Lokesh Bag Profile picture
Sep 16, 2022 โ€ข 17 tweets โ€ข 11 min read โ€ข Read on X
The movie #Karnan by @mari_selvaraj shows the collective anti-caste resistance to break the shackles of Caste.ย I will try to explain all the symbolisms and metaphors in the Movie.

A Thread ๐Ÿงต
First shot of the movie depicts how UC people ignore the people from oppressed caste. Even if the person is dying, they will just ignore it. Like Pariyerum Perumal the movie starts with death and the death of his innocent sister fuels the character "KARNAN''
There is a shot of statue of a king figure in the song โ€˜Kanda Vara sollungaโ€™ riding a horse, holding a sword. That statue resembles Veeran Sundaralingam.
Chick depicts the oppressed caste people and Eagle symbolises the oppressor Caste people.
There are many shots that depicts the close relationship of Dalits with insects and other animals like horse, donkey, cow, dog, pig, birds and elephant.
Even during the song Thattan Thattan there was close up shots of insects and animals.
There is meeting about bus not stopping at Podiyankulam and the girl facing harrassment by UC men. In that scene, the goats become part of the meeting, standing beside the villagers.
These two shots symbolises the fact that goddess of Podiyankulam is not only for the humans of the village, she is also the goddess of all the animals living in the village.
Donkey's legs are tied by the owner & noone is untying it. Everyone is thinking that this is not their responsibility. It is a metaphor used by Mari Silveraj for Caste and Freedom. Villagers are tied with the rope of caste & they think the person who tied the rope will free them.
In Mahabharat Draupadi herself prevented Karna from participating in the Swyamvar, calling him a Suta Putra. But there is no such thing between Karnan and Draupadi in the movie "Karnan".
Pregnant woman couldn't get a bus. When her son throws a stone at the bus, the conductor from the bus comes out and beat the boy and old man. Noone cares about the pregnant woman. It shows how oppressor caste people knowingly ignore lower caste people and their plight.
There are many headless figures in the movie
1. Headless Buddha
2. Headless painting of Army figure (at the end they draw yema's head)
3. At climax Karnan decapitate the Police
It symbolises that it is not the person that is important, but the philosophy that the person believes.
The Mask of the goddess of their village used to depict all the girls who lost their life because of Caste system. It was intentional to mention that the face is not important, caste is important. The mask depicts every girl who suffered the same fate.
Rearing of pigs by Grandfather Yeman which represents the pigs breeding practice (culture) among the people of the Pallar community in Tamil Nadu.
There is a scene where the Police beat up the elders of the village in the Police station. One police man hides inside the toilet. It depict the situation of a Dalit police man, if the majority of police force are from oppressor Caste.
Horse is used in the movie as a metaphor to remind people that people of oppressed caste get killed for riding a horse. But now, oppressed caste person will ride a horse and carry a sword to kill oppressor caste policeman.
The Goddess of Podiyankulam feels like a Goddess who shows the way out of slavery to the villagers. Their religion appears to be earthly, organic and not based on superstitions.

Choosing female God instead of male God is a symbol for the status of women in Podiyankulam.

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More from @lokeshbag67

Nov 10, 2024
People love to preach about how loving Lord Ram was toward Sita. Thatโ€™s probably because theyโ€™ve never read verses 15-25 from Sarga 115 of the Yuddha Kanda in the Valmiki Ramayana. Go ahead and read them to see just how 'loving' he really was ๐Ÿงต
Verse 15 -16

Let it be known to you that this endeavor in the shape of war, which has been successful carried through, due to the strength of my friends was not undertaken for your sake. Let there be prosperity to you! This was done by me in order to keep up my good conduct and to wipe off the evil-speaking from all sides as well as the insinuation on my own illustrious dynasty.Image
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Sep 26, 2024
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1. The dialogues are preachy and fail to resemble natural conversations among villagers. The writing feels lazy, as the Brahmin writers try too hard to put progressive dialogues into the movie that donโ€™t fit the characters or setting. The movie compensates for it by relying heavily on drama and manipulative music.
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Mar 20, 2024
Today marks the 97th anniversary of the historic Mahad Satyagraha.

Here's a thread discussing this revolutionary non-violent protest, which was a significant milestone in the fight for social justice, dignity and equality for Dalits. ๐Ÿงต Image
On August 4, 1923, SK Bole, a social reformer, proposed a resolution in the Bombay Legislative Council. The resolution stated: Image
The Bombay government reluctantly instructed all department heads on September 11, 1923 to implement it by 19th September 1923.
Read 21 tweets
Feb 25, 2024
An in-depth analysis of the film "Fandry" directed by @Nagrajmanjule. ๐Ÿงต Image
Family of Jabya ( Dalit) lives on the outskirts of a village. To make ends meet, the family chases away pigs and also kills them to prevent them from creating nuisance in the villageโ€”a task assigned to the Dalit family since upper-caste families consider it unhygienic & impure. Image
The young Jabya, however, remains disillusioned by the situation and develops feelings for an upper-caste girl, Shalu, who attends the same school.
Image
Image
Read 24 tweets
Dec 10, 2023
This article is the result of a lack of equal representation in the media when it's predominantly controlled by upper castes.

I'm baffled about how this article passed editorial scrutiny, likely due to the overrepresentation of upper castes.

A Thread ๐Ÿงต
It reads like the worst WhatsApp University propaganda, even for a reputed newspaper.

The entire article is just plain foolish. Nevertheless, I'll highlight some crucial points that are utterly absurd.

1. ๐—ง๐—ต๐—ฒ ๐—ฎ๐˜€๐˜€๐—ฒ๐—ฟ๐˜๐—ถ๐—ผ๐—ป ๐˜๐—ต๐—ฎ๐˜ '๐——๐—ฟ. ๐—”๐—บ๐—ฏ๐—ฒ๐—ฑ๐—ธ๐—ฎ๐—ฟ ๐˜€๐˜‚๐—ด๐—ด๐—ฒ๐˜€๐˜๐—ฒ๐—ฑ ๐˜๐—ต๐—ฎ๐˜ ๐˜๐—ต๐—ฒ ๐—ฅ๐—ฒ๐˜€๐—ฒ๐—ฟ๐˜ƒ๐—ฎ๐˜๐—ถ๐—ผ๐—ป ๐˜€๐—ต๐—ผ๐˜‚๐—น๐—ฑ ๐—น๐—ฎ๐˜€๐˜ ๐—ผ๐—ป๐—น๐˜† ๐Ÿญ๐Ÿฌ ๐˜†๐—ฒ๐—ฎ๐—ฟ๐˜€.'

We, as Dalits, are exhausted from repeatedly debunking this misinformation. It seems like the truth is often overlooked.
Image
The 10-year limit was specifically for political reservation, a point Dr. Ambedkar never advocated. In fact, he opposed a fixed 10-year timeframe, even for political reservations for SCs.

๐˜ˆ๐˜ฅ๐˜ฅ๐˜ช๐˜ต๐˜ช๐˜ฐ๐˜ฏ๐˜ข๐˜ญ๐˜ญ๐˜บ, ๐˜ช๐˜ต'๐˜ด ๐˜ธ๐˜ฐ๐˜ณ๐˜ต๐˜ฉ ๐˜ฏ๐˜ฐ๐˜ต๐˜ช๐˜ฏ๐˜จ ๐˜ต๐˜ฉ๐˜ข๐˜ต ๐˜ต๐˜ฉ๐˜ฆ๐˜ณ๐˜ฆ ๐˜ธ๐˜ข๐˜ด ๐˜ฏ๐˜ฐ ๐˜ฅ๐˜ช๐˜ด๐˜ค๐˜ถ๐˜ด๐˜ด๐˜ช๐˜ฐ๐˜ฏ ๐˜ช๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜Š๐˜ฐ๐˜ฏ๐˜ด๐˜ต๐˜ช๐˜ต๐˜ถ๐˜ฆ๐˜ฏ๐˜ต ๐˜ˆ๐˜ด๐˜ด๐˜ฆ๐˜ฎ๐˜ฃ๐˜ญ๐˜บ ๐˜ณ๐˜ฆ๐˜จ๐˜ข๐˜ณ๐˜ฅ๐˜ช๐˜ฏ๐˜จ ๐˜ณ๐˜ฆ๐˜ด๐˜ฆ๐˜ณ๐˜ท๐˜ข๐˜ต๐˜ช๐˜ฐ๐˜ฏ๐˜ด ๐˜ช๐˜ฏ ๐˜ฆ๐˜ฅ๐˜ถ๐˜ค๐˜ข๐˜ต๐˜ช๐˜ฐ๐˜ฏ๐˜ข๐˜ญ ๐˜ช๐˜ฏ๐˜ด๐˜ต๐˜ช๐˜ต๐˜ถ๐˜ต๐˜ช๐˜ฐ๐˜ฏ๐˜ด ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฑ๐˜ถ๐˜ฃ๐˜ญ๐˜ช๐˜ค ๐˜ด๐˜ฆ๐˜ณ๐˜ท๐˜ช๐˜ค๐˜ฆ๐˜ด.
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