a recognition of excellence, then Osupa has history on his side.
By tomorrow, December 16, it'll be exactly 9 years since the death of that Fuji god, Sikiru Ayinde Barrister. Ayinde’s arts are all shades of beauty & wonder captured in irresistible rhythm. To my mind, it’s a shame that the accolades/recognition have been few and far between.
2. First off, it’s quite tempting to approach much of Ayinde Barrister’s arts as by-products of introspection. In his immensely popular album, REALITY, he painted a rather pitiful picture of the fratricidal forces he had to contend with, far far away from the klieglights.
3. Decades earlier, in AIYE! we had an insight into his troubled, challenging beginnings. In FANTASIA FUJI, he expressed worries over the prolonged presence of military men in our administrative space. In QUESTIONNAIRE, he threw up an avalanche of posers, a few rhetorical...