In “On the Air” by Lewis deSoto, one can literally traverse the earth, walking “on the air” and tracing a path from location to location. Different aspects of the artwork represent different aspects of traveling. #LewisdeSoto#PublicArt#NativeAmericanHeritageMonth
Visitors encounter patterns of isobars, which are pictures of areas of high and low pressure that occur in the atmosphere. They are made of specially mixed colors of terrazzo that were poured onsite. #LewisdeSoto#PublicArt#NativeAmericanHeritageMonth
The round medallions are international airports, and the design is derived from the diagrams that pilots use to determine the angle of ascent or descent into each airport. #LewisdeSoto#PublicArt#NativeAmericanHeritageMonth
See “On the Air” by Lewis deSoto, located pre-security, on the arrivals level of the International Terminal. bit.ly/3gtsljn
In 1933, Marguerite Wildenhain and her husband Frans moved from Germany to the Netherlands and opened a pottery. When Germany invaded the Netherlands in 1940, she immigrated to the U.S. and taught at the @CACollegeofArts in Oakland. #CaliforniaModernistWomen#MargueriteWildenhain
Two years later in 1942, she was the first resident at Pond Farm, an art colony and refuge for European artists near Guerneville in the Russian River Valley of Northern California. #CaliforniaModernistWomen#MargueriteWildenhain
Although, the collaborative dissolved during the 1950s, Marguerite Wildenhain continued at Pond Farm, where she made studio ceramics and held annual summer workshops, teaching select students to master wheel-thrown pottery. #CaliforniaModernistWomen#MargueriteWildenhain