Remembering Gene Tierney on her birthday π·
Apparently the painting of Tierney in Laura was an air-brushed photograph by Frank Polony. I can't think of a more impressive movie portrait. Peak art direction & set decoration, & don't forget the sitter!
For Gene Tierney's birthday, this Vandamm photograph from the @nypl digital collection
Gene Tierney as Patricia Stanley and Elliott Nugent as Tommy Turner in "The Male Animal", 1940
And from the same show, William Auerbach-Levy's drawing of Ivan Simpson as Dean Frederick Damon, Gene Tierney as Patricia Stanley and Elliott Nugent as Tommy Turner
"The Male Animal", 1940 @MuseumofCityNY
Otto Preminger directs Gene Tierney & Charles Laughton in Advise & Consent, 1962
Two still photographers on the set: Al St. Hilaire & Josh Weiner.
A fascinating process shot: an intense dynamic between Preminger & Tierney, under the knowing gaze of Laughton.
Was there ever a more perfect subject for the full-blown glamour of the Hollywood Studio portrait?
George Hurrell took this shot of Gene Tierney in 1944.
When Philippe Halsman photographed Gene Tierney in 1945, she was at the peak of her fame. Laura was released the previous year; in 1945 she received an Oscar nomination for Leave Her To Heaven.
Glamour, personality, class.
Another one of the 1945 Halsman portraits of Gene Tierney.
Classic beauty. Vulnerability (pretty standard amongst all Hollywood stars, I think, except for Katharine Hepburn). A bit of a hard edge. We saw that edge in Laura, & especially in Leave Her to Heaven.
This, I think, is my favourite portrait of Gene Tierney, by Philippe Halsman, Hollywood, 1945.
Did Halsman ask Tierney to raise her index finger on her shoulder, or did she do it herself? That gesture makes the shot. Only five years in Hollywood, but she was definitely a pro.
Clifton Webb (1889) & Gene Tierney (1920) share a birthday. They were both so good in Otto Preminger's Laura, 1944.
This picture was likely taken by Frank Polony, the still photographer on the set.
Gene Tierney in a fashion spread for Life Magazine, with one of their top photographers, Peter Stackpole. This came out in October 1947.
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Happy birthday to Nobel laureate Orhan Pamuk π
π· Ara GΓΌler
"His books are multi-layered, allegorical, sometimes fanciful, Proustian in their attention to detail and Borgesian in their dazzling complexity."
- Sarah Lyall
Orhan Pamuk by Sophie Bassouls, 1990
"Books, which we mistake for consolation, only add depth to our sorrow."
It's so great that other photographers have continued Philippe Halsman's #jump! tradition. Here's Orhan Pamuk by Alex Majoli.
This was taken at Cannes in 2007, when Pamuk was a member of the Festival Jury.
Celebrate the Richard Avedon Centennial ππ―
π· Irving Penn, Vogue, August 23, 1993
"He was small, dark & electric with his own sort of vitality. Crackling. Sparks seem to fly out of him. He flashes his fingers like tiny rapid moths."
- Ginette Spanier
On Richard Avedon's Centennial, my favourite portraits
Carson McCullers & Tennessee Williams, April 25, 1950 #Avedon100
On Richard Avedon's Centennial, my favourite portraits
Buster Keaton, 1952 #Avedon100
I'm listening to Concerto Italiano play Bach's Brandenburg Concertos, in their 2005 recording under Rinaldo Alessandrini.
I've always loved the cover photo; it's by Julia Fullerton-Batten. I'll start a thread of some of my favourites of her photos here. π§΅
Julia Fullerton-Batten
The Lady of Shalott, 2018
... which is, of course, a reinterpretation of John Waterhouse's 1888 painting of Lord Tennyson's poem.
Happy birthday Sofia Coppola π
π· Kate Barry
"Coppola is a true auteur β a filmmaker with a distinct worldview and sensibility and a personal set of quasi-autobiographical interests."
- J. Hoberman
Sofia with her dad on the set of Godfather 2
π· Steve Schapiro, 1974
The Coppola family by Ted Streshinsky, 1974
Eleanor & Francis Ford Coppola with their kids Sofia, Roman & Gian-Carlo
Celebrate the Red Garland Centennial ππ―
π· Bill Spilka, c. 1957
"Garland's style was understated and harmonically sophisticated; he would delineate a melody, then shade it with distinctively voiced block chords and hints of counterpoint."
- Jon Pareles #RedGarland100
Esmond Edwards' great album cover for Red Garland's "Red in Bluesville", from 1959. Edwards took the photo, & designed the album as well.
Remembering Bea Arthur on her birthday π
π· Martin Mills, 1972
"Those of us working with her knew we were working with a golden comedic touch." - Norman Lear
Beatrice Arthur with Bill Callaway & Carl Ballantine in Bruce Jay Friedman & Richard Adler's musical A Mother's Kisses
π· Jack Mitchell, 1968
Angela Lansbury & Beatrice Arthur in Mame
π· Friedman-Abeles, 1966
Arthur won the Best Featured Actress in a Musical Tony for her performance. She was Beatrice on the stage & Bea on TV.