Day 6 of palindromic #TwitterHistorian @taoish Mark Saltveit's stint. Yesterday, the SATOR / ROTAS square. Today, "versus recurrentes" = Latin palindromic poetry, mostly 1 line. At #IMC2021, I argued that it was a continuous & self-referential genre from 2nd-15th c. CE.
1/12 -ms
I listed 42 but documenting is tricky. These were rarely in main texts. Most appeared in margins or on fly leaves, but repeated over the centuries. Theory: these were transmitted by teachers, esp. of scribes, and passed via wax tablets, memory & pen tests (federproben).
2/12 -ms
The classic (and first known) Latin verse #palindrome is a dactylic pentameter: "Roma tibi subito motibus ibit amor." Sidonius Apollinaris (ep. 9.14, ~480 CE) called it ancient. It's on a roof tile from Aquincum dated 107 CE next to a ROTAS square & at Ostia (200 CE). 3/12 -ms
Roma tibi appears in about half of all MSS with Latin palindromes alongside newer ones. In modern times it's paired with a hexameter "Signa te signa temere me tangis et angis" as an elegiac distich; but Signa first appears in 13th c. & they aren't paired until the 15th. 4/12 -ms
Palindromes had a suspicious linkage with pagans and magic, as we've seen. But in 806 CE, Hrabanus Maurus (Alcuin's star pupil) published "De Laudibus Sanctæ Crucis", poetry grids with sacred images drawn over the letters, a la Optatian. The final 2 had palindromes. 5/12 -ms
This celebrated book legitimized palindromes as holy; Hraban presented it to Pope Gregory IV personally, & Pope Benedict XVI praised it in 2009. A 9th c. CE explosion of Latin verse palindromes followed, mostly from Irish monks (peregrinni) fleeing Viking invasions. 6/12 -ms
15 of the 42 versus recurrentes are first attested in the 9th c. CE, almost all in the circle of John Scottus Eriugena: Sedulius Scottus, Fergus, Martin of Laon, Hucbald, Hieric of Auxerre, the Irish scribe known as i2, and anons. My talk @ #IMC2022 is about this network 7/12 -ms
Sedulius Scottus' Carmen 80 (840 CE) celebrates his victory in the first palindrome competition, over a "trilingual" monk (Greek, Latin & Hebrew), with trash talk. His foe is a rhinoceros too young to grow a horn yet, so he "crushed with cleverness" his "hornless head." 8/12 -ms
One v. interesting fragment from this network: 3 leaves bound into two different random volumes, and so long forgotten; notes by a student of Martin of Laon. Much of it repeats material known only from Laon MS 444. But also some other items; 2 poems and a palindrome. 9/12 - ms
The poems, by John Scottus, are unique: light verse on wine & a bloodletting doctor. The palindrome is rare, 3 copies around this era & this is the earliest.
Omina ne regito lotiger en animo
Herren (2020) authenticates the poems & surmises it all comes from a lost book. 10/12 -ms
Leonardi (1961) persuasively argues that this fragment gives us a glimpse into the Irish scholars letting their hair down, playing word games and joking about drinking. Another Irish monk of this era -- possibly Sedulius Scottus - wrote about his cat, Pangur Ban. 11/12 -ms
My argument will be that details of the two copies of this rare palindrome suggest that they were also copied from this lost book of epigrams and light verse, thus supporting the theory. But wait! There's more! Is there a palaeographer in the house? 12/13 -ms
Bernard Bischoff identified palindromes on the flyleaf of London BL Harley 2735, fol 1r, without further details. (h/t David Ganz) I see several, as many as 24? #10 on this enumerated image is clearly Roma tibi.... The rest are very hard to read, maybe washed out? 13/15
I'm no palaeographer but the BL was generous in allowing me to view this MS, including under black light, and I was able to see a bit more - strongly suggesting palindromes. I read, perhaps: 7. …ʃaues animo omina ʃeua ʃi ti…. 9. …[vi] deat an aʃpiʃ ipʃa na ta ediu
14/15 -ms
10. Roma tibi subito motibus ibit amor.
11…. [omen?] oram oduliʃʃ ʃiḅiʃ ʃi ludo maronem 12. [nemo te]…odis gert regito[terum?] si do et omen
Experts needed. Take the glory!
There's much more to explore, but enough for now.
I'll summarize the week later.
15/15 -ms
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Tuesday: Sotades the Obscene, inventor of palindromes, the Priapeia, sotadean metre and so much more. Also: the kinaidoi (effeminate dancers of Alexandria), Arsinoe the sex-positive proto-feminist queen, incestual royal marriage and sick burns. 2/7 -ms
Wednesday: later antique Greek palindromes from the oldest letter-by-letter verse (a school exercise in Tebtunis Egypt) through the Greek Anthology, Leo the Wise, Western Euopean baptismal fonts and Theodoros Prodromos. 3/7 -ms
Day 4 of #TweetHistorian Mark Saltveit @taoish's look at #palindromes. Thursday we viewed palindromic forms in non-European languages, a sadly neglected topic. "Today": the SATOR / ROTAS square, attested 4x in the first c. CE: 3x at Pompeii, 1x at Conimbriga in Portugal. 1/12 -ms
It's the Hollywood celebrity of #palindromes, thx to Chris Nolan's film TENET. It starts at an OPERA. ROTAS is the time reversal machine. TENET is the name of the conspiracy. Andrei SATOR is the villain. Thomas AREPO is an art forger we never see. 2/12 -ms beyondwordplay.com/palindromes-at…
This square is an image, a graphic composed of letters, arguably the world's first and most successful meme. Calling it a Latin sentence (SATOR AREPO TENET OPERA ROTAS, or the reverse) is a hypothesis with v. little historical support. AREPO is not a Latin word or name. 3/12 -ms
Let's try to tie this all together. Yesterday, we looked at how the spread of monotheism to South Arabia impacted its political sphere. Today, let's take a look at South Arabia during the early Islamic period.
~ik
Yesterday I mentioned how the Ethiopian Aksumites invaded South Arabia and installed a local Christian ruler. Around 530 AD, it was followed by that of the Ethiopian general ʾAbraha.
However, ʾAbraha made sure to follow in the footsteps of his Himyaritic predecessors.
~ik
For example, he claimed the Himyarite royal title, had reparations made at the Marib dam, and continued to leave inscriptions in the Sabaic language. He also continued to wage campaigns in Central Arabia; the inscription mentioned day 5 is actually one of his!
Yesterday, we looked at what the Amirite and Himyarite inscriptions tell us about the linguistic landscape of South Arabia in the late pre-Islamic period.
Now, let's look at the socio-political environment during the same period.
~ik
The 3rd century AD saw an intensification of relations between South Arabia and the Mediterranean/Levant. These statues depicting the Himyaritic rulers Ḏamarʿalī Yuhabirr and his son, Ṯaʾban are a fantastic example of this cultural exchange.
~ik
The statues show a coalescence of Hellenistic and South Arabian features: their nudity and the headbands typical ot former, the long hair and the moustache, ot the latter.
Also: the sculptors left their signature on the statues' knees, showing Hellenistic/SA collaboration.
Today, let's look more at the Himyarites and the language of their inscriptions. They reveal some more important clues about South Arabia's linguistic landscape during the late pre-Islamic period. ~ik
The Himyarites became the main political force in S-A around 300 AD. Around 280 AD, the Himyarite ruler Yāsir Yuhanʿim conquered the Sabaeans; his successor Šammar Yuharʿiš took parts of Ḥaḍramawt. By the early 4th century all of Ḥaḍramawt had been conquered ~ik
The Himyarites' success is reflected in the language of the inscriptions. From the 4th to the 6th centuries, all the S-A inscriptions are written in what we call Late Sabaic.
The differences are both linguistic and paleographic. ~ik
Around 200 BC, the Minaean state collapsed. This was likely due to both ecological and economic changes in the region.
The Minaeans' homeland, the Jawf, saw the arrival of a new group of settlers: the North Arabian tribe of ʾAmīr (ʾmr(m), also known as the Amirites. ~ik
The arrival of the Amirites had some important social consequences. For example, they brought with them a new deity, Ḏu Samāwī (ḏ-s¹mwy), who was integrated into the broader South Arabian pantheon.
The Amirites also took over the S-A script, and began leaving inscriptions ~ik