The 317th platoon, made in 1965 about the last days of the French Indochina war is an odd film. A French platoon is retreating through the jungle of Laos, followed by Vietminh. Without nostalgia it marks the end of 500 years of European conquest.
There is a fundamental question all colonial powers must answer, regardless of origin and political color: shall we assimilate the natives, exploit them for slavery, or exterminate them?
Asian colonial powers in 2022 will have to ask themselves the same question.
The art of culture is in part to ask questions like these, to make the audience question assumptions and tell stories that contradict official or informal narratives, but also to do it in a way that is inspiring enough to keep the audience watching/listening/reading.
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I am reading @oskoreimotpol “Rising from the Ruins” for the second time. It feels like a completely new book this time, or have I finally grown up? It is an amazing journey through ecology, urbanization, crowds, technology etc but from a deep and “esoteric” point of view.
The book reminds me of when I first read his articles on @Motpolnu and was astonished by the depth and open minded willingness to discuss every single aspect of life. It was the first articles I had ever read about humanity and society that really tried to understand them both.
As my view on life is to a large extent based on the meritocratic and scientific approach of Napoleon I in his efforts to rationalize Europe, I have always missed a deeper perspective that dealed with the human soul rather than money, social status and other surface phenomena.
This picture sums up so much of western culture since the start of the 19th century and it strikes me that we are maybe THE ONLY BAND EVER IN MUSIC HISTORY that have made music for all four of these ideological viewpoints, except perhaps the green one.
Pasokification and Petrodollar Wars are Old School Marxist songs, with strong working class, anti-war sentiments.
Generation Identitaire and Corona are in my opinion Reactionary or Nouvelle Droit songs with firm anti-modernist messages of cultural integrity.