Mahlerite Profile picture
Jul 7 12 tweets 6 min read
Happy birthday Gustav #Mahler (Kalist, now Czech Republic, 1860). Few, if any will say he’s the best or the most important conductor, but that really that doesn’t matter, he is my favorite conductor and there are many reasons for this, I’ll mention a few in this short thread.
He wrote symphonies and Lieder, beautiful, breathtaking ones. His sensibility developed from early life, listening to marching bands near his home, soldiers singing with gusto and above all, the sounds of nature that echoed his own inner life experience.
He battled to be heard throughout his musical career. From his days at Conservatory in his teens, finding visiting conductor work, to fighting to get his own compositions played.
Mahler went against the current musically, sometimes looking to other composers like Bach and Wagner for a better understanding of what he wanted from his music.
He first made a mark, not as a soloist (he played the piano, he rocked Beethoven apparently 🤘🏻), or a Composer (he didn’t exactly excel in Conservatory), but he did as a Director. Gustav’s work was not only recognized but lauded. His Wagner operas especially were legendary.
Music drama followed in part the complexity of his personal life. This is the other aspect to know about Mahler, he lived his music, I believe, more than most composers. That’s why his oeuvre resonantes with me, us.
I am sure there are many things to understand of his music (orchestration, use of strings, timpani, brass, vocal arrangements) but to understand Mahler, we should observe he also resides in the human condition, the psychological condition I’d say.
He turned day-to-day angst, pain, grief or tragedy into meaningful sound. He wrote joyful music as well. His Fourth and Seventh continuously shift between sadness, innocence and despair, to weirdness and symbolic laughter.
His use of Lieder is not a plain forward vocal essence, but a decree of an idiom were the self resonantes in every word.
Finally, he was loved by many, Alma, his daughters, sisters and friends, for them he was Gustav, a sensitive and brilliant man who showed his humanity not just with music but with love.
Alma and Bruno Walter wrote in different books what I believe is the portrait of Mahler to take in. Of course there are many books on Mahler, of course La Grange is essential here, perhaps even Adorno for different reasons.
However, if you want to know the man in the artist, look for Alma and Walter. Happy birthday Gustav, thanks for the music.

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More from @jesusrglez

Feb 20
#Mahler Introductory thread of #DasLied (DLvdE) The first three songs are briefly analyzed. I included streaming options, the poems have links on each of them as well, so you can read as you listen.
Hope you enjoy it!
Mahler completed Das Lied von der Erde in September 1908. It was his intent not numbering it a ‘Ninth Symphony’ for the superstitious belief that ‘no great composer lives to create after his Ninth’.
He first thought of calling the symphony Das Lied vom Jammer der Erde (The Song of the Misery of the Earth), but he settled on DLvdE because according to his friend Richard Specht: Mahler was emotionally drained and felt that a ‘farewell’ described more clearly his experience.
Read 24 tweets
Feb 14
This is a brief introduction to Gustav #Mahler’s Das Lied von der Erde (DLvdE). This is Part 1 of 3. The next two parts will be up next week. A six song symphonic composition by the Austrian giant. In many ways DLvdE reiterates the expressive range of Mahler’s creativity.
During a turbulent time in his life Mahler worked to compose a song cycle from ancient Chinese poetry, he also incorporated the anhemitonic pentatonic scale system, that gave the composition a new feel and engagement with its listeners.
I’ll discuss in brief detail what led to the creation of DLvdE. Why did this work signify for Mahler calling it his most personal composition. And above all, why does this oeuvre move us very differently than his other works. Finally, I’ll suggest some listening material.
Read 23 tweets
Jul 26, 2021
Otto Klemperer’s #Mahler thread.
Recently I received a Mahler Second Symphony program, from 1935 (video clip from it and one from 1967, here as well). So I decided to make a list of his Mahler recordings (and a few from other composers) Hope you enjoy it.
In 1933 he fled Nazi Germany and started a six-year tenure with the Los Angeles Philharmonic, until 1939 (year of his brain surgery). Sadly he suffered paralysis because of it.He also struggled with his mood disorder the same year.
Here’s Mozart 35 (1938)
Klemperer has some rare recordings, from 1924 (Staatkapelle Berlin) a Beethoven 1st symphony and a Bruckner 8th (both acoustic recordings). A Wagner Siegfried Idyll, and Tristan Prelude from 1927. Also a Strauss’ Salome (same year with the same orchestra).
Read 23 tweets
Jul 24, 2021
Bringing in the heavy artillery today people 😎 Bernstein #Mahler #Vinyl
@nyphil @londonsymphony
Specially interested in the 4th and the Reri Grist performance.
Read 4 tweets
Jul 7, 2021
Gustav #Mahler born on this day in 1860. Brief introductory thread.
The difficulty with starting a voyage into Mahler’s work, is that Gustav the man, is rarely separated from Mahler the Composer (or Conductor). And this, in the beginning makes it difficult to explore his oeuvre.
When you listen to his Kindertotenlieder or his Adagietto, his crazy Seventh or emotionally draining Ninth, context is important. Although this is fundamental in a historical sense, in many if not all composers, in Mahler it takes a life of its own.
Alma, his wife, Bruno Walter his student and friend, Justine his sister, Austria in the 1900’s; all have a complex and interesting story that contribute to Mahler and his work. Granted you don’t need to read about this, but like an opera, reading the libretto helps the enjoyment.
Read 24 tweets

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