After 14 years... I have finally gotten a copyright strike - not a contentID, mind you, full-on STRIKE - for a video about comics.
And yes, it's entirely possible for that to happen - images are copyrighted just like anything else...
...and it was always on the table that a video could get claimed. It's just UNLIKELY to happen because, well, nobody gives a crap about comics - especially old ones.
So now you're asking - who's the lucky one responsible that I pissed off? Marvel? DC? Some indy publisher...
...that put out a black and white comic from the 80s and is now pissed that people remember it existed?
The answer is none of them.
In what should not be a surprise given the last couple years for what happened to @TotallyNotMark and @SuedeBlade... it's a manga.
And not the American publisher of the manga, but a Japanese one.
My Longbox videos for Uzumaki vol. 2, vol. 3, and the two AT4W Live shows featuring chapters from Uzumaki - those four got claimed and removed via a single Copyright Strike.
This is terrifying for a multitude of reasons.
1. They didn't try to ContentID claim or just remove the videos right off the bat or contact me to say "Hey, take these down or else..." They straight-up gave me a STRIKE. Three strikes and my channel is deleted.
2. While my videos are... probably not under fair use anyway given how much I show, I could probably make an argument in court about it. Not a great one, but an argument and therefore most companies won't waste their time on litigation, so they'll just release the claim...
...but that dos not apply to Japan. Japan does not have Fair Use like we do. So while I can and most likely will be appealing, I don't think it's really going to work for a convincing argument.
3. Putting aside the fact that I have OTHER manga reviews now at risk of getting...
...me a strike (I have begun the process of changing ALL of them to blocked in Japan for monetization - not a guarantee, but it could help. I had already done that for HOPR/Sentai and SOME of the manga reviews), I am currently editing a Longbox that is a manga.
And two AT4W...
...episodes featuring manga.
So now I'm fucking terrified of what could happen with those, especially since these Uzumaki videos are YEARS old and this came out of nowhere.
If need be, I will remove the Uzumaki Longbox videos AND any other Junji Ito manga videos entirely if it means getting rid of the strike. I really, really don't want to do that, but I will.
This is my livelihood - it provides for me and my family and that is more important...
...than video continuity or the like.
Sooo, yeah, I've got a lot of work to do on top of the lot of work I already have to do.
It was indeed Shogakukan who did it.
And I should be clear - THERE IS NO CURRENT CALL TO ARMS. DO NOT ATTEMPT TO CONTACT THEM ON MY BEHALF.
Let me see what I can do through legitimate channels first.
PRODUCER OF SILENT HILL: ASCENSION - "Yes. I am totally genuine. I am not reading a teleprompter at all. This is a great new project. There is no ruh-set button. I'm pretty sure that's how you pronounce reset. Anyway, this is really cool. No, I'm not saying what this is."
"But your choices affect the canon. There is no going back. The choices of the streaming audience. I sure do like the communal feeling of watching horror movies in a theater. No, I'm still not telling you what this actually is, but it's totally interactive."
IGN POLL ON STREAM: "Are you excited about the idea for Silent Hill: Ascension."
So it looks like some people are going back through my timeline to right after JewWario committed suicide to like and retweet the tweets I and others made expressing sorrow and sadness over it. If I had to guess why they're doing this, it's an attempt at a "GOTCHA!" they can...
...call upon, because some really shitty people believe that I and others knew about him grooming young women.
We did not.
We didn't know until 2018, when CA accidentally let it slip in their poor attempts to respond to the Not So Awesome document.
As far as we knew in 2014, a friend of ours had committed suicide and we were just heartbroken by it and trying to make sense of it. Obviously things would have been different if we had known then what we know now.
Something I find curious about the defense of transphobic comedy is the constant repetitions of "It's just a joke!" "They're a comedian!" "Expect people to laugh at a comedy show!" etc., etc. is that it seems to suggest that bad or shitty jokes don't exist; that all comedy...
...is inherently equal and worthwhile. That there is no such thing as dated humor or unfunny jokes or, indeed, racist/homophobic/transphobic/etc. jokes.
I wonder how many of these people see someone disparage, say, "Meet the Spartans" or some racist 40s comedy and go "IT'S JUST JOKES. WHY DO YOU HATE THE JOKE MOVIE?!"
Loooot of people keep asking if the Mandela Catalogue was an influence on Winter of '83, which is... both confusing and yet not surprising? Mandela Catalogue is good stuff - not surprising people make the connection to that because of how popular it is... but at the same time...
...people do realize there are other Analog Horror series, right? Because in terms of direct influences, Local 58 and Gemini Home Entertainment have a MUCH bigger impact and I can even point to specific videos that were on my mind.
I mean, MAYBE the fact that it's an Analog Horror series that actually has voiceover, which is VERY uncommon. Most Analog Horror goes for text and music instead of fully voiced stuff.
But that was more necessity of storytelling than anything else for Winter of '83.
This is from the intro to Dark Nights: Metal that Scott Snyder wrote and I'm... I'm REALLY trying hard to stop myself. I've already started going off on a rant in the script about this and I need to stop myself. Because I'm just being way, WAY...
...more cynical than I should be in this. Because Metal does not deserve to have me being super-cynical and mad about it. It's not like the other three events I've covered. It is not bad.
And yet I keep wanting to be mad at it for some reason and this intro is not helping.
Because this last month has just had me be wallowing in the worst aspects of comics - greed, shortsightedness, editorial mandates, ruining characters for people, the sheer amount of bullshit that the industry foists on people year after year... and yet here's Snyder excitedly...
So why did I make Winter of '83 and what influenced it?
Well, the big obvious answer is: for April Fools Day I always try to emulate the style of another content producer, it's just in this case I chose a subgenre in general with Analog Horror.
As you probably could tell the last couple years from some tweet threads, I'm fascinated by Analog Horror - both as a subgenre of found footage (which I already am fond of) but also just as an extension of homegrown indy horror projects - so much fear that can be derived...
...from something as simple as "this educational video's music suddenly stopped playing and it's showing us something it's not supposed to."
And Analog Horror in particular, since it tends to focus on bygone forms of media, in particular old VHS recordings of the 80s and 90s...