📷 Golden ears of corn in a stylised wall mural at St John the Baptist's, Allington, Wiltshire
In 19th century Britain, rural villages at harvest-time must have looked not unlike those same places centuries earlier, as villagers celebrated the fruits of their community's back-breaking labour with ancient, sometimes pagan customs.
In Cornwall and Devon, harvesters announced the reaping of the last head of corn by 'crying the neck'. In many parts of the country, corn dollies were crafted and imbued with magical fecund qualities. Lords of the harvest were appointed, songs sung, and suppers shared.
Robert Stephen Hawker, rector of Morwenstow in Cornwall, is believed to have started the modern tradition of the church harvest festival on 13 September 1843.
📷 Wood Walton harvest festival, 2017
'Parson Hawker' invited his parishioners to 'gather together in the chancel of our church, and there receive, in the bread of the new corn, that blessed sacrament which was ordained to strengthen and refresh our souls.' Communion bread was made from the first cut of corn.
Hawker was a well-known mystical poet and the writer of 'The Song of the Western Men', which would become Cornwall's 'national anthem'. The clifftop hut where he wrote ... and smoked opium ... is now the National Trust's smallest property.
To say Hawker was an eccentric was putting it mildly. He wore a fisherman's coat, tall sea-boots, a pink fez (or sometimes a 'wide-awake beaver') and a yellow poncho, which he claimed had been the habit of St Pardarn. He also liked to dress as a mermaid with seaweed in his hair.
His large pet pig, Gyp, walked everywhere with him and even 'followed him into ladies' drawing rooms, not always to their satisfaction.' Also a proud dog owner, he had the base of the pulpit removed so that the congregation had a better view of his canine companion.
But, perhaps cats were his favourite animal, since he had nine of them. He enthusiastically took them into church as well, though he excommunicated one kitty for mousing during Sunday prayers.
Hawker's congregation was said to be made up of smugglers, wreckers and dissenters. Shipwrecks were all too common, and on many occasions, he scrambled down cliffs to rescue the injured and collect drowned bodies for a Christian burial.
At Morwenstow, he designed a unique vicarage for himself, with five chimneys representing towers of the churches where he had worked in Cornwall and Oxford. The sixth chimney was modelled on his mother's tomb.
During Hawker’s lifetime, churches quickly adopted the tradition of the harvest festival — like Hutton Bonville in North Yorkshire.
Although Robert Hawker is credited with introducing the beloved festival into the C of E calendar, he became a Roman Catholic on his death bed.
We’re ending our #harvestfestival thread with this lovely personification of Summer, her outstretched hand touching an abundance of ripe wheat ready for the harvest.
You can see this sgraffito panel at St Mary the Virgin’s, Llanfair Kilgeddin, Monmouthshire.
• • •
Missing some Tweet in this thread? You can try to
force a refresh
St Andrew's, Woodwalton stood quietly for centuries surrounded by nothing but fields and fenland ... until 1850, when the Great Northern Railway forged its iron trackway through the landscape, filling the air with steam and smoke and changing society for ever …
The railway created jobs locally but it also claimed lives.
Woodwalton's burial registers record nine deaths on the railway line between 1867 and 1944 — the youngest was just 10. But newspapers show that many more railway workers and 'trespassers' were injured or killed.
One of the casualties was 28-year-old railway labourer Edward Wright, who had worked for the GNR for a year. On 21st September 1904, he was hit on the head by a rail that was being loaded into a wagon, and died later that day. His mother Eliza identified his body.
The chapel at Milland nestles into a hollow in the woods. It’s entered via a flight of stone steps, and as you descend the air is hushed. The walls are bare. The floors are footworn flagstones. Four painted panels frame the east window.
#🧵
The black text, mostly in a sort of Times New Roman font, is painted on to a grey ground, and recites The Lord’s Prayer, The Creed, and the Ten Commandments. We think the boards are late 18th-century.
2/
What’s especially interesting is that on two of the boards – The Lord’s Prayer and Decalogue I-IV – you can see underlying text, so we know these boards were recycled from earlier prayer boards.
St Helen's, Barmby on the Marsh overlooks flood meadows in the East Riding; these wetlands are an important habitat for snipe, teal and wigeons. On the edge of this dramatic landscape are the massive cooling towers of Drax power station.
The oldest part of the church is the nave of c1489 which might have started life as a tithe barn! The distinctive tower, built with home-made red bricks and topped with a copper copola, replaced a medieval tower in 1773, and the chancel was added during the restoration of 1854.
Highlights of this eclectic building include a medieval parish chest — dug out of a single tree trunk, opulent Victorian stained glass, a coffin-shaped grave board, an eccentric timber-based 17th century font and charming Georgian trompe l'oeil 'panelling' on the north door.
When we took Tuxlith Chapel, W Sussex into our care it had been derelict for decades. At the time we didn't have money to re-instate the lath and plaster ceiling, so we nailed painted boards over joists. This did the trick until last year, when the boards began to fail…
…so earlier this year, we returned to restore the lath and plaster ceiling. The work was done by craftsman, Ian Holloway.
To begin, Ian carefully removed the old boards and set out the base for his plaster: carefully spaced riven oak laths. This is a work of art in itself!
2/
After this the first coat was applied. This was rough coat of lime plaster with lots of goat hair mixed in. The hair gives greater strength and helps to create a sound base for later layers. This first coat (also known as scratch or pricking up coat) squeezes through laths.
The tower was added in the 1200s. A few decades later, the south aisle was added to the nave. As the congregation grew and more space was needed, in the 14th century, the north aisle was added.
2/
Shortly after this, the chancel was built to its current design, incorporating a priest’s door with moulded arch terminated in a mitred head and head in a liripipe hood, and low side window to the north.
Rafters in floors. Doors cut into pews. Pews worked into screens. Screens becoming vestries. Churches have a long history of assimilating themselves.
At Llanfaglan, 14th-century cusped chancel roof timbers were cut out c.1800, shortened, and worked into a distinctive porch.
1/
Similarly, at Sutterby, Lincolnshire, the doorway to the porch is framed with some rather fancy mouchettes. While the porch dates to the 19th century, this carving is much earlier – fout hundred years earlier, in fact, and we believe was originally a window arch in the church. 2/
Llanbeulan church on Anglesey sits in a sea of bobbing gravestones. They’re everywhere. So many in fact, that they are built into the walls and thresholds of the church… and one has even become a step on the stone stile into the churchyard…