A couple of months ago I was granted what I view as the highest honor possible for a collector, artist, and student of CryptoArt history; when I was given the opportunity to curate a complete series of Fake Rares.

Having had time to reflect, I wanted to share some thoughts…

🧵
about Rare Pepes, Fake Rares, and the broader Pepe ecosystem, which I believe to be the strongest community driven art movement to exist to date.

In 2005 @Matt_Furie’s imagination gave birth to a lovable and relatable character which I view as the Mickey Mouse of the internet.
Shortly after, Pepe, along with the phrase ‘feels good man’ began to gain some traction as a meme across various message boards, eventually making its way to 4chan in early 2009.

4chan for better or worse acts as a breeding ground & accelerant for memes, enabling quick virality.
As a wide variety of Pepes started to proliferate on 4chan over the years, Pepe started to make his way out into the broader world gaining popularity on numerous other social platforms, amongst internet influencers and even with celebrities such as @katyperry and @NICKIMINAJ.
This newfound popularity amongst ‘normies’ didn’t sit well with 4chan as they started to feel their meme of choice and symbol of their culture had been appropriated and stolen by outsiders, jeopardizing it’s sanctity.

In response, they began efforts to turn Pepe into a hate…
symbol, creating tons of angry and offensive versions of Pepe with the goal of making Pepe so offensive to outsiders that it would become distasteful for anyone apart from their community to use.

Pepe was nazified and quickly became associated with racist and repugnant meanings.
Things came to a head when Pepe made his way onto the radar of Donald Trump and became the subject of a tweet, which the media latched onto, seemingly sealing his fate as a symbol of the alt-right to the broader world.

Pepe was officially labeled as a hate symbol by the @ADL.
Soon after, Matt Furie teamed with the ADL in an attempt to try to reclaim Pepe, but his efforts were overwhelmed by the sheer amount of hateful Pepes that were proliferating.

Matt called on other artists to contribute to the cause starting the Save Pepe campaign.
While control of Pepe spiraled out of control and had seemingly been lost forever, another niche corner of the internet began trying to reclaim Pepe in their own way, making use of blockchain technology to preserve and exchange their own visions of Pepe.

Enter Rare Pepes…
Rare Pepes were born on September 9th, 2016 when a community member known simply as ‘Mike’ uploaded and minted RAREPEPE, also known as the Nakamoto card, to the Counterparty network; sparking the creation of a community led art movement which remains growing to this day.
The Rare Pepe directory was subsequently created, officially establishing the Rare Pepe project.

The directory rules were simple. Submissions needed to adhere to some basic formatting and originality guidelines, and could not depict Pepe in overtly hateful or NSFW manners.
With the directory established and a Telegram group of interested participants growing, the community needed an appropriate wallet for storing their cards and a safe market for trading them.

@wasthatawolf solved for this need, creating and launching RarePepeWallet.
RarePepeWallet represented the first user-friendly platform for the storage and exchange of provably scarce digital collectibles backed by blockchain tech.

CryptoArt historians such as @artnome view the advent of RPW as the onset of the CryptoArt movement as we know it today.
Enabled by this new technology, the community continued to grow under the watchful eye of the Rare Pepe Scientists who ensured that submissions adhered to the established standards.

A total of 1774 cards were accepted into the directory before it was closed for good in 2018.
Despite the closing of the directory, collectors stuck around and continued to grow in number throughout the lengthy broader crypto bear market.

Pepe had started to transform from a symbol of hate, into a show of possibilities for decentralized communities and digital assets.
Following the closure of the directory, Pepe would continue on his own path, with Matt Furie successfully litigating against numerous alt-right groups and with Pepe becoming a surprise symbol of the Hong Kong protests in 2019-2020.

The broader narrative around Pepe was turning.
With NFTs growing vastly in popularity in 2021, some original members of the Pepe community felt it was time to revive the Pepe within our space.

Led by @ScrillaVentura, the @FAKERARES_XCP project arose to fill this void, revitalizing Pepes as a community driven art movement.
Fake Rares Series 1 launched in September of 2021, a little over 5 years after the original Rare Pepe project launched, giving new life to the meme which birthed CryptoArt as we know it.

Fake Rares are a love letter to the original project and a way to carry on the legacy.
In the year since launch, many of the most popular original artists have returned to the scene to create cards, while tons of new artists have made their own contributions to the movement, often paying homage to legendary cards from the original project.
Fast forward to Series 8 which I was given curatorial oversight of. I viewed this as an opportunity to bring some of the most successful artists on Ethereum into the mix, bridging the ETH and BTC communities while familiarizing newcomers with the history and roots of CryptoArt.
With the dust having settled, I like to think my goals for the series were accomplished. Interest in making Pepes seems to be at an all time high, while many collectors who were dismissive of the frog last year are now amongst the most ardent fans.
The thoughtful contributions of some of the most respected artists in our space have served to cement the narrative around Pepes as a symbol of community, diversity, equality, and a meme for all to enjoy; showing the power of good to prevail over evil and reclaiming Pepe for all.
Pepe to me represents the very best of CryptoArt and blockchain technology when used for good.

Pepe brings us together and has enabled new opportunities for artists all over the world, empowering creators while documenting the spirit and power of crypto in an immutable fashion.
In closing I’d like to thank all artists who have contributed to Rare Pepes, Fake Rares, Dank Rares, and Fake Commons; and to the community of collectors who have supported this movement.

I’d also like to thank @MattKaneArtist for inspiring me to share my thoughts.

#NOTKAMOTO
Pepe is forever

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More from @Vince_Van_Dough

Jun 11
Two weeks ago I released Moonbirds after @kevinrose stated he was working with @opensea to take down any collections with Moonbirds in the name. This was conceptual art where the intent was to highlight the heavy handed-ness of trademark and DMCA claims seeping into the space…🧵
For months now OpenSea has been growing increasingly aggressive about removing items with any corporate references, quite often when the work is undoubtedly fair use.

It’s not unexpected to see traditional companies abuse copyright and trademark claims to silence artists but…
when projects native to our space start doing so we risk this becoming the norm.

In the traditional art world DMCA is almost nonexistent. Artists use corporate logos and names in their works and titles all the time as part of their commentary or to add context. Artists such…
Read 9 tweets
Jan 8
Currently wrapping my Penguins.

In the past 24 hours a wrapper contract/interface has been deployed, a Snapshot governance portal has been created, a new Discord set up, and Wrapped Penguins have been listed for sale on OpenSea with any royalties going to a community multi-sig.
The tools are already in place to exit to community, you can buy a Wrapped Penguin right now and royalties will go entirely to a community controlled multisig. Any Penguin holder can create a proposal and vote. Your Penguin is your DAO membership, 1 Penguin = 1 vote.
The potential for an outside party to buy Pudgy Penguins still exists of course and that is fine. Penguins can be unwrapped at any time if you like the buyer and their plans. Importantly though, the set of tools in place will keep them accountable or we will simply exit again.
Read 11 tweets
Dec 28, 2021
What started as a protest has quickly become a community owned brand.

Since fractionalizing @clonex17707 two weeks ago, we have received 93 derivative artwork submissions, with voters approving 37 for mint thus far.
Eight of these have been auctioned generating $240k, with half going to artists and the other half added as permanent liquidity on Uniswap.

On an annualized basis, the @clonex17707 community is already on pace to produce $10M worth of primary sales in year one.
At this point it seems clear that @Nike will not revoke ownership of 17707 via the smart contract, the backlash would be insane.

Terms of service don’t matter if the backing entity has no willingness to enforce. I like to think this event could set a precedent moving forward.
Read 6 tweets
Oct 23, 2021
Introducing @Tungsten_DAO, an experimental meme incubation studio.

TungstenDAO will amass a collection of assets that are highly memeable, then create content that reinforces their social significance and strengthens memetic desires for these assets… Image
TungstenDAO will have an open submission process for original memes featuring treasury assets. DAO members will select memes they like and share on their social accounts. Any memes shared that receive 1000+ likes on an individual post within 24 hours will be minted on @withFND
and made available for auction with 90% of proceeds going to the DAO treasury and the remaining 10% to the meme creator. A maximum of 1 meme will be minted per day.

Drawing inspiration from @nounsdao, all holders of TungstenDAO memes are members of TungstenDAO.

1 meme = 1 vote.
Read 7 tweets
Aug 30, 2021
Excited to be working together with @zhusu and @kyled116 from 3AC to launch @StarryNight_Cap, a NFT fund.

Our thesis is simple, we believe the best way to gain exposure to the cultural paradigm shift being ushered in by NFTs is owning the top pieces from the most desired sets.
We are cognizant of the concerns many have about funds entering this space and we will seek to always do right by the community. Before year’s end we aim to launch a NFT education portal, explore ways to bring more exposure to up and coming artists, launch a physical gallery in…
a major city, ensure works in our collection remain open to the public via virtual galleries, and experiment with various community building initiatives.

We strive to be good stewards of the space at large and use our influence to uplift and empower others.
Read 4 tweets

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