Last night in between sets Fishman talked about the drumbeat to Party Time for 10+ minutes. No really.
Turns out it is a 21-bar pattern that cycles with one hand going through a clockwise sequence while the other hand going through a counterclockwise sequence. 1/
This is drum talk that is above my pay grade but one hand is doing Swiss triplets and the other is doing windmills.
It takes about 7 minutes to get through the entire cycle and it is so complex that he's never done it without messing up.
It was fascinating to hear. 2/
After he explained the whole pattern to us in the band I asked him how he plays something that complex while grooving his ass off and asked if he's an alien.
That got a laugh.
He is a musical freak but he wasn't born with it. He has worked his ass off and still does. 3/3
Matt is right. He referred to it last night as "The Ladder".
If I understood his explanation correctly, both hands start at 12 o'clock + it takes 7 minutes of this sequence to get both hands back to that position at the same time.
In a garage rocking out with some of my oldest and dearest friends (who are all musical badasses) and I couldn't possibly be any happier after the week I've had.
We're playing a wedding gig together in DC for another friend and it is going to be epic.
Tempos are slower but probably not by nearly as much as you might think.
I listened to last night's Stash which felt slooooooow. And it was. Around 170 bpm.
But I checked out some other random 3.0 Stash's + they are only at about 180 bpm. #phish 1/X
That makes last night's Stash barely over 5% slower than other recent versions.
Why it sounded significantly slower is actually the flow, or lack there of, of the composed section. Believe it or not it's *much harder* to play stuff like this at a slower tempo. 2/X
This is sometimes counterintuitive to non-musicians + a little hard to explain.
When you get into a flow state your muscle memory takes over and you simply hear what you want to play in your head (composed or improvised) and then make it come out of your guitar (or tuba!) 3/X
Okay I saw @cdirksen tweet heaping praise on last night's Stash and made a mental note to check it out. But he just texted and won't leave me alone until I listen to it so I'm listening now.
I've tweeted this 100x but I truly don't understand how both the bass and drums can play this many notes simultaneously and it not only isn't too busy but the groove is actually elegant. This is impossible. But they're doing it. WTF #phish
Whatever the hell Trey starts doing shortly after the 12:00 mark with those long, sweeping bendy phrases is just fucking incredible.