1/ There is the opinion that the Minoan Cretans were a peaceful people, who dominated through trade and their cultural superiority in the Aegean Basin during the first half of the 2nd millennium BC. But maybe was the reality different? #Minoans#warfare#Crete#Aegean
2/ It is clear that the economic prosperity through the involvement in the international trade of the time, as well as the particular Cretan religious worldview contributed decisively to the formation of the identity of both the Minoan elite and the rest of social groups.
3/ At the same time, however, and according to a more penetrating interpretation of the archaeological data, it appears that war was in fact a defining feature of Minoan society and that the model of the warrior-hunter-athlete was one of the dominant expressions of male identity.
4/ During the Pre-palatial Period, appropriate political, religious and economic practices were formed by specific emerging social groups which they initially imposed on their local societies and then on the entire island through a centralized - theocratic palatial system.
5/ It goes without saying that this process took place through intense competition and conflicts between groups fighting for primacy, a fact which presupposes the existence of some war practices, ➡️
➡️ which seem to be documented mainly through the presence of the Aegean-type dagger in burial assemblages and on sealstones.
6/ During the Final Neolithic - Early Bronze Age in the Aegean, the dagger played a significant role in highlighting the identity of the warrior-hunter, being an object of prestige, everyday use and a weapon. ➡️
A rare depiction of daggers combat on a seal stone of the EM III/MM I period demonstrates that the close contact battle was the primary type of combat engagement in this period.
7/ On the other hand, the EM III fortifications in Aghia Fotia and the nearby fortified proto-palace in Petra, suggest to us that the course to the establishment of the early palaces (1900 BC) was bloody in the midst of social unrests and upheavals, ➡️
➡️ the extent of which is indeterminate and ended either with the predominance of the stronger elites in each region, or there was a final compromise between a few rulers who took control of the early palaces.
8/ It is very possible that these fortifications were subject to the yeasty framework of this turbulent period, ➡️
➡️ however the fortification of the palace in Petras in combination with the fortifications in Malia and Zakros may also have a symbolic deterrent character for anyone who wanted to usurp the authority of the local ruling elite.
9/ With the establishment of the palatial system and the subsequent primacy of Knossos, the competitive - conflict climate does not seem to have ceased to exist, ➡️
➡️ but on the contrary took a new form through the questioning of the primacy of the ruling elites both internally by selfish interests among the members them, as well as at the regional level by local factions eyeing for autonomy.
10/ An element that confirms the above claim is the presence of small-scale checkpoints and observatories in various parts of the Cretan territory, especially after the MM II period, ➡️
➡️ while at the same time there are indications of violent destruction of sites by the human factor, such as the looting and abandonment of the YM I villa in Mochlos.
11/ However, the top manifestation of the military background of the Minoans is the Minoan Thalassocracy during the Neopalatial Period, ➡️
➡️ when the Minoans dominated the Aegean, establishing trading posts on various Aegean islands, while at the same time their trading ships traveled to the countries of the East.
12/ In my opinion, the Minoan control in the Aegean was carried out both with the creation of a powerful fleet and with the existence of a trusted military order, ➡️
➡️ which imposed the Minoan presence on the islands of the Archipelago with firm hand and at the same time contributed to the suppression of all pirate or other activity against Minoan commercial interests.
13/ The Minoan figural art presents us with many examples of the occupations of the ruling elite men, such as the involvement with the hunting, sports, bull-leaping, battle. ➡️
➡️ They are often depicted with brawny physique and distinctive headdress, wearing helmets and holding shields, sometimes in battle scenes and sometimes in hunting scenes.
14/ During the palatial period, it is common to see scenes of hand-to-hand combat, where warriors wear helmets, hold shields and spears or swords, and rarely use bows. ➡️
➡️ Although these scenes often quote the exploits of heroes or deities, they are a reflection of the Minoan warrior-hunter prototype.
15/Of particular importance is the presence of bronze and coroplast figurines that show warriors girded with daggers,presenting an early symbolic importance of armor as an object of prestige and religiosity,while in other cases they show athletes with their hands raised in fists.
16/ During the Neopalatial Period, the appearance of new dynamic elites within the ruling class is observed, which attempt to highlight their martial virtues by glorifying their individual superiority, but at the same time, Minoan Crete as a great regional power.
17/It's important to list here a series of Minoan weapons technologically transferred to the Mycenaeans, which evolved: light body armor,various types of bronze or ivory helmets,octagonal and turret-shaped shield, type A/B sword and dagger, long and short spear, bronze battle-axe
18/ To summarize, we would say that the Minoan Cretans had a long tradition related to war and individual armament, with the palatial system based on the triptych:➡️
➡️ economy (trade - bureaucracy), religion (priesthood) and army, which was a means of control, pressure, deterrence and glorification.
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1/ Ancient Greek texts refer to a mythical king of Crete with divine origins and extraordinary abilities, Minos. Thucydides reports that Minos was the most ancient king of Crete, who dominated the entire Aegean with a powerful fleet (Minoan Thalassocracy). #Minoans
2/ He had the perspicacity to colonize the Aegean islands and defeat the pirates who "polluted" the seas, promoting peace and trade. However, he also had another aspect: he is presented as a wise legislator, gaining great fame and becoming after his death the judge of the dead.
3/Minos reigned from the Knossos, which he made the most famous city in the Aegean, and was the founder of the labyrinth. Of particular interest is the fact that his mother, Europa,was the daughter of the king of Tyre that she was kidnapped and taken to Crete by his father, Zeus.
1/ In 1903, during his excavations at Knossos, and specifically in a palatial area to the south of the Throne Room, Arthur Evans brought to light two elaborate Minoan figurines of a clearly ceremonial nature. He named the site of the figurines' discovery "Temple Repositories".
2/ Evans believed that he had discovered a Minoan palatial sanctuary with the two figurines, being made of faience, the larger of which represented a "Snake Goddess" and the smaller a priestess (he called her "Snake Priestess"), considering them to be votive objects.
3/ However, the discovered figurines were found to be largely incomplete. From the "Snake Goddess" lacked the body below the waist, one arm and part of the crown, while from the "Snake Priestess" lacked the head and the proper left arm was missing below the elbow. 👉
[PART TWO] CHG/IRF-related ancestry. From the plateaus of the Caucasus and NW Zagros to the Aegean Archipelago.
#Caucasus #Aegean #Dimini
1/ Around 6200 BC the first signs of Neolithicization appear in the Caucasus, marking a new era for local human presence. Thus, domesticated animals and plants appear and technological innovations, such as pottery, are introduced. All of these elements have a foreign character.
2/ The rich productive resources of the Caucasus attract the attention of early Neolithic populations of the Fertile Crescent, resulting in the settlement of new populations and ideas in the region that introduce it to a new world of intercultural contacts and genetic admixtures.
[PART ONE] Caucasus Hunter-Gether / Iran Neolithic Farmer lineage: When, where and through what processes did its formation take place.
1/ In 1976, a local Soviet archaeologist carried out excavations in the Satsurblia cave (western Georgia), bringing to light various layers of human habitation, the oldest of which date back to the Upper Palaeolithic (27 kya). The cave was a seasonal camp for mobile groups of 👉
👉 hunter-gatherers, who hunted a wide range of game, showing a preference for the wild boar and red deer. The surveys continued recently, where a fragment of temporal bone of a man who lived in the cave between 13,132 and 13,380 BP was recovered (Late Upper Palaeolithic).
1️⃣ The conclusions of a new archaeogenetic research confirm the theory of the descent of Proto-Indo-European speakers of an early form of the Greek language around 2250 BC (ΕΗ II / III). However, it is likely that their descent into the Helladic area took place a little earlier.
2️⃣ The earliest Helladic samples of steppe origin indicate this early descent (Theopetra - 2312 BC), in combination with the characteristics of the Proto-Greek language (centum). The Neolithic peoples are directly descended from the Yamnaya culture and passed into northern 👉
👉 Greece via the Balkan corridor. The Proto-Greek steppe origin differs from that of the Corded Ware Culture populations (3000-2300 BC) which were formed by the admixture of Yamnaya and Globular Amphora Culture populations and are widespread in central and western Europe.
1/ In 1903, the Italian archaeologist Roberto Paribeni discovered inside an elite chamber tomb (Tomb 4) in the area of the royal Villa of Hagia Triada, Crete, one of the most important artifacts of Aegean art: the Hagia Triada sarcophagus. It is dated to around 1400 BC. #Minoans
2/ The sarcophagus was made of limestone and there are holes in its bottom. Its construction cannot be considered as something extraordinary and its shape is very irregular. However, its importance lies in the fact that it is decorated on all four sides 👉
👉 with abstract patterns and figures, while on its two long sides it contains a series of narrative scenes that present elements of Minoan funerary ritual. The buon frescoes were applied on a layer of lime plaster and were probably the work of two artists.