Lisa Fagin Davis Profile picture
Jul 28, 2022 13 tweets 6 min read Read on X
Remember a few weeks ago when I gave a lecture @imc_leeds about my reconstruction of the Beauvais Missal & announced that leaf no. 113 had landed in my inbox the day before? Now that I’m caught up on other things, I can work on placing it in the reconstruction. Here’s how…
Step 1: identify recto & verso. Generally a straightforward task…look for the binding holes (i.e. the gutter), which, in a manuscript that reads left -> right will be on the left of the recto side. In this case, the leaf is heavily trimmed on all sides, so no binding holes!
No binding holes, no problem. Just look at the text, and figure out which side continues the text from the other. In this case, though, the leaf is framed and only one side is visible! How to tell recto from verso, then? Is it impossible? Certainly not!
The parchment on which the Beauvais Missal is written is fairly translucent, so you can see the text on the other side (which I’ll call Side B). By inverting the image of Side A and playing around with the contrast, much of the other side can be read!
I can see, for example, that the final letters of Side B are “adiuto…” Side A starts with “…rium super potentem…” Google reports that there is indeed a liturgical text that reads “Posui adiutorium super potentem…”! So now we know that Side B is the recto, & A is the verso!
But now we know even more. I already knew that it was from the Commons, as it gives multiple options for a single genre of chant, in this case, Alleluias and Verses. By searching the CANTUS database, we can identify this leaf as coming from the Common of One Confessor!
But wait, there’s more! My Fragmentarium reconstruction of the Beauvais Missal includes several leaves from the Common of One Confessor. Might this new leaf be consecutive with any of them? fragmentarium.ms/overview/F-4ihz
Having identified the texts on the leaf, I know what words should come immediately before and after: “…iuravi David ser…” before, and “…dinem melchisedech” after. One of the two leaves @Cleveland_PL is also from the Common of Confessors and ends with “iuravi Davis ser…”!
There’s more evidence tying these leaves together. Here’s the verso of the Cleveland leaf next to the inverted image of the new leaf. The red rectangles show where the initials from the recto of the new leaf have left inverted offsets on the verso of the Cleveland leaf!
And now we have all the information we need to place this new leaf into the reconstruction: we've distinguished recto/verso; identified the liturgy; and found a consecutive leaf! Once I have images of both sides (soonish), I’ll add them to Fragmentarium. 113 down, 196 to go!
More on this #fragmentology project here: brokenbooks2.omeka.net

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More from @lisafdavis

Dec 28, 2022
I know we're all obsessed with the stream of discoveries about #receptiogate, the revolving-door website updates, & Rossi's doubling-down claims of innocence that are easily disproven, but I also want to talk about her #fragmentoogy work, which is troubling in several respects...
As many of you know, I have been working closely with @FragmentariumMS and many other scholars for decades to develop best-practices for cataloguing, data-modeling, and digital reconstructions of dismembered manuscripts, i.e. #fragmentology
To her credit, Rossi is doing that too, working to recontruct recently-dismembered Books of Hours, transcribing them to allow for deep analysis of the recovered liturgy. This is a very worthy goal, & the transcriptions, while not always correct, are useful. So that’s great! But…
Read 18 tweets
Dec 27, 2022
One of the astonishing parts about this update is that Rossi admits to "colourising" b/w photos! Plaigerism aside, & whether the "colourising" really happened in this case or not, the idea of taking a b/w photo and quietly colorizing it is incredibly misleading! ImageImage
Tacitly editing images of fragments seems to be her MO: adding borders where there are none, cropping for consistency of size, inserting a mis=matched binding, adding fake flyleaves, colorizing b/w images. How can readers trust such a deceptive author?
I've never encountered anything quite like it in the digital realm. It is analogous to the tacit "restoration" work 19th-century forgers practised on illuminated mss, like the one I describe here (a forgery Peter identified!): manuscriptroadtrip.wordpress.com/2019/08/28/man…
Read 5 tweets
Dec 25, 2022
Look, people, it's not that hard. The rules of #Fragmentology are simple and finite. 1) If you are going to piece a dismembered manuscript back together online, do it with intellectual honesty.
2) If there's are missing leaves, show us where it is by indicating lacunae, as in this screenshot of my own work on the Beauvais Missal:
3) If there's no binding, don't photoshop the reconstruction into one. Digital reconstructions aren't about "fixing" physical imperfections by adding elements to make it look pretty.
Read 5 tweets
Aug 18, 2022
Spending the afternoon @BeineckeLibrary photographing Wilfrid #Voynich 's scrapbook of press clippings heralding the "news" of the manuscript's decoding and attribution to Roger Bacon, and found this marvelous bit of editorial snark from the Providence Tribune, April 22, 1921:
Am now looking for an excuse to use the expression "I don't give two whoops in a rain barrel!"
Here's another good one, from the New York Evening Post, May 3, 1921. Apparently it is bad form to snort with laughter in the Beinecke Library reading room.
Read 6 tweets
Aug 9, 2022
OK, people, you worked hard to get me to 10K followers, so here is your reward! An epic 62-Tweet thread about the #Voynich manuscript coming your way, starting NOW!
1. First things first. The #Voynich manuscript (VMS from now on) is a real object. Please always keep that in mind! It is a medieval manuscript (more on that in a minute) that belongs to the @BeineckeLibrary at Yale University, where it has been MS 408 since it was given in 1969.
2. I have seen it on multiple occasions and can confirm this. It is not imaginary. It is not fake. It is not a gift from aliens. But what IS it?
Read 67 tweets
Jun 10, 2022
Ever heard of Cistercian numerals? I hadn’t either until yesterday, and after hours of diving down lots of rabbit holes, I’m here to tell you all about this fascinating chapter in the story of medieval numeration!
We all know about the two dominant numeral systems in the European Middle Ages: Roman numerals and Arabic numerals. Roman numerals are good for labeling and expressing a single number like a date, but Arabic numerals won the fight for numerical supremacy...
...because of their superior functionality for arithmetic (try doing a complex calculation using Roman numerals) and inclusion of the all-important 0.
Read 16 tweets

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